Holger Drachmann: Difference between revisions
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His studies were belated, and he did not enter the university until 1865, leaving it in 1866 to become a student in the Academy of Fine Arts. From 1866 to 1870 he was learning, under Professor Sørensen, to become a marine [[painter]], and not without success. But about the latter date he came under the influence of [[Georg Brandes]], and, without abandoning art, he began. to give himself more and more to literature. At various periods he travelled very extensively in [[England]], [[Scotland]], [[France]], [[Spain]] and [[Italy]], and his literary career began by his sending letters about his journeys to the Danish newspapers. |
His studies were belated, and he did not enter the university until 1865, leaving it in 1866 to become a student in the Academy of Fine Arts. From 1866 to 1870 he was learning, under Professor Sørensen, to become a marine [[painter]], and not without success. But about the latter date he came under the influence of [[Georg Brandes]], and, without abandoning art, he began. to give himself more and more to literature. At various periods he travelled very extensively in [[England]], [[Scotland]], [[France]], [[Spain]] and [[Italy]], and his literary career began by his sending letters about his journeys to the Danish newspapers. |
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After returning home, he settled for some time in the island of [[Bornholm]], painting seascapes. He now issued his earliest volume of poems, ''Digte'' (1872), and joined the group of young Radical writers who gathered under the banner of Brandes. Drachmann was unsettled, and still doubted whether his real strength lay in the pencil or in the pen. By this time he had enjoyed a surprising experience of life, especially among sailors, fishermen, students and artists, and the issues of the [[Franco-German War]] and the [[French Commune]] had persuaded him that a new and glorious era was at hand. |
After returning home, he settled for some time in the island of [[Bornholm]], painting seascapes. He now issued his earliest volume of poems, ''Digte'' (1872), and joined the group of young Radical writers who gathered under the banner of Brandes. Drachmann was unsettled, and still doubted whether his real strength lay in the pencil or in the pen. By this time he had enjoyed a surprising experience of life, especially among sailors, fishermen, students and artists, and the issues of the [[Franco-German War]] and the [[Paris Commune|French Commune]] had persuaded him that a new and glorious era was at hand. |
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His volume of lyrics, '' |
His volume of lyrics, ''Dæmpede Melodier'' (''Muffled Melodies'', 1875), proved that Drachmann was a poet with a real vocation, and he began to produce books in prose and verse with great rapidity. ''Ungt Bled'' (''Young Blood'', 1876) contained three realistic stories of contemporary life. But he returned to his true field in his magnificent ''Sange ved Havet; Venezia'' (''Songs of the Sea; Venice'', 1877), and won the passionate admiration of his countrymen by his prose work, with interludes in verse, called ''Derovre fra grænsen'' (''Over the Frontier there'', 1877), a series of impressions made on Drachmann by a visit to the scenes of the war with Germany. |
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During the succeeding years he was a great traveller, visiting most of the principal countries of the world, but particularly familiarizing himself, by protracted voyages, with the sea and with the life of man in maritime places. In 1879 he published ''Ranker og Roser'' (''Tendrils and Roses''), amatory lyrics of a very high order of melody, in which he showed a great advance in technical art. To the same period belongs ''Paa sømands tro og love'' (''On the Faith and Honor of a Sailor'', 1878), a volume of short stories in prose. |
During the succeeding years he was a great traveller, visiting most of the principal countries of the world, but particularly familiarizing himself, by protracted voyages, with the sea and with the life of man in maritime places. In 1879 he published ''Ranker og Roser'' (''Tendrils and Roses''), amatory lyrics of a very high order of melody, in which he showed a great advance in technical art. To the same period belongs ''Paa sømands tro og love'' (''On the Faith and Honor of a Sailor'', 1878), a volume of short stories in prose. |
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In [[1882]] Drachmarn published his fine translation, or paraphrase, of [[Byron]]'s ''[[Don Juan]]''. In 1885 his romantic play called ''Der var engang'' (''Once upon a Time'') had a great success on the boards of the Royal theatre, Copenhagen; and his tragedies of ''Volund Smed'' (''Wayland the Smith'') and ''Brav-karl'' (1897) made him the most popular playwright of Denmark. He published in 1894 a volume of exquisitely fantastic ''Melodramas'' in rhymed verse, a collection which contains some of Drachmann's most perfect work. |
In [[1882]] Drachmarn published his fine translation, or paraphrase, of [[Byron]]'s ''[[Don Juan]]''. In 1885 his romantic play called ''Der var engang'' (''Once upon a Time'') had a great success on the boards of the Royal theatre, Copenhagen; and his tragedies of ''Volund Smed'' (''Wayland the Smith'') and ''Brav-karl'' (1897) made him the most popular playwright of Denmark. He published in 1