D. R. Bendre

"Bendre" redirects here. For other uses, see Bendre (disambiguation).

Dattatreya Ramachandra Bendre
© Kamat's Potpourri
Pen name	Ambikatanayadatta
Occupation	Teacher, Poet
Nationality	Indian
Genre	Fiction
Literary movement	Navodaya

Dattatreya Ramachandra Bendre( Kannada: ದತ್ತಾತ್ರೇಯ ರಾಮಚಂದ್ರ ಬೇಂದ್ರೆ ) (January 31,1896 - 21 October,1981) was amongst the most famous of Kannada poets of the Navodaya Period and important contributor to the field of Marathi literature. Praised as varakavi,viz., gifted poet, he was the second person among seven recipients of Jnanpith Award for Kannada, the highest literary honour conferred in India. He wrote under the pen-name of Ambikatanayadatta. He also hold the title Karnataka kula Thilaka conferred by Udupi Adamaru. He was conferred Padma Shri by Government of India.

Biography

Early life and education

He was born on into a Chitpavan brahmin family at Dharwad in Karnataka. His Grand father was a Dasagranthi (Master of ten volumes of sacred lore) and scholar in Sanskrit classical literature. Dattatreya's father was also a Sanskrit scholar who Dattatreya lost due to illness when he was 12 years old. Dattatreya later adopted the pen-name of Ambikatanayadatta which literally means Datta, son of Ambika after his mother who ran Khanavali or eatery to feed the family. Bendre completed his primary and high school education in Dharwad and with his uncle's help and completed his matriculation in 1913 He joined the Fergusson College, Pune for his higher education. After obtaining his degree Bendre came back to Dharwad and started teaching at Victoria high school. He married to Laxmibai on 1919. He obtained his Master of Arts degree in 1935.

Career

Bendre started as a teacher at Victoria high school in Dharwad. He served as a professor of Kannada in D.A.V. College Solapur between 1944 and 1956. In 1956 he was appointed as an advisor for All India Radio's Dharwad station.

Later life

Bendre formed Geleyara Gumpu (Group of Friends) in 1922. Mainly formed for the study of culture and literature this friends' circle, drew poets, writers, intellectuals from all over Karnataka including Ananda Kanda, Sham. Ba. Joshi, Siddavanahalli Krishna Sharma, Enke, G.B.Joshi, V. K. Gokak and R. S. Mugali. In 1926 Bendre started the cultural movement Nada-habba, a celebration of the land and its culture which is still prevalent in Karnataka. This festival is celebrated during the navaratri. In 1932 Bendre was sentenced to imprisonment for writing Nara Bali (Human Sacrifice), which was then branded as seditious followed by house arrest in Mugad village. Bendre's two sons Panduranga and Vamana and daughter Mangala were the only three surviving children among nine who were born. In 1943 he led the 27th Kannada Sahitya Sammelana held at Shimoga. He went on to become a fellow of the Kannada Sahitya Parishat. In 1972 the Government of Karnataka produced a documentary on his life.

Works and Message

Bendre started off with simple and earthly romantic poetry, often using the "spoken" language. His later works dig deeper into social and philosophical matters. G. S. Amur leading critic in Kannada says "Bendre believed in the value of an integrated personality but loved to project himself as a threefold being: Dattatreya Ramachandra Bendre, the biological self, the dehi; Professor Bendre, the thinking self; and Ambikatanayadatta, the creative self. The three selves were conceived as mutually supporting selves, as the imagery Bendre used to concretise this idea clearly suggests. He spoke of Ambikatanayadatta and Professor Bendre as closely related to each other as the banks of a river or the belly and the back. One could not exist without the other."

Bendre has been hailed as the father figure of modern Kannada poetry. His poems are linked to the Kannada poetic tradition through their use of folklore, the vachanas and the kirthanas. Apart from native prosodic forms, Bendre has also employed native imagery, folk beliefs, references to Indian mythology and the language spoken by common people. Nada Lila (The Play of Sounds) is perhaps the most remarkable of his poetry collections.. All the features of Navodaya poetry like the feeling of patriotism, the reformatory zeal, critical attitude Indian culture, consolidation of traditional strength, mystical faith and assertion of a poet's individuality can be found in this collection of poems.

Bendre used diverse technique for spiritual lyrics, classical style for sonnets and traditional as well as colloquial idiom for pastoral and folk type lyrics. Symbolism is characteristic of his poetry. His poem Patargitti (Butterfly) sung as a nursery rhyme speaks of colors of temptation. Another one Mudalmaneya (Morning) becomes symbolic of all pervading peace or, the poet's yearning for it. In the Kuniyonu bara (Dance Eternal) all diverse currents of thought meet in on great confluence. Apparently, all Bendre's poems could be set to music and abound in alliteration. But there is always hidden meaning which only trained poetic mind can decipher.

