Gene Pitney: Difference between revisions
Adding Australian chart positions, from www.australian-charts.com (see pre-1989 thread) |
|||
Line 78: | Line 78: | ||
<small>''Note that release dates refer to initial release. Pitney's early singles generally appeared one to four months later in the UK/Austraila. Many of his later releases are UK/Australia/NZ only.'' |
<small>''Note that release dates refer to initial release. Pitney's early singles generally appeared one to four months later in the UK/Austraila. Many of his later releases are UK/Australia/NZ only.'' |
||
''Sources include [[Joel Whitburn]]'s Record Research material for the US Top 100, "Bubbling Under" and US Country charts |
''Sources include [[Joel Whitburn]]'s Record Research material for the US Top 100, "Bubbling Under" and US Country charts; Tim Rice ''et al'''s ''Guinness Book of Hit Singles'' for the UK; [[CHUM Chart]] for Canada prior to mid-1964, and the Canadian [[RPM (magazine)|RPM]] charts thereafter; and The [[Kent Report]] for Australia ''</small> |
||
{| class="wikitable" |
{| class="wikitable" |
||
! width="28" rowspan="2"| Release date |
! width="28" rowspan="2"| Release date |
||
Line 84: | Line 84: | ||
! colspan="4"| Chart positions |
! colspan="4"| Chart positions |
||
|- |
|- |
||
! width="60"| <small>[[Billboard Hot 100|US Hot 100]]</small> |
|||
! width="60"| <small>US [[C&W]]</small> |
|||
! width="60"| <small>[[Australia]]</small> |
! width="60"| <small>[[Australia]]</small> |
||
! width="60"| <small>[[Canada]]</small> |
|||
! width="60"| <small>[[UK]]</small> |
! width="60"| <small>[[UK]]</small> |
||
! width="60"| <small>[[Billboard Hot 100|US Hot 100]]</small> |
|||
! width="60"| <small>US [[C&W]]</small> |
|||
|- |
|- |
||
|1959? |
|1959? |
||
|''Jamie & Jane'' (Gene Pitney and [[Ginny Arnell]]):<br /> Snuggle Up Baby |
|''Jamie & Jane'' (Gene Pitney and [[Ginny Arnell]]):<br /> Snuggle Up Baby |
||
! |
|||
! |
! |
||
! |
! |
||
Line 98: | Line 101: | ||
|1959? |
|1959? |
||
|''Jamie & Jane'' (Gene Pitney and [[Ginny Arnell]]):<br />Classical Rock And Roll |
|''Jamie & Jane'' (Gene Pitney and [[Ginny Arnell]]):<br />Classical Rock And Roll |
||
! |
|||
! |
! |
||
! |
! |
||
Line 105: | Line 109: | ||
|1960 |
|1960 |
||
|as ''Billy Bryan'': Cradle Of My Arms |
|as ''Billy Bryan'': Cradle Of My Arms |
||
! |
|||
! |
! |
||
! |
! |
||
Line 112: | Line 117: | ||
|1960 |
|1960 |
||
|Please Come Back |
|Please Come Back |
||
! |
|||
! |
! |
||
! |
! |
||
Line 119: | Line 125: | ||
|January 1961 |
|January 1961 |
||
|(I Wanna) Love My Life Away |
|(I Wanna) Love My Life Away |
||
!#39 |
|||
! |
|||
!#29 |
!#29 |
||
!#23 |
|||
!#26 |
!#26 |
||
!#39 |
|||
! |
|||
|- |
|- |
||
|April 1961 |
|April 1961 |
||
|Louisiana Mama |
|Louisiana Mama |
||
! |
|||
! |
! |
||
! |
! |
||
Line 133: | Line 141: | ||
|July 1961 |
|July 1961 |
||
|Every Breath I Take |
|Every Breath I Take |
||
!#42 |
|||
! |
! |
||
! |
! |
||
! |
|||
!#42 |
|||
! |
! |
||
|- |
|- |
||
|October 1961 |
|October 1961 |
||
|Town Without Pity |
|Town Without Pity |
||
!#13 |
|||
! |
|||
!#31 |
!#31 |
||
!#10 |
|||
!#32 |
!#32 |
||
!#13 |
|||
! |
|||
|- |
|- |
||
|April 1962 |
|April 1962 |
||
|(The Man Who Shot) Liberty Valance |
|(The Man Who Shot) Liberty Valance |
||
!#4 |
|||
! |
|||
!#3 |
!#3 |
