Stratton Rawson: Difference between revisions
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| ⚫ | '''Stratton Rawson''', an independent film producer, screenwriter and music critic, is a senior producer at [[WNED-FM]] in [[Buffalo, New York]], where he has been called, "Buffalo's Leonard Bernstein."<ref>[http://buffalonews.typepad.com/artsbeat/ "ArtsBeat," ''The Buffalo News'', April 28, 2008.]</ref> |
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| ⚫ | He grew up in the Hudson Valley of [[New York State]] and took up the [[cello]] at an early age, spent four years at [[SUNY Albany]], a year of work for the Chancellor of [[SUNY]], two years at the [[University of Wyoming]], and another four years at [[SUNY Buffalo]].<ref>[http://www.wned.org/fm/hosts.asp?host=Rawson "Stratton Rawson," WNED-FM, Buffalo.]</ref> |
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| ⚫ | '''Stratton Rawson''' |
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==Film== |
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| ⚫ | He grew up in the Hudson Valley of [[New York State]] and took up the [[cello]] at an early age, spent four years at [[SUNY Albany]], a year of work for the Chancellor of [[SUNY]], two years at the [[University of Wyoming]], and another four years at [[SUNY Buffalo]]. |
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| ⚫ | Rawson was one of the screenwriters of Frederick King Keller's ''Tuck Everlasting'' (1981).<ref>[http://movies.nytimes.com/movie/review?_r=1&res=9806E1DF153BF936A35755C0A967948260&oref=slogin Canby, Vincent. "Katharine Hepburn and Friends," ''The New York Times'', June 5, 1981.]</ref> Rawson's films as a producer include ''My Dark Lady'' (1987) and ''Vamping'' (1984). He has worked on the crew of several films, including ''[[The Natural]]'' (1984). |
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| ⚫ | Rawson was one of the screenwriters of Frederick King Keller's ''Tuck Everlasting'' (1981). |
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==Recordings== |
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The recording ''Christophe Columb'' (Mode, 1992) featured Rawson as the Magician and narrator. This was a 1992 production of a 1940 BBC Radio play by William Aguet with music by [[Arthur Honegger]]. A Downtown Music Gallery review detailed the background on this production: |
The recording ''Christophe Columb'' (Mode, 1992) featured Rawson as the Magician and narrator. This was a 1992 production of a 1940 BBC Radio play by William Aguet with music by [[Arthur Honegger]]. A Downtown Music Gallery review detailed the background on this production: |
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:The art of the radio-play was a very important and respected creative mode of entertainment in Europe before the age of television, where subsidized radio stations encouraged experiments in this medium. Composers such as Britten, Hindemith, Gerhard, and Honegger were quick to take up the challenge, composing memorable scores which were designed from the start as close collaborations with poets and dramatists. Honegger was keen to reach the widest possible public while retaining his own musical ideas. He had already collaborated with numerous distinguished writers for the theater and had supplied scores for films, such as Abel Gance's Napoleon. All of this experience made readied him for a collaboration with William Aguet when ''Christophe Colomb'' was proposed for Radio Lausanne in 1940. ''Christophe Colomb'' is an ambitious radio-play, scored for 10 actors, an orchestra of 40 musicians, plus a large chorus with soloists. Perhaps it is due to these unusual forces that the piece faded into obscurity after its radio premiere. Through much hard work, Opera Sacra of Buffalo, New York reconstructed Christoph Colomb from the original manuscript and performed it with a new English translation of Aguet's surprisingly astute and politically correct text. |
:The art of the radio-play was a very important and respected creative mode of entertainment in Europe before the age of television, where subsidized radio stations encouraged experiments in this medium. Composers such as Britten, Hindemith, Gerhard, and Honegger were quick to take up the challenge, composing memorable scores which were designed from the start as close collaborations with poets and dramatists. Honegger was keen to reach the widest possible public while retaining his own musical ideas. He had already collaborated with numerous distinguished writers for the theater and had supplied scores for films, such as Abel Gance's Napoleon. All of this experience made readied him for a collaboration with William Aguet when ''Christophe Colomb'' was proposed for Radio Lausanne in 1940. ''Christophe Colomb'' is an ambitious radio-play, scored for 10 actors, an orchestra of 40 musicians, plus a large chorus with soloists. Perhaps it is due to these unusual forces that the piece faded into obscurity after its radio premiere. Through much hard work, Opera Sacra of Buffalo, New York reconstructed Christoph Colomb from the original manuscript and performed it with a new English translation of Aguet's surprisingly astute and politically correct text.<ref>[http://search2.downtownmusicgallery.com/lookup.cgi?item=2006_03_28_05_44_17 Downtown Music Gallery; ''Christophe Colomb'']</ref> |