As a person Bendre was quite friendly, suave and sociable. He mixed with intellectuals and illiterate villagers on equal terms. He loved and interpreted life in different colors.

Towards the end of his life Bendre was deeply absorbed in numbers. This was not a new interest for him but now it became a central concern. When Dom Moraes visited him during his exploration of Karnataka in 1976, he found him totally immersed in numbers. In his books Vishvadharanasutra and A Theory of Immortality Bendre made ambitious attempts to intuit all knowledge into numbers.

Further reading

• Kamat.com - Leaders of Karnataka - Dattatreya Ramachandra Bendre.
• V. K. Gokak, Bendre: Poet and Seer
• K. Raghavendra Rao, The Peacock Smile
• Keertinath Kurtakoti and Vamana Bendre, Shravana Pratibhe.
• G. S. Amur, Bhuvanada Bhagya which won him Sahitya Academy award.

Awards and Honors

• Jnanpith Award - 1974
• Padma Shri - 1968
• Sahitya Academy award - 1958
• Kelkar prize - 1965
• Fellowship of Sahitya Academy - 1968

And many more.

Bibliography

Poetry Collections

• Krishnakumari (1922)
• Gari (1932)
• Moorthi mattu Kamakastoori (1934)
• Sakheegeeta (1937)
• Uyyale (1938)
• Nadaleele (1940)
• Meghadoota (1943))
• Haadu Paadu (1946)
• Gangavatarana (1951)
• Krishnakumari mattu Haadu Paadu (1956)
• Sooryapana (1956)
• Hridayasamudra (1956)
• Muktakantha (1956)
• Chaityalaya (1957)
• Jeevalahari (1957)
• Aralu Maralu (1957)
• Namana (1958)
• Sanchaya (1959)
• Uttarayana (1960)
• Mugilamallige (1961)
• Yaksha Yakshi (1962)
• Naku Tanti (1964)
• Maryade (1966)
• Shrimata (1968)
• Baa Hattara (1969)
• Idu Nabhovani (1970)
• Vinaya (1972)
• Matte Shravana Bantu (1973)
• Olave Namma Badaku (1977)
• Chaturokti (1978)
• Paraki (1982)
• Kavyavaikhari (1982)
• Balabodhe (1983)
• Ta Lekkaniki Ta Dauti (1983)
• Chaitanyada Puje (1983)
• Pratibimbagalu (1987)
• Shravana Pratibhe (1987)
• Kuniyonu Baa (1990)

Plays

• Tirukara Pidugu (1930)
• Uddhara (1930)
• Nageya Hoge (1931)
• Hucchatagalu (1935)
• Hosa Samsara mattu Itara Ekankagalu (1950)
• Ambikatanayadatta Nataka Samputa (1982)

Essay

• Nirabharanasundari (1940)

Criticism

• Sahitya mattu Vimarshe (1937)
• Sahityasamshodhana (1940)
• Vicharamanjari (1945)
• Kavi Lakshmishana Jaimini Bharatakke Munnudi (1954)
• Maharashtra Sahitya (1959)
• Kannada Sahityadalli Nalku Nayakaratnagalu (1968)
• Matella Jyotu (1972)
• Sahityada Viratsvaroopa (1974)
• Kumaravyasa (1979)
• Matadharma mattu Adhunika Manava (1979)

Edited works

• Nannadu Ee kannada Nadu (1928)
• Hakki Haruthide (1930)
• Chandrahasa (1948)
• Hosagannada Kavyashree (1957)
• Kanakadasa Chaturshatamanotsava Samsmarana - Samputa (1965)

Works in Other Languages and Translations

• A Theory of Immortality (1977)
• Santa Mahantancha Poorna Shambhu Vitthal (1963)
• Samvad (1965)
• Vittala Sampradaya (1984)
• Hosagannada Kavyashree (1957)
• Shantala (1972)
• Upanishadrahasya by R.D. Ranade (1923)
• Bharatiya Navajanma " The Indian Renaissance" by Sri Aurobindo (1936)
• Sri Aravindara Yoga Ashrama mattu Tatvopadesha (1947)
• Kabira Vachanavali (1968)
• Bhagnamoorthi Tr. of Anil's Marathi poem (1972)
• Guru Govindasingh Tr. of Harbans Singh's book
• Noorondu Kavanagalu Tr. of Tagore's poems ed. by Humayun Kabir

External links

• Dharwad.com Bendre's Page
• Dattatraya Ramachandra Bendreby Jyotsna Kamat