||
!#2 |
|||
! |
|||
!#4 |
|||
! |
! |
||
|- |
|- |
||
|August 1962 |
|August 1962 |
||
|[[Only Love Can Break a Heart]] <small> (A-Side) |
|[[Only Love Can Break a Heart]] <small> (A-Side) |
||
!#2 |
|||
! |
|||
!#4 |
!#4 |
||
!#11 |
|||
! |
|||
!#2 |
|||
! |
! |
||
|- |
|- |
||
|" |
|" |
||
|→ If I Didn't Have A Dime (To Play The Jukebox)<small> (B-Side) |
|→ If I Didn't Have A Dime (To Play The Jukebox)<small> (B-Side) |
||
!#58 |
|||
! |
|||
!#4 |
!#4 |
||
!#42 |
|||
! |
! |
||
!#58 |
|||
! |
|||
|- |
|- |
||
|December 1962 |
|December 1962 |
||
|Half Heaven - Half Heartache |
|Half Heaven - Half Heartache |
||
!#12 |
|||
! |
|||
!#11 |
!#11 |
||
!#4 |
|||
! |
! |
||
!#12 |
|||
! |
|||
|- |
|- |
||
|March 1963 |
|March 1963 |
||
|Mecca |
|Mecca |
||
!#12 |
|||
! |
|||
!#7 |
!#7 |
||
!#2 |
|||
! |
! |
||
!#12 |
|||
! |
|||
|- |
|- |
||
|June 1963 |
|June 1963 |
||
|True Love Never Runs Smooth |
|True Love Never Runs Smooth |
||
!#21 |
|||
! |
|||
!#18 |
!#18 |
||
!#17 |
|||
! |
! |
||
!#21 |
|||
! |
|||
|- |
|- |
||
|October 1963 |
|October 1963 |
||
|Twenty Four Hours From Tulsa |
|Twenty Four Hours From Tulsa |
||
!#17 |
|||
! |
|||
!#3 |
!#3 |
||
!#6 |
|||
!#5 |
!#5 |
||
!#17 |
|||
! |
|||
|- |
|- |
||
|January 1964 |
|January 1964 |
||
|That Girl Belongs To Yesterday<small> (A-Side) |
|That Girl Belongs To Yesterday<small> (A-Side) |
||
!#49 |
|||
! |
|||
!#9 |
!#9 |
||
!#41 |
|||
!#7 |
!#7 |
||
!#49 |
|||
! |
|||
|- |
|- |
||
|" |
|" |
||
|→ Who Needs It<small> (B-Side) |
|→ Who Needs It<small> (B-Side) |
||
!#131 |
|||
! |
|||
!#9 |
!#9 |
||
!#41 |
|||
! |
|||
!#131 |
|||
! |
! |
||
|- |
|- |
||
|April 1964 |
|April 1964 |
||
|Yesterday's Hero<small> (A-Side) |
|Yesterday's Hero<small> (A-Side) |
||
!#64 |
|||
! |
|||
!#18 |
!#18 |
||
!#36 |
|||
! |
! |
||
!#64 |
|||
! |
|||
|- |
|- |
||
|April 1964 |
|April 1964 |
||
|→ Cornflower Blue<small> (B-Side) |
|→ Cornflower Blue<small> (B-Side) |
||
!#18 |
|||
! |
! |
||
! |
! |
||
!#18 |
|||
! |
! |
||
! |
|||
|- |
|- |
||
|July 1964 |
|July 1964 |
||
|It Hurts To Be In Love |
|It Hurts To Be In Love |
||
!#7 |
|||
! |
|||
!#6 |
!#6 |
||
!#2 |
|||
!#36 |
!#36 |
||
!#7 |
|||
! |
|||
|- |
|- |
||
|July 1964 |
|July 1964 |
||
|Lips Are Redder On You<br /> <small>''Australian release only |
|Lips Are Redder On You<br /> <small>''Australian release only |
||
!#83 |
|||
! |
|||
! |
! |
||
! |
! |
||
!#83 |
|||
! |
! |
||
|- |
|- |
||
|October 1964 |
|October 1964 |
||
|I'm Gonna Be Strong |
|I'm Gonna Be Strong |
||
!#9 |
|||
! |
|||
!#5 |
!#5 |
||
!#3 |
|||
!#2 |
!#2 |
||
!#9 |
|||
! |
|||
|- |
|- |
||
|February 1965 |
|February 1965 |
||
|I Must Be Seeing Things<small> (A-Side) |
|I Must Be Seeing Things<small> (A-Side) |
||
!#31 |
|||
! |
|||
!#12 |
!#12 |
||
!#6 |
!#6 |
||
!#6 |
|||
!#31 |
|||
! |
|||
|- |
|- |
||
|February 1965 |
|February 1965 |
||
|→ Marianne<small> (B-Side) |
|→ Marianne<small> (B-Side) |
||
!#12 |
|||
! |
|||
! |
! |
||
! |
! |
||
!#12 |
|||
! |
! |
||
|- |
|- |
||
|April 1965 |
|April 1965 |
||
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> I've Got Five Dollars And It's Saturday Night |
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> I've Got Five Dollars And It's Saturday Night |
||
!#99 |
|||
!#16 |
|||
!#65 |
!#65 |
||
! |
! |
||
! |
|||
!#99 |
