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==New School==
==New School==


Within the realm of hip hop, notable modern turntablists are the cinematic [[DJ Shadow]], who influenced [[Diplo]] and [[RJD2]], among others, and the experimental [[DJ Spooky]], whose Optometry albums showed that the turntablist can perfectly fit within the classic jazz setting. [[Cut Chemist]] and [[Nu-Mark]], members of [[old school hip hop]] collective [[Jurassic 5]], and [[Mixmaster Mike]], who collaborated with the [[Beastie Boys]] on 1998's [[Hello Nasty]], are also known as [[virtuoso|virtuosi]] of the turntables.
Within the realm of hip hop, notable modern turntablists are the cinematic [[DJ Shadow]], who influenced [[Diplo]] and [[RJD2]], among others, and the experimental [[DJ Spooky]], whose Optometry albums showed that the turntablist can perfectly fit within the classic jazz setting and of COURSE, the undisputed champion- [[Mr. "mother fucking" Dibbs]]. [[Cut Chemist]] and [[Nu-Mark]], members of [[old school hip hop]] collective [[Jurassic 5]], and [[Mixmaster Mike]], who collaborated with the [[Beastie Boys]] on 1998's [[Hello Nasty]], are also known as [[virtuoso|virtuosi]] of the turntables.


Turntables were actually first used as musical instruments in the [[1940]]'s and [[1950]]'s by [[musique concrète]] and other experimental composers, such as [[John Cage]] and [[Pierre Schaeffer]], who used them in a manner similar to [[digital sampling]]. Hip hop DJs developed independently of the earlier techniques.
Turntables were actually first used as musical instruments in the [[1940]]'s and [[1950]]'s by [[musique concrète]] and other experimental composers, such as [[John Cage]] and [[Pierre Schaeffer]], who used them in a manner similar to [[digital sampling]]. Hip hop DJs developed independently of the earlier techniques.

Revision as of 15:11, 3 October 2005

Old School

Turntablism is a subgenre of hip hop. One who engages in turntablism is a turntablist, a term created in 1994 by DJ Supreme from New Rochelle, to describe the difference between a DJ who just lets records play, and one who actually manipulates the sounds of a record.

Turntablists are DJs who use vinyl disc records, and turntable techniques like scratching or beat juggling in the composition of original musical works. Turntablism is generally focused more on turntable technique and less on mixing, rapping or vocal delivery. Some turntablists seek to have themselves recognized as a legitimate musician capable of interacting and improvising with other performers.

DJ Grand Mixer DXT is credited with inventing turntablism(though other sources credit Grand Wizard Theodore), the rhythmic scratching of a record on a turntable, then using different velocities to alter the pitch of the note or sound on the recording, making the turntable a fully performable and improvisational instrument (Alberts 2002).

Turntablists like Roc Raida, Q-Bert, A-Trak, and Kid Koala owe a distinct debt to Old School DJ's like DJ Kool Herc, Grand Wizard Theodore, Grandmaster Flash, Afrika Bambaataa, and DJs of the "Golden Era of Hip-Hop", who originally developed many of the concepts and techniques that evolved into modern turntablism. There are also more experimental turntablists such as Christian Marclay, Otomo Yoshihide, Philip Jeck and Janek Schaefer.

New School

Within the realm of hip hop, notable modern turntablists are the cinematic DJ Shadow, who influenced Diplo and RJD2, among others, and the experimental DJ Spooky, whose Optometry albums showed that the turntablist can perfectly fit within the classic jazz setting and of COURSE, the undisputed champion- Mr. "mother fucking" Dibbs. Cut Chemist and Nu-Mark, members of old school hip hop collective Jurassic 5, and Mixmaster Mike, who collaborated with the Beastie Boys on 1998's Hello Nasty, are also known as virtuosi of the turntables.

Turntables were actually first used as musical instruments in the 1940's and 1950's by musique concrète and other experimental composers, such as John Cage and Pierre Schaeffer, who used them in a manner similar to digital sampling. Hip hop DJs developed independently of the earlier techniques.

The selection of a champion comes from the culmination of battles between turntablists. Battling involves each turntablist performing a routine (a combination of tricks) within a limited time period, after which, the routine is judged by a panel of expert judges. The winner is selected based upon score. The organized competitions, evolved from actual old school "battles" where DJs challenged each other at parties, and the "judge" was the simple fact that everybody knew who really was best, and often the winner kept the losers equipment and/or records...

See Also

Bibliography

  • Eshun, Kodwo More Brilliant than the Sun. Adventures in Sonic Fiction. London: Quartet Books 1998. ISBN 0-7043-8025-0
  • Poschardt, Ulf: DJ Culture. London: Quartet Books 1998. ISBN 0-704-38098-6

Reference