Locus amoenus: Difference between revisions
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[[Latin]] for "pleasant place", '''''locus amoenus''''' is a [[literary]] term which generally refers to an idealized place of safety or comfort. A ''locus amoenus'' is usually a beautiful, shady lawn or open woodland, sometimes with connotations of [[Garden of Eden|Eden]]. |
[[Latin]] for "pleasant place", '''''locus amoenus''''' is a [[literary]] term which generally refers to an idealized place of safety or comfort. A ''locus amoenus'' is usually a beautiful, shady lawn or open woodland, sometimes with connotations of [[Garden of Eden|Eden]]. The definiative article on the subject was written by E. R. Curtius in ''European Literature and the Latin Middle Ages'' in 1953. |
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A locus amoenus will have three basic elements: trees, grass, and water. Often, the garden will be in a remote place and function as a landscape of the mind. It can also be used to highlight the differences between urban and rural life or be a place of refuge from the processes of time and mortality. Some gardens in the genere also have overtones of the regenerative powers of human sexuality.<ref>For more information, see Evett, David. "Paradice's Only Map": The "Topos" of the "Locus Amoenus" and the Structure of Marvell's |
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"Upon Appleton House." PMLA. 85.3(1970):504-513.</ref> |
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The literary use of this type of setting goes back, in Western literature at least, to [[Homer]], and it became a staple of the [[pastoral]] works of poets such as [[Theocritus]] and [[Virgil]]. [[Horace]] (''[[Ars poetica]]'', 17) and the commentators on Virgil, such as [[Servius]], recognize that descriptions of ''loci amoeni'' have become a rhetorical commonplace. |
The literary use of this type of setting goes back, in Western literature at least, to [[Homer]], and it became a staple of the [[pastoral]] works of poets such as [[Theocritus]] and [[Virgil]]. [[Horace]] (''[[Ars poetica]]'', 17) and the commentators on Virgil, such as [[Servius]], recognize that descriptions of ''loci amoeni'' have become a rhetorical commonplace. |
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Revision as of 16:28, 30 November 2008
Latin for "pleasant place", locus amoenus is a literary term which generally refers to an idealized place of safety or comfort. A locus amoenus is usually a beautiful, shady lawn or open woodland, sometimes with connotations of Eden. The definiative article on the subject was written by E. R. Curtius in European Literature and the Latin Middle Ages in 1953.
A locus amoenus will have three basic elements: trees, grass, and water. Often, the garden will be in a remote place and function as a landscape of the mind. It can also be used to highlight the differences between urban and rural life or be a place of refuge from the processes of time and mortality. Some gardens in the genere also have overtones of the regenerative powers of human sexuality.[1]
The literary use of this type of setting goes back, in Western literature at least, to Homer, and it became a staple of the pastoral works of poets such as Theocritus and Virgil. Horace (Ars poetica, 17) and the commentators on Virgil, such as Servius, recognize that descriptions of loci amoeni have become a rhetorical commonplace.
In Ovid's Metamorphoses, the function of the locus amoenus is inverted. Instead of offering a respite from dangers, it is itself usually the scene of violent encounters. [1]
In Beowulf, Heorot is a locus amoenus until it is attacked by Grendel.
In Boccaccio's Decameron, the garden in which the ten narrators tell their stories is a locus amoenus.
In Chaucer's The Book of the Duchess, the dreamer meets the Man in Black grieving in the clearing of the wood, interrupting the masculine hunt.
In the works of William Shakespeare, the locus amoenus is the space that lies outside of city limits. It is where erotic passions can be freely explored, away from civilization and thus hidden from the social order which acts to suppress and regulate sexual behavior. It is mysterious and dark, a feminine place, as opposed to the rigid masculine civil structure. Examples can be found in A Midsummer Night's Dream, As You Like It, and Titus Andronicus.
In William Wordsworth's 'Ode: Intimations of Immortality from Recollections of Childhood' the dimly recalled edenic joy of infancy is located in the amoenus: 'There was a time when meadow, grove and stream...'
External links
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- ^ For more information, see Evett, David. "Paradice's Only Map": The "Topos" of the "Locus Amoenus" and the Structure of Marvell's "Upon Appleton House." PMLA. 85.3(1970):504-513.