|||
!#16 |
|||
|- |
|- |
||
|May 1965 |
|May 1965 |
||
|Last Chance To Turn Around |
|Last Chance To Turn Around |
||
!#13 |
!#13 |
||
!#4 |
|||
! |
! |
||
!#13 |
!#13 |
||
! |
! |
||
|- |
|- |
||
|June 1965 |
|June 1965 |
||
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> Louisiana Man <small> (A-Side) |
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> Louisiana Man <small> (A-Side) |
||
! |
! |
||
!#25 |
|||
! |
! |
||
! |
! |
||
! |
|||
!#25 |
|||
|- |
|- |
||
|June 1965 |
|June 1965 |
||
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> I'm A Fool To Care <small> (B-Side) |
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> I'm A Fool To Care <small> (B-Side) |
||
!#115 |
|||
! |
! |
||
! |
! |
||
! |
! |
||
!#115 |
|||
! |
|||
|- |
|- |
||
|July 1965 |
|July 1965 |
||
|Looking Through The Eyes Of Love |
|Looking Through The Eyes Of Love |
||
!#28 |
|||
! |
|||
!#34 |
!#34 |
||
!#3 |
!#3 |
||
!#3 |
|||
!#28 |
|||
! |
|||
|- |
|- |
||
|November 1965 |
|November 1965 |
||
|Princess In Rags |
|Princess In Rags |
||
!#37 |
|||
! |
|||
!#13 |
!#13 |
||
!#2 |
|||
!#9 |
!#9 |
||
!#37 |
|||
! |
|||
|- |
|- |
||
|November 1965 |
|November 1965 |
||
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> Big Job |
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> Big Job |
||
! |
! |
||
!#50 |
|||
! |
! |
||
! |
! |
||
! |
|||
!#50 |
|||
|- |
|- |
||
|January 1966 |
|January 1966 |
||
|''Gene Pitney and [[Melba Montgomery]]'':<br /> Baby Ain't That Fine |
|''Gene Pitney and [[Melba Montgomery]]'':<br /> Baby Ain't That Fine |
||
! |
! |
||
!#15 |
|||
! |
! |
||
! |
! |
||
! |
|||
!#15 |
|||
|- |
|- |
||
|March 1966 |
|March 1966 |
||
|Nessuno Mi Puo' Guidcare |
|Nessuno Mi Puo' Guidcare |
||
!#115 |
|||
! |
|||
!#30 |
!#30 |
||
! |
! |
||
! |
|||
!#115 |
|||
! |
|||
|- |
|- |
||
|April 1966 |
|April 1966 |
||
|Backstage |
|Backstage |
||
!#25 |
|||
! |
|||
!#29 |
!#29 |
||
!#2 |
|||
!#4 |
!#4 |
||
!#25 |
|||
! |
|||
|- |
|- |
||
|May 1966 |
|May 1966 |
||
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> That's All It Took |
|''George & Gene'' ([[George Jones]] & Gene Pitney):<br /> That's All It Took |
||
! |
! |
||
!#47 |
|||
! |
! |
||
! |
! |
||
! |
|||
!#47 |
|||
|- |
|- |
||
|June 1966 |
|June 1966 |
||
|Nobody Needs Your Love <br /> <small>''European release only |
|Nobody Needs Your Love <br /> <small>''European release only |
||
! |
|||
! |
! |
||
! |
! |
||
!#2 |
!#2 |
||
! |
|||
! |
|||
|- |
|- |
||
|July? 1966 |
|July? 1966 |
||
|''Gene Pitney and [[Melba Montgomery]]'':<br /> Being Together |
|''Gene Pitney and [[Melba Montgomery]]'':<br /> Being Together |
||
! |
|||
! |
! |
||
! |
! |
||
Line 350: | Line 413: | ||
|September 1966 |
|September 1966 |
||
|(In The) Cold Light Of Day<small> (A-Side) |
|(In The) Cold Light Of Day<small> (A-Side) |
||
!#115 |
|||
! |
|||
!#19 |
!#19 |
||
! |
|||
!#38 |
!#38 |
||
!#115 |
|||
! |
|||
|- |
|- |
||
|September 1966 |
|September 1966 |
||
|→ The Boss's Daughter<small> (B-Side) |
|→ The Boss's Daughter<small> (B-Side) |
||
!#19 |
|||
! |
|||
! |
! |
||
! |
! |
||
!#19 |
|||
! |
! |
||
|- |
|- |
||
|December 1966 |
|December 1966 |
||
|Just One Smile<small> (A-Side) |
|Just One Smile<small> (A-Side) |
||
!#64 |
|||
! |
|||
!#55 |
!#55 |
||
! |
|||
!#8 |
!#8 |
||
!#64 |
