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== Plot ==
== Plot ==


''Waking Life'' is about a young man in a persistent [[lucid dream]]-like state. The film follows its protagonist as he initially observes and later participates in [[philosophy|philosophical]] discussions that weave together issues like [[reality]], [[free will]], our relationships with others, and the [[meaning of life]]. Along the way the film touches on other topics including [[existentialism]], [[situationist]] politics, [[posthumanity]], and the film theory of [[André Bazin]]. The young man eventually comes to realize the possibility that the reason he is unable to wake up is because he is dead.
''Waking Life'' is about a young man in a persistent [[lucid dream]]-like state. The film follows its protagonist as he initially observes and later participates in [[philosophy|philosophical]] discussions that weave together issues like [[reality]], [[free will]], our relationships with others, and the [[meaning of life]]. Along the way the film touches on other topics including [[existentialism]], [[situationist]] politics, [[posthumanity]], and the film theory of [[André Bazin]]. The young man eventually comes to realize the possibility that the reason he is unable to wake up is because he is dead. The film ends on an ambiguous note, and in the commentary track, director Richard Linklater states that he never intended for people to think the protagonist was dead.

Unsurprisingly, given the above themes and content, ''Waking Life'' is much more focused on dialogue (often even [[monologue]]) than on plot action. In this emphasis, it echoes the [[1981]] film ''[[My Dinner with Andre]]'' and the [[1990]] film ''[[Mindwalk]]''. Long scenes in ''Waking Life'' consist of nothing but head shots of characters expounding on philosophical questions. The characters and their speech are very reminiscent of [[Richard Linklater|Linklater's]] earlier cult classic, [[Slacker (film)|''Slacker'']]. ([[Ethan Hawke]] and [[Julie Delpy]] even appear as their characters from Linklater's ''[[Before Sunrise]]'' and ''[[Before Sunset]]'')


== Production ==
== Production ==

Revision as of 05:36, 29 September 2008

Waking Life
Theatrical release poster
Directed byRichard Linklater
Written byRichard Linklater
Produced byTommy Pallotta
Jonah Smith
Anne Walker-McBay
Palmer West
StarringTrevor Jack Brooks
Lorelei Linklater
Wiley Wiggins
Timothy "Speed" Levitch
Alex Jones
CinematographyRichard Linklater
Tommy Pallotta
Edited bySandra Adair
Music byGlover Gill
Distributed byFox Searchlight Pictures
Release dates
January 23, 2001
Running time
99 min.
LanguageEnglish

Waking Life is a digitally enhanced live action rotoscoped film, directed by Richard Linklater and made in 2001. The entire film was shot using digital video and then a team of artists using computers drew stylized lines and colors over each frame. This technique is similar in some respects to the rotoscope style of 1970s filmmaker Ralph Bakshi, which was invented in the 1920s.

The title is a reference to George Santayana's maxim that "[s]anity is a madness put to good uses; waking life is a dream controlled."[1]

Plot

Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life. Along the way the film touches on other topics including existentialism, situationist politics, posthumanity, and the film theory of André Bazin. The young man eventually comes to realize the possibility that the reason he is unable to wake up is because he is dead. The film ends on an ambiguous note, and in the commentary track, director Richard Linklater states that he never intended for people to think the protagonist was dead.

Unsurprisingly, given the above themes and content, Waking Life is much more focused on dialogue (often even monologue) than on plot action. In this emphasis, it echoes the 1981 film My Dinner with Andre and the 1990 film Mindwalk. Long scenes in Waking Life consist of nothing but head shots of characters expounding on philosophical questions. The characters and their speech are very reminiscent of Linklater's earlier cult classic, Slacker. (Ethan Hawke and Julie Delpy even appear as their characters from Linklater's Before Sunrise and Before Sunset)

Production

Adding to the dream-like effect, the film used an innovative animation technique based on rotoscoping. Animators overlaid live action footage (shot by Linklater) with animation that roughly approximates the images actually filmed. A variety of artists were employed, so the feel of the movie continually changes. The result is a surreal, shifting dreamscape.

The animators used inexpensive "off-the-shelf" Apple Macintosh computers (as opposed to the expensive supercomputers and computer clusters used by Pixar and DreamWorks). The film was mostly produced using Rotoshop, a custom-made rotoscoping program that creates blends between keyframe vector shapes, and created specifically for the production by Bob Sabiston (the name is a play on the popular bitmap graphics editing software called Photoshop, which also makes use of virtual "layers").

Awards

Nominated for numerous awards, mainly for its technical achievements, Waking Life won the National Society of Film Critics award for "Best Experimental Film," the New York Film Critics Circle award for "Best Animated Film," and the "CinemAvvenire" award at the Venice Film Festival for "Best Film." It was also nominated for the Golden Lion, the festival's main award.

Soundtrack

File:Waking Life Soundtrack.JPG
Soundtrack cover

The soundtrack was performed and written by Glover Gill and the Tosca Tango Orchestra, except for one piece written by Frédéric Chopin, and was relatively successful. Featuring the nuevo tango style, it bills itself "the 21st Century Tango." Influence for the compositions stem from the Argentinian "father of new tango" Ástor Piazzolla. The actual tango scores are revised renditions of Ástor Piazzolla's works.

DVD

The film was released on DVD in North America on May 7, 2002. Special features included several commentaries, documentaries, interviews and deleted scenes, as well as the short film Snack and Drink. A bare-bones DVD with no special features was released on Region 2 on February 24, 2003.

Details

  • The Philip K. Dick essay being discussed is How to Build a Universe that Doesn't Fall Apart Two Days Later,[1] the introduction to his short story collection I Hope I Shall Arrive Soon.
  • The final song in the theatrical trailer is "The Passenger" performed by Iggy Pop.
  • The entire film was shot with a MiniDV camera.
  • In the scene with the chimpanzee giving the lecture, scenes from The Last House on the Left, Akira Kurosawa's Dreams and live performances of Nirvana and Dead Kennedys are playing on the projector.
  • The scene with the man in prison ranting about torture is taken almost directly from Hubert Selby Jr's 1971 novel The Room.
  • The 1970s Bally pinball machine "Fireball" appears in the film.
  • Since none of the characters are mentioned in the film by name, the closing credits show a clip from the film with the character's face on screen, with the actor's name beside it.
  • The man simultaneously driving and shouting into the megaphone is Alex Jones, known for expressing even more controversial and conspiratorial viewpoints on his syndicated radio show.

See also

References

  1. ^ Santayana, George (1989). Interpretations of Poetry and Religion (Cambridge, Mass.: MIT Press), 156.
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