Television film: Difference between revisions
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The term |
The term "made-for-TV movie" was coined in the [[United States]] in the early [[1960s]] as an advertising gimmick to encourage even larger numbers of the cinema-going audience to stay home and watch television, on the premise that they were going to see the equivalent of a major, first-run theatrical motion picture in the comfort of their own homes. These events originally filled a 90-minute time slot (including commercials), later expanded to two hours, and were usually broadcast as a weekly anthology series (for example, ''[[American Broadcasting Company|ABC]] Movie of the Week''). Most TV movies featured major stars, and some were accorded even higher budgets than standard series television programs of the same lenght, including the major dramatic anthology programs which they came to replace. |
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One very popular and critically aclaimed TV movie was 1971's ''[[Duel (movie)|Duel]]'' directed by [[Steven Spielberg]] and starring [[Dennis Weaver]]. Such was the quality and popularity of ''Duel'' it was released to cinemas in [[Europe]], and later the US. However many [[1970s]] TV movies were a source of controversy, like [[Linda Blair]]'s movies ''[[Born Innocent]]'' and ''[[Sarah T. - Portrait of a Teenage Alcoholic]]'', as well as ''[[Dawn: Portrait of a Teenage Runaway]]'' and ''[[Alexander: The Other Side of Dawn]]'' which were vehicles for former ''[[The Brady Bunch|Brady Bunch]]'' actress [[Eve Plumb]]. |
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Despite their promise to compete with theatrical films, network-made TV movies in the USA have tended to be inexpensively |
One very popular and critically aclaimed TV movie was 1971's ''[[Duel (movie)|Duel]]'' directed by [[Steven Spielberg]] and starring [[Dennis Weaver]]. Such were the quality and popularity of ''Duel'' that it was released to cinemas in [[Europe]] and later the US. However, many [[1970s]] TV movies were a source of controversy, such as [[Linda Blair]]'s movies ''[[Born Innocent]]'' and ''[[Sarah T. - Portrait of a Teenage Alcoholic]]'', as well as ''[[Dawn: Portrait of a Teenage Runaway]]'' and ''[[Alexander: The Other Side of Dawn]]'', which were vehicles for former ''[[The Brady Bunch|Brady Bunch]]'' actress [[Eve Plumb]]. |
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Despite their promise to compete with theatrical films, network-made TV movies in the USA have tended to be inexpensively-produced and low quality. The stories are written to reach periodic semi-[[cliffhanger]]s coinciding with the network-scheduled times for the insertion of [[commercials]]; they are further managed to fill, but not exceed, the fixed running times allotted by the network to each movie "series". The movies tend to rely on small casts and a limited range of settings and camera setups. Even Spielberg's ''Duel'', while a well-crafted film, features a very small cast (apart from Weaver, all other acting roles are bit-parts) and mostly outdoors shooting locations in the desert. The movies are typically made by smaller crews, and they rarely feature expensive [[special effects]]. Some TV movies are notoriously [[melodrama]]tic, with [[soap opera]] style plots; typical plots associated with the genre include "[[disease]] of the week" movies or films about [[domestic violence]]. The series of ''[[Moment of Truth Movie]]s'' that run on the ''[[Lifetime (TV network)|Lifetime]]'' cable network exemplify these melodramatic tendencies. Certain actresses, such as [[Valerie Bertinelli]] and [[Michele Lee]], have been stereotyped as TV actresses due to the number of TV-movies in which they have appeared. |
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TV movies often follow specific naming conventions. For example, the title of many [[biographical film]]s follow the "[[Dramatic Phrase: The Firstname Surname Story]]" format. |
TV movies often follow specific naming conventions. For example, the title of many [[biographical film]]s follow the "[[Dramatic Phrase: The Firstname Surname Story]]" format. |
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Today the advent of cable television has served to increase the |
Today the advent of cable television has served to increase the number of venues for the broadcast of TV movies as well as their form. Budgets may be higher and the constraints of writing to fill fixed-time slots while accounting for commercials have been eliminated on the subscription-based cable stations. Conversely, the dispersal of the audience for TV-movies among numerous cable channels with a penchant for "original programming" has resulted in lower budgets, lesser-known performers, and even cheaper effects and settings, along with formulaic writing, on commercial-driven channels. |
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Often a successful series may spawn a TV movie [[sequel]] after ending its run, and TV movies may also be used as the first episode of a series, otherwise known as a [[television pilot|pilot]]. |
Often a successful series may spawn a TV movie [[sequel]] after ending its run, and TV movies may also be used as the first episode of a series, otherwise known as a [[television pilot|pilot]]. |
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TV movies are often broadcast on major networks during [[sweeps]] season |
TV movies are often broadcast on major networks during [[sweeps]] season or on cable networks that specialize in producing them such as [[Hallmark Channel]] and [[HBO]]. |
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==See also== |
==See also== |
Revision as of 03:25, 10 September 2005
A television movie (also known as a TV movie, TV-movie, feature-length drama, made-for-TV movie, single drama, telemovie, telefilm, or two-hour-long drama) is a film that is produced for and originally distributed by a television network.