|||
! |
|||
|- |
|- |
||
|December 1966 |
|December 1966 |
||
|→ Innamorata<small> (B-Side) |
|→ Innamorata<small> (B-Side) |
||
!#55 |
|||
! |
|||
! |
! |
||
! |
! |
||
!#55 |
|||
! |
! |
||
|- |
|- |
||
|March 1967 |
|March 1967 |
||
|I'm Gonna Listen To Me |
|I'm Gonna Listen To Me |
||
! |
|||
! |
! |
||
! |
! |
||
Line 385: | Line 457: | ||
|March 1967 |
|March 1967 |
||
|Animal Crackers (In Cellophane Boxes) |
|Animal Crackers (In Cellophane Boxes) |
||
!#106 |
|||
! |
|||
!#87 |
!#87 |
||
! |
! |
||
! |
|||
!#106 |
|||
! |
|||
|- |
|- |
||
|April 1967 |
|April 1967 |
||
|Tremblin' |
|Tremblin' |
||
! |
|||
! |
! |
||
! |
! |
||
Line 399: | Line 474: | ||
|September 1967 |
|September 1967 |
||
|Something's Gotten Hold Of My Heart |
|Something's Gotten Hold Of My Heart |
||
!#130 |
|||
! |
|||
!#69 |
!#69 |
||
! |
|||
!#5 |
!#5 |
||
!#130 |
|||
! |
|||
|- |
|- |
||
|March 1968 |
|March 1968 |
||
|The More I Saw Of Her |
|The More I Saw Of Her |
||
! |
|||
! |
! |
||
! |
! |
||
Line 413: | Line 491: | ||
|March 1968 |
|March 1968 |
||
|Somewhere In The Country<br /> <small> ''European release only |
|Somewhere In The Country<br /> <small> ''European release only |
||
! |
|||
! |
! |
||
! |
! |
||
!#19 |
!#19 |
||
! |
|||
! |
|||
|- |
|- |
||
|April 1968 |
|April 1968 |
||
|She's A Heartbreaker |
|She's A Heartbreaker |
||
!#16 |
|||
! |
|||
!#39 |
!#39 |
||
!#13 |
|||
! |
! |
||
!#16 |
|||
! |
|||
|- |
|- |
||
|October 1968 |
|October 1968 |
||
|Billy, You're My Friend |
|Billy, You're My Friend |
||
!#31 |
|||
!#92 |
!#92 |
||
! |
! |
||
!# |
!#92 |
||
! |
! |
||
|- |
|- |
||
|November 1968 |
|November 1968 |
||
|Yours Until Tomorrow<br /> <small>''European release only |
|Yours Until Tomorrow<br /> <small>''European release only |
||
! |
|||
! |
! |
||
! |
! |
||
!#34 |
!#34 |
||
! |
|||
! |
|||
|- |
|- |
||
|March 1969 |
|March 1969 |
||
|Maria Elena<br /> <small>''European release only |
|Maria Elena<br /> <small>''European release only |
||
! |
|||
! |
! |
||
! |
! |
||
!#25 |
!#25 |
||
! |
|||
! |
|||
|- |
|- |
||
|August 1969 |
|August 1969 |
||
|Playing Games of Love<br /> <small>''Australian release only |
|Playing Games of Love<br /> <small>''Australian release only |
||
! |
|||
!#85 |
!#85 |
||
! |
|||
! |
|||
! |
! |
||
! |
! |
||
Line 455: | Line 544: | ||
|December 1969 |
|December 1969 |
||
|She Lets Her Hair Down (Early In The Morning) |
|She Lets Her Hair Down (Early In The Morning) |
||
!#89 |
|||
! |
! |
||
!#88 |
|||
! |
! |
||
!#89 |
|||
! |
! |
||
|- |
|- |
||
|March 1970 |
|March 1970 |
||
|A Street Called Hope |
|A Street Called Hope |
||
! |
|||
! |
! |
||
! |
! |
||
!#37 |
!#37 |
||
! |
|||
! |
|||
|- |
|- |
||
|October 1970 |
|October 1970 |
||
|Shady Lady |
|Shady Lady |
||
! |
|||
! |
! |
||
! |
! |
||
!#29 |
!#29 |
||
! |
|||
! |
|||
|- |
|- |
||
|1971 |
|1971 |
||
|Higher And Higher |
|Higher And Higher |
||
! |
|||
! |
! |
||
! |
! |
||
Line 483: | Line 579: | ||
|1971 |
|1971 |
||
|Gene Are You There? |
|Gene Are You There? |
||
! |
|||
! |
! |
||
! |
! |
||
Line 490: | Line 587: | ||
|1972 |
|1972 |
||
|I Just Can't Help Myself |
|I Just Can't Help Myself |
||
! |
|||
! |
! |
||
! |
! |
||
Line 497: | Line 595: | ||
|1972 |
|1972 |
||
|Summertime Dreamin' |
|Summertime Dreamin' |
||
! |
|||
! |
! |
||