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==Classical top ten== |
==Classical top ten== |
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*[http://books.google.com/books?id=uXHWdt729z4C&pg=PA118&lpg=PA118&dq=rawson+%22stratton+rawson%22&source=web&ots=h8TiQouuKW&sig=ylnB7eCtRrMo3nY1gW5hsO_F2V8&hl=en ''50 Years of Ghost Movies'' by Staci Layne Wilson (2007)] |
*[http://books.google.com/books?id=uXHWdt729z4C&pg=PA118&lpg=PA118&dq=rawson+%22stratton+rawson%22&source=web&ots=h8TiQouuKW&sig=ylnB7eCtRrMo3nY1gW5hsO_F2V8&hl=en ''50 Years of Ghost Movies'' by Staci Layne Wilson (2007)] |
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{{DEFAULTSORT:Rawson, Stratton}} |
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<div class="boilerplate metadata" id="stub"><table cellpadding="0" cellspacing="0" style="background-color: transparent;"><tr><td>[[Image:Radio_icon.png]] [[Image:Flag of the United States.svg|35px]] ''This [[United States]] [[biography|biographical]] article related to [[radio]] is a [[Wikipedia:Perfect stub article|stub]]. You can [[Wikipedia:Find or fix a stub|help]] Wikipedia by [{{SERVER}}/enwiki/w/index.php?stub&title={{FULLPAGENAMEE}}&action=edit expanding it]''.</td></tr></table></div> |
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[[Category:American film producers]] |
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[[Category:United States radio people stubs|Rawson, Stratton]] |
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Revision as of 18:40, 8 December 2008
Stratton Rawson, an independent film producer, screenwriter and music critic, is a senior producer at WNED-FM in Buffalo, New York, where he has been called, "Buffalo's Leonard Bernstein."[1]
He grew up in the Hudson Valley of New York State and took up the cello at an early age, spent four years at SUNY Albany, a year of work for the Chancellor of SUNY, two years at the University of Wyoming, and another four years at SUNY Buffalo.[2]
Film
Rawson was one of the screenwriters of Frederick King Keller's Tuck Everlasting (1981).[3] Rawson's films as a producer include My Dark Lady (1987) and Vamping (1984). He has worked on the crew of several films, including The Natural (1984).
Recordings
The recording Christophe Columb (Mode, 1992) featured Rawson as the Magician and narrator. This was a 1992 production of a 1940 BBC Radio play by William Aguet with music by Arthur Honegger. A Downtown Music Gallery review detailed the background on this production:
- The art of the radio-play was a very important and respected creative mode of entertainment in Europe before the age of television, where subsidized radio stations encouraged experiments in this medium. Composers such as Britten, Hindemith, Gerhard, and Honegger were quick to take up the challenge, composing memorable scores which were designed from the start as close collaborations with poets and dramatists. Honegger was keen to reach the widest possible public while retaining his own musical ideas. He had already collaborated with numerous distinguished writers for the theater and had supplied scores for films, such as Abel Gance's Napoleon. All of this experience made readied him for a collaboration with William Aguet when Christophe Colomb was proposed for Radio Lausanne in 1940. Christophe Colomb is an ambitious radio-play, scored for 10 actors, an orchestra of 40 musicians, plus a large chorus with soloists. Perhaps it is due to these unusual forces that the piece faded into obscurity after its radio premiere. Through much hard work, Opera Sacra of Buffalo, New York reconstructed Christoph Colomb from the original manuscript and performed it with a new English translation of Aguet's surprisingly astute and politically correct text.[4]
Classical top ten
As a music critic and member of the WNED music staff, Rawson compiled his Classical Top Ten list:
- 1. J.S. Bach: Suite No. 3 in C for unaccompanied ‘cello
- 2. Barber: Knoxville, Summer of 1915
- 3. Beethoven: Symphony No. 9 (“Choral”)
- 4. Berlioz: Harold in Italy
- 5. Brahms: Clarinet Quintet
- 6. Dvorak: Cello Concerto
- 7. Handel: Music for the Royal Fireworks
- 8. Mozart: Divertimento (String Trio) in E-flat, K. 563
- 9. Schubert: String Quintet in C
- 10. Tchaikovsky: Symphony No. 5 in E minor