The term "made-for-TV movie" was coined in the United States in the early 1960s as an advertising gimmick to encourage even larger numbers of the cinema-going audience to stay home and watch television, on the premise that they were going to see the equivalent of a major, first-run theatrical motion picture in the comfort of their own homes. These events originally filled a 90-minute time slot (including commercials), later expanded to two hours, and were usually broadcast as a weekly anthology series (for example, ABC Movie of the Week). Most TV movies featured major stars, and some were accorded even higher budgets than standard series television programs of the same lenght, including the major dramatic anthology programs which they came to replace.
One very popular and critically aclaimed TV movie was 1971's Duel directed by Steven Spielberg and starring Dennis Weaver. Such were the quality and popularity of Duel that it was released to cinemas in Europe and later the US. However, many 1970s TV movies were a source of controversy, such as Linda Blair's movies Born Innocent and Sarah T. - Portrait of a Teenage Alcoholic, as well as Dawn: Portrait of a Teenage Runaway and Alexander: The Other Side of Dawn, which were vehicles for former Brady Bunch actress Eve Plumb.
Despite their promise to compete with theatrical films, network-made TV movies in the USA have tended to be inexpensively-produced and low quality. The stories are written to reach periodic semi-cliffhangers coinciding with the network-scheduled times for the insertion of commercials; they are further managed to fill, but not exceed, the fixed running times allotted by the network to each movie "series". The movies tend to rely on small casts and a limited range of settings and camera setups. Even Spielberg's Duel, while a well-crafted film, features a very small cast (apart from Weaver, all other acting roles are bit-parts) and mostly outdoors shooting locations in the desert. The movies are typically made by smaller crews, and they rarely feature expensive special effects. Some TV movies are notoriously melodramatic, with soap opera style plots; typical plots associated with the genre include "disease of the week" movies or films about domestic violence. The series of Moment of Truth Movies that run on the Lifetime cable network exemplify these melodramatic tendencies. Certain actresses, such as Valerie Bertinelli and Michele Lee, have been stereotyped as TV actresses due to the number of TV-movies in which they have appeared.
TV movies often follow specific naming conventions. For example, the title of many biographical films follow the "Dramatic Phrase: The Firstname Surname Story" format.
Today the advent of cable television has served to increase the number of venues for the broadcast of TV movies as well as their form. Budgets may be higher and the constraints of writing to fill fixed-time slots while accounting for commercials have been eliminated on the subscription-based cable stations. Conversely, the dispersal of the audience for TV-movies among numerous cable channels with a penchant for "original programming" has resulted in lower budgets, lesser-known performers, and even cheaper effects and settings, along with formulaic writing, on commercial-driven channels.
Often a successful series may spawn a TV movie sequel after ending its run, and TV movies may also be used as the first episode of a series, otherwise known as a pilot.
TV movies are often broadcast on major networks during sweeps season or on cable networks that specialize in producing them such as Hallmark Channel and HBO.