! |
! |
||
Line 504: | Line 603: | ||
|April 1973 |
|April 1973 |
||
|24 Sycamore<br /> <small>''European release only |
|24 Sycamore<br /> <small>''European release only |
||
! |
|||
! |
! |
||
! |
! |
||
!#34 |
!#34 |
||
! |
|||
! |
|||
|- |
|- |
||
|October 1974 |
|October 1974 |
||
|Blue Angel<br /> <small>''European/Australian release only |
|Blue Angel<br /> <small>''European/Australian release only |
||
! |
|||
! |
|||
!#2 |
!#2 |
||
! |
|||
!#39 |
!#39 |
||
! |
|||
! |
|||
|- |
|- |
||
|March 1975 |
|March 1975 |
||
|Trans-Canada Highway<br /> <small>''European/Australian release only |
|Trans-Canada Highway<br /> <small>''European/Australian release only |
||
!#14 |
|||
! |
! |
||
! |
! |
||
!#14 |
|||
! |
! |
||
! |
|||
|- |
|- |
||
|December 1975 |
|December 1975 |
||
|Train of Thought<br /> <small>''Australian release only |
|Train of Thought<br /> <small>''Australian release only |
||
!#78 |
|||
! |
! |
||
! |
! |
||
!#78 |
|||
! |
! |
||
! |
|||
|- |
|- |
||
|April 1976 |
|April 1976 |
||
|Image<br /> <small>''Australian release only |
|Image<br /> <small>''Australian release only |
||
!#89 |
|||
! |
! |
||
! |
! |
||
!#89 |
|||
! |
! |
||
! |
|||
|- |
|- |
||
|June 1989 |
|June 1989 |
||
|''[[Marc Almond]] & Gene Pitney'': <br />Something's Gotten Hold Of My Heart<br /> <small>''European release only |
|''[[Marc Almond]] & Gene Pitney'': <br />Something's Gotten Hold Of My Heart<br /> <small>''European release only |
||
! |
|||
! |
|||
!#24 |
!#24 |
||
! |
|||
!#1 |
!#1 |
||
! |
|||
! |
|||
|- |
|- |
||
|} |
|} |
Revision as of 03:37, 14 September 2008
This article may require copy editing for grammar, style, cohesion, tone, or spelling. (June 2008) |
Gene Pitney | |
---|---|
Born | Gene Francis Alan Pitney |
Other names | Gene Pitney |
Years active | 1960s – 2006 |
Gene Francis Alan Pitney (February 17 1940 – April 5 2006) was an American singer and songwriter. He was also an accomplished guitarist, pianist, drummer, and skilled sound engineer. In 2002, he was inducted into the Rock and Roll Hall of Fame.
Through the mid-1960s, he enjoyed considerable success as a recording artist on both sides of the Atlantic. As a performer, he charted 16 Top 40 hit singles in the US, 4 of which reached the top ten. In the UK, the figures were even more impressive: 22 top 40 hits, and 11 top tens. As a songwriter, he also penned the big early 1960s hits "He's A Rebel" by The Crystals, and "Hello Mary Lou" by Rick Nelson.
Pitney was among a small group of early 1960s American artists and acts such as Roy Orbison, The Beach Boys, The Four Seasons, Jan and Dean and Jay and the Americans that continued to enjoy big radio hits after the British Invasion arrived in the United States in 1964.
Biography
Early years
Pitney was born in Hartford, Connecticut. He grew up in Rockville, now a part of the town of Vernon. His early musical influences were Clyde McPhatter and Doo Wop groups like The Crows. He attended Rockville High School from which he earned the name "The Rockville Rocket," and where he formed his first band called "Gene & the Genials." He also made a couple of records as part of a duo called "Jamie and Jane" with Ginny Arnell (who later had a solo hit of her own, "DumbHead"), and then released a single in 1959 under the name Billy Bryan.
