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Often the specific cause for the reanimation of the dead is indeterminate or, if known, cannot be controlled by broad countermeasures with available technologies. In either case, there is no way to stop the dead from rising after the phenomenon has begun. The zombies are usually non-sentient and bestial, motivated by a need to consume living humans or at least fulfill an imperative to retransmit an infection by biting or clawing their victims.
Often the specific cause for the reanimation of the dead is indeterminate or, if known, cannot be controlled by broad countermeasures with available technologies. In either case, there is no way to stop the dead from rising after the phenomenon has begun. The zombies are usually non-sentient and bestial, motivated by a need to consume living humans or at least fulfill an imperative to retransmit an infection by biting or clawing their victims.


This leads to vast slaughter and very personal terror during encounters with the undead. Individually the zombies are physically unremarkable except for being unaffected by any but one specific kind of wound (traditionally decapitation, or the destruction of the brain). However the zombies attack en masse, swamping all resistance in unending waves, heedless of casualties that would discourage a living force.
This leads to vast slaughter and very personal terror during encounters with the undead. Individually the zombies are physically unremarkable except for being unaffected by any but one specific kind of wound (traditionally decapitation, or the destruction of the brain). However the zombies attack im masses, swamping all resistance in unending waves, heedless of casualties that would discourage a living force.


It is also a hallmark of the genre that attempting to defeat the undead by inappropriate means will often have a calamitous result for the main protagonists. As an example, seeking to destroy them by fire may simply turn them into shambling torches who can set fire to barricades, building or supplies vital to the surviving humans. The demoralizing effect of seeing conventional tactics and arms as well as wonder-weapons fail to stop the horde is generally profound as well.
It is also a hallmark of the genre that attempting to defeat the undead by inappropriate means will often have a calamitous result for the main protagonists. As an example, seeking to destroy them by fire may simply turn them into shambling torches who can set fire to barricades, building or supplies vital to the surviving humans. The demoralizing effect of seeing conventional tactics and arms as well as wonder-weapons fail to stop the horde is generally profound as well.

Revision as of 14:21, 16 August 2008

The zombie apocalypse is a particular scenario of apocalyptic fiction that customarily has a science fiction/horror rationale. In a zombie apocalypse, a widespread (usually global) rise of zombies (reanimated corpses) hostile to human life engage in a general assault on civilization. Those killed by zombies in turn rise as hostile zombies themselves. This causes the outbreak to become an exponentially growing crisis: the spreading "zombie plague" swamps normal military and law enforcement organizations, leading to the panicked collapse of civilian society until only isolated pockets of survivors remain, scavenging for food and supplies in a world suddenly reduced to a hostile wilderness.

Common elements

There are many elements common to most depictions of a zombie apocalypse. In the context of the story the generation of zombies is unprecedented; such a thing has never been seen before and is impossible by any reasonable definition, leading to responses of initial disbelief and, after the evidence becomes undeniable, psychological shock. Usually the authorities are slow to understand the true nature of the threat, first responding with inaction or inappropriate tactics and thus giving it time to grow beyond hope of containment.

Often the specific cause for the reanimation of the dead is indeterminate or, if known, cannot be controlled by broad countermeasures with available technologies. In either case, there is no way to stop the dead from rising after the phenomenon has begun. The zombies are usually non-sentient and bestial, motivated by a need to consume living humans or at least fulfill an imperative to retransmit an infection by biting or clawing their victims.

This leads to vast slaughter and very personal terror during encounters with the undead. Individually the zombies are physically unremarkable except for being unaffected by any but one specific kind of wound (traditionally decapitation, or the destruction of the brain). However the zombies attack im masses, swamping all resistance in unending waves, heedless of casualties that would discourage a living force.

It is also a hallmark of the genre that attempting to defeat the undead by inappropriate means will often have a calamitous result for the main protagonists. As an example, seeking to destroy them by fire may simply turn them into shambling torches who can set fire to barricades, building or supplies vital to the surviving humans. The demoralizing effect of seeing conventional tactics and arms as well as wonder-weapons fail to stop the horde is generally profound as well.

Narrative

The stories usually follow a single group of survivors, caught up in the sudden rush of the crisis. The narrative generally progresses from the onset of the zombie plague, then initial attempts to seek the aid of authorities, the failure of those authorities, the sudden catastrophic collapse of all large-scale organization and the characters' subsequent attempts to survive on their own. Such stories are often squarely focused on the way their characters react to such an extreme catastrophe, and how their personalities are changed by the stress.

Subtext

The literary subtext of a zombie apocalypse is usually that civilization is inherently fragile in the face of truly unprecedented threats and that most individuals cannot be relied upon to support the greater good if the personal cost becomes too high. The narrative of a zombie apocalypse carries strong connections to the turbulent social landscape of the United States in the 1960's when the originator of this genre, the film Night of the Living Dead, was first created.

List of zombie apocalypse fiction

The below lists are in alphabetical order.

Books

Comic books and manga

Film

Television

Video games

Other

See also

References

  • "Zombie Movies from Hell". The Gothic Lilith eZine. Retrieved 2007-04-27.