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Hartt has been screening movies in Toronto since the early 1970s. His characteristic black and white typewriter-text-with-film-stills advertising posters are ubiquitous around downtown Toronto, and he can be seen occasionally riding his bicycle with a big stack of them in the front basket.
Hartt has been screening movies in Toronto since the early 1970s. His characteristic black and white typewriter-text-with-film-stills advertising posters are ubiquitous around downtown Toronto, and he can be seen occasionally riding his bicycle with a big stack of them in the front basket.


The films he screens are generally old and tend to the bizzarre; typical programs include "the anarchist surrealist hallucinatory film festival" featuring works of Man Ray, Dali, and Bunuel, or "the sex and violence cartoon festival" featuring racy Bugs Bunny cartoons. Other offerings include Murnau's ''Nosferatu'' set to a Radiohead score and a clean print of [[Leni Riefenstahl]]'s ''Triumph of the Will''. His collection includes several rare items, including the only complete print of the 1933 [[Paramount Studios|Paramount]] version of ''Dr. Jekyll and Mr. Hyde''.
The films he screens are generally old and tend to the bizzarre; typical programs include "the anarchist surrealist hallucinatory film festival" featuring works of Man Ray, Dali, and Bunuel, or "the sex and violence cartoon festival" featuring racy Bugs Bunny cartoons. Other offerings include "Kid Dracula" (Murnau's ''Nosferatu'' set to a Radiohead score) and a clean print of [[Leni Riefenstahl]]'s ''Triumph of the Will''. His collection includes several rare items, including the only complete print of the 1933 [[Paramount Studios|Paramount]] version of ''Dr. Jekyll and Mr. Hyde''.


Hartt is known for delivering long addresses on the subject of Christ, cartoons, or anecdotes concerning his varied life experiences during the breaks in his longer programs.
Hartt is known for delivering long addresses on the subject of Christ, cartoons, or anecdotes concerning his varied life experiences during the breaks in his longer programs.

Revision as of 18:41, 27 September 2008

Hartt's Cineforum

Reg Hartt (born on June 12, 1946 in Rothwell, New Brunswick) is a Toronto film archivist well known in the city for his unique staging of old, important movies. Since 1992 he has shown the movies in his house on Bathurst Street. The screening room is his front parlour featuring a mismatched assortment of junk-shop seats. A neon sign reading "Cineforum" placed in the front window indicates his presence. An inscription in ancient Greek over the front door reads "abandon all hope, ye who enter here."

Hartt has been screening movies in Toronto since the early 1970s. His characteristic black and white typewriter-text-with-film-stills advertising posters are ubiquitous around downtown Toronto, and he can be seen occasionally riding his bicycle with a big stack of them in the front basket.

The films he screens are generally old and tend to the bizzarre; typical programs include "the anarchist surrealist hallucinatory film festival" featuring works of Man Ray, Dali, and Bunuel, or "the sex and violence cartoon festival" featuring racy Bugs Bunny cartoons. Other offerings include "Kid Dracula" (Murnau's Nosferatu set to a Radiohead score) and a clean print of Leni Riefenstahl's Triumph of the Will. His collection includes several rare items, including the only complete print of the 1933 Paramount version of Dr. Jekyll and Mr. Hyde.

Hartt is known for delivering long addresses on the subject of Christ, cartoons, or anecdotes concerning his varied life experiences during the breaks in his longer programs.

References

  • All About Toronto's Reg Hartt, Film Archivist
  • Wherry, Aaron. "Reg Hartt's favourite eatery is his kitchen." National Post. Don Mills, Ont.: May 17, 2003. pg. TO.2
  • Eckler, Rebecca. 'Home' movies like you've never seen before. National Post. Don Mills, Ont.: Aug 25, 1999. pg. B.3
  • Valpy, Michael. "The life and times of Reg Hartt." The Globe and Mail. Toronto, Ont.: Mar 9, 1995. pg. A.2