Rise to fame (1961-1964)
In 1961, Gene Pitney released his first chart single, "(I Wanna) Love My Life Away", on which he played several instruments and multi-tracked the vocals. This was followed by his first big hit, "Town Without Pity", that same year. This song, from the film of the same name starring Kirk Douglas, won the Golden Globe Award for Best Song in a Motion Picture and was nominated for an Academy Award for Best Song. Pitney was the first pop singer to perform at the Oscars, singing "Town Without Pity" at the 34th Annual Academy Awards on April 9 1962. The song lost the Academy Award to "Moon River" although "Town Without Pity" was awarded The Golden Globe Award.
Pitney helped his musical career by writing hit songs for others. Notable songs include "He's a Rebel" for The Crystals, Vikki Carr and Elkie Brooks, "Today's Teardrops" for Roy Orbison, "Rubber Ball" for Bobby Vee and "Hello Mary Lou" for Ricky Nelson. The Crystals' "He's A Rebel" kept Pitney's highest peaking Hot 100 record "Only Love Can Break a Heart" from being atop that chart on November 3, 1962.
Pitney is also well remembered for "The Man Who Shot Liberty Valance", which was associated with the 1962 John Ford film of the same name, starring Jimmy Stewart, John Wayne, Vera Miles and Lee Marvin. Pitney gave a strong and distinctive vocal performance of the song, penned by Burt Bacharach and Hal David. Although it was a certified Top 10 hit for Pitney, it was never used in the movie due to a publishing squabble between Famous Music and Paramount Pictures. A theatrical trailer included with a DVD release mentions a forthcoming title track, but not by name.
His 1963 hit "Mecca" is considered by some to be a precursor to psychedelia in its use of Indian musical influences, at least three years before The Beatles began incorporating these influences. The use of exotic musical instruments became something of a Pitney trademark, judging by the Mariachi trumpets employed in "Lonely Drifters", the ukuleles in "Hawaii", and the gypsy fiddle in "Golden Earrings".
His ongoing popularity in the UK market was ensured by the chart success of "Twenty Four Hours From Tulsa" at the end of 1963/beginning of 1964, when in January the Burt Bacharach/Hal David song peaked at #4. "Tulsa" was also a big hit in the US and would become the song that opened up Pitney's career to the international markets.
Involvement with The Rolling Stones (1964)
Along with Phil Spector, Pitney was present at some of the Rolling Stones' early recording sessions in London, including one for "Little by Little" (the b-side of their first top-10 single) and other tracks for their debut album;[1] he apparently played piano, though the extent to which his contributions were used -- if at all -- is uncertain.
The Jagger/Richards-penned song "That Girl Belongs to Yesterday" was a UK hit for Pitney in 1964; it was the first tune composed by the Rolling Stones' songwriting duo to become a top-10 hit in the UK.[2] In the US, however, the single was a comparative flop, stalling at #49 and ending a run of 7 straight Top 40 A-sides for Pitney as a performer.
Maintaining popularity at the height of The British Invasion (1964-1966)
After another low-charting single (1964's "Yesterday's Hero"), Pitney released another unbroken string of hit singles in the mid-1960s, with the unrequited love classic "It Hurts To Be in Love" (US #7) and "I'm Gonna Be Strong" (US #9) in 1964, and "Nobody Needs Your Love" in 1966 (the first two were top 10 in the US; the last two peaked at No. 2 in the UK). "It Hurts To Be in Love" was originally planned as a vehicle for Neil Sedaka. When Sedaka decided not to record it, Pitney used the existing backing tracks and just added his lead vocal.
In 1965, Pitney recorded two successful albums with country legend George Jones. They were voted the most promising C & W Duo of that year. Pitney also recorded songs in Italian, Spanish and German, and twice finished second in the Sanremo Music Festival, where his strong vibrato may have reminded older listeners of the Italian tenor Caruso. He had a regional hit with "Nessuno Mi Puo' Giudicare".
UK and European stardom (1966-1970s)
Pitney's career in the US took a downturn after mid-1966, when "Backstage" ended another run of top 40 hits. He would return one last time to the top 40 charts with "She's a Heartbreaker" in mid-1968, and have a few other very minor hits in the lower reaches of the Hot 100 after that, but by 1970, he was no longer a hitmaker in the US.
However, Pitney maintained a successful career in Britain and the rest of Europe well into the 1970s, appearing regularly on the UK charts as late as 1974. One of his records, released in 1974, was the song, "Trans-Canada Highway." One of the few star performers to have survived the 1960s unscathed, his fitness regime built the stamina he required for his singularly dithyrambic stage act.
In the early 70s, Pitney made a personal decision to cut back on his touring deciding only to spend six months of each year on the road, and the remainder with his family.
Later career
Pitney last hit the UK charts after an absence of fifteen years with 1989's duet with Marc Almond, a new version of "Something's Gotten Hold of My Heart", a song by British writers Roger Cook and Roger Greenaway, which had originally been a No. 5 solo hit for Pitney in 1967, and which belatedly brought him his first UK Number 1 hit, staying there for four weeks. It also went #1 in many European countries as well. Sales were boosted particularly by the two vocalists' appearance on the Terry Wogan TV show as it was climbing the charts. Pitney's US record company declined to issue the record in America on the grounds that buyers would mistake it for a vocal duet by two gay men, Almond being leather-clad as usual, and Pitney dressed in a white tuxedo.
Before that, cult band Nick Cave & the Bad Seeds had already recorded "Something's Gotten Hold of My Heart" on their cover album "Kicking Against the Pricks" in 1986.Even though the album was critically acclaimed & did very well on independent charts,it never reached the commercial success of the Pitney / Almond duet.
On February 26 1993, Gene Pitney performed at the prestigious Carnegie Hall in New York coincidentally the same day of the first World Trade Center bombing. On March 18 2002 he was inducted into the Rock and Roll Hall of Fame.
Pitney died on April 5 2006 at the age of 66. He was found dead by his tour manager in the Hilton Hotel in Cardiff in the middle of a UK tour.[3] His final show at Cardiff's St David's Hall was deemed a huge success, with a standing ovation, ending the show with his 1962 hit "Town Without Pity". An autopsy confirmed the singer died of natural causes.[4] He was laid to rest on April 13 2006 at Somers Center Cemetery in Somers, Connecticut.
Posthumous tributes
In tribute to Gene, Marc Almond has recorded "Backstage (I'm Lonely)" for his forthcoming album Stardom Road.
On September 20 2007, Gene Pitney was honored in his hometown of Rockville, Connecticut where a plaque was unveiled at the Town Hall. Members of the Pitney family were in attendance. The Gene Pitney Commemorative Committee has also established a Music Scholarship in Gene Pitney's name which is awarded annually to a student of Pitney's alma mater Rockville High School. In October of 2008, an International Fan Convention will also be held in his hometown of Rockville.
Discography
Singles
Note that release dates refer to initial release. Pitney's early singles generally appeared one to four months later in the UK/Austraila. Many of his later releases are UK/Australia/NZ only.
Sources include Joel Whitburn's Record Research material for the US Top 100, "Bubbling Under" and US Country charts; Tim Rice et al's Guinness Book of Hit Singles for the UK; CHUM Chart for Canada prior to mid-1964, and the Canadian RPM charts thereafter; and The Kent Report for Australia
Release date | Title | Chart positions | ||||
---|---|---|---|---|---|---|
Australia | Canada | UK | US Hot 100 | US C&W | ||
1959? | Jamie & Jane (Gene Pitney and Ginny Arnell): Snuggle Up Baby |
|||||
1959? | Jamie & Jane (Gene Pitney and Ginny Arnell): Classical Rock And Roll |
|||||
1960 | as Billy Bryan: Cradle Of My Arms | |||||
1960 | Please Come Back | |||||
January 1961 | (I Wanna) Love My Life Away | #29 | #23 | #26 | #39 | |
April 1961 | Louisiana Mama | |||||
July 1961 | Every Breath I Take | #42 | ||||
October 1961 | Town Without Pity | #31 | #10 | #32 | #13 | |
April 1962 | (The Man Who Shot) Liberty Valance | #3 | #2 | #4 | ||
August 1962 | Only Love Can Break a Heart (A-Side) | #4 | #11 | #2 | ||
" | → If I Didn't Have A Dime (To Play The Jukebox) (B-Side) | #4 | #42 | #58 | ||
December 1962 | Half Heaven - Half Heartache | #11 | #4 | #12 | ||
March 1963 | Mecca | #7 | #2 | #12 | ||
June 1963 | True Love Never Runs Smooth | #18 | #17 | #21 | ||
October 1963 | Twenty Four Hours From Tulsa | #3 | #6 | #5 | #17 | |
January 1964 | That Girl Belongs To Yesterday (A-Side) | #9 | #41 | #7 | #49 | |
" | → Who Needs It (B-Side) | #9 | #41 | #131 | ||
April 1964 | Yesterday's Hero (A-Side) | #18 | #36 | #64 | ||
April 1964 | → Cornflower Blue (B-Side) | #18 | ||||
July 1964 | It Hurts To Be In Love | #6 | #2 | #36 | #7 | |
July 1964 | Lips Are Redder On You Australian release only |
#83 | ||||
October 1964 | I'm Gonna Be Strong | #5 | #3 | #2 | #9 | |
February 1965 | I Must Be Seeing Things (A-Side) | #12 | #6 | #6 | #31 | |
February 1965 | → Marianne (B-Side) | #12 | ||||
April 1965 | George & Gene (George Jones & Gene Pitney): I've Got Five Dollars And It's Saturday Night |
#65 | #99 | #16 | ||
May 1965 | Last Chance To Turn Around | #13 | #4 | #13 | ||
June 1965 | George & Gene (George Jones & Gene Pitney): Louisiana Man (A-Side) |
#25 | ||||
June 1965 | George & Gene (George Jones & Gene Pitney): I'm A Fool To Care (B-Side) |
#115 | ||||
July 1965 | Looking Through The Eyes Of Love | #34 | #3 | #3 | #28 | |
November 1965 | Princess In Rags | #13 | #2 | #9 | #37 | |
November 1965 | George & Gene (George Jones & Gene Pitney): Big Job |
#50 | ||||
January 1966 | Gene Pitney and Melba Montgomery: Baby Ain't That Fine |
#15 | ||||
March 1966 | Nessuno Mi Puo' Guidcare | #30 | #115 | |||
April 1966 | Backstage | #29 | #2 | #4 | #25 | |
May 1966 | George & Gene (George Jones & Gene Pitney): That's All It Took |
#47 | ||||
June 1966 | Nobody Needs Your Love European release only |
#2 | ||||
July? 1966 | Gene Pitney and Melba Montgomery: Being Together |
|||||
September 1966 | (In The) Cold Light Of Day (A-Side) | #19 | #38 | #115 | ||
September 1966 | → The Boss's Daughter (B-Side) | #19 | ||||
December 1966 | Just One Smile (A-Side) | #55 | #8 | #64 | ||
December 1966 | → Innamorata (B-Side) | #55 | ||||
March 1967 | I'm Gonna Listen To Me | |||||
March 1967 | Animal Crackers (In Cellophane Boxes) | #87 | #106 | |||
April 1967 | Tremblin' | |||||
September 1967 | Something's Gotten Hold Of My Heart | #69 | #5 | #130 | ||
March 1968 | The More I Saw Of Her | |||||
March 1968 | Somewhere In The Country European release only |
#19 | ||||
April 1968 | She's A Heartbreaker | #39 | #13 | #16 | ||
October 1968 | Billy, You're My Friend | #31 | #92 | #92 | ||
November 1968 | Yours Until Tomorrow European release only |
#34 | ||||
March 1969 | Maria Elena European release only |
#25 | ||||
August 1969 | Playing Games of Love Australian release only |
#85 | ||||
December 1969 | She Lets Her Hair Down (Early In The Morning) | #88 | #89 | |||
March 1970 | A Street Called Hope | #37 | ||||
October 1970 | Shady Lady | #29 | ||||
1971 | Higher And Higher | |||||
1971 | Gene Are You There? | |||||
1972 | I Just Can't Help Myself | |||||
1972 | Summertime Dreamin' | |||||
April 1973 | 24 Sycamore European release only |
#34 | ||||
October 1974 | Blue Angel European/Australian release only |
#2 | #39 | |||
March 1975 | Trans-Canada Highway European/Australian release only |
#14 | ||||
December 1975 | Train of Thought Australian release only |
#78 | ||||
April 1976 | Image Australian release only |
#89 | ||||
June 1989 | Marc Almond & Gene Pitney: Something's Gotten Hold Of My Heart European release only |
#24 | #1 |
References
- ^ Zentgraf, Nico. "The Complete Works of the Rolling Stones 1962-2008". Retrieved 2008-02-23.
{{cite web}}
: Cite has empty unknown parameter:|1=
(help) - ^ Elliott, Martin (2002). The Rolling Stones: Complete Recording Sessions 1962-2002. Cherry Red Books. p. pg. 16. ISBN 1-901447-04-9.
{{cite book}}
:|page=
has extra text (help) - ^ Singer Gene Pitney dies in Wales after acclaimed performance Retrieved February 23, 2008
- ^ Pitney death from natural causes Retrieved February 23 2008
External links
- A site created to honor Gene in his hometown of Rockville, CT
- "Wild" Wayne - Ct. based nationally known Oldies Radio DJ & friend of Gene Pitney
- Rock and Roll Hall of Fame
- Report of Pitney's death from BBC News
- BBC Obituary
- Obituary from the The Guardian
- Fan's Final Chat with Gene Pitney
- Interview with Gene Pitney in International Songwriters Association's "Songwriter Magazine", concentrating on his songwriting career
- Wikipedia articles needing copy edit from June 2008
- Articles lacking sources from September 2007
- Articles needing cleanup from January 2008
- Cleanup tagged articles without a reason field from January 2008
- Wikipedia pages needing cleanup from January 2008
- 1940 births
- 2006 deaths
- Deaths from cardiovascular disease
- American male singers
- American pop singers
- American singer-songwriters
- Americans of Polish descent
- Connecticut musicians
- Rock and Roll Hall of Fame inductees
- People from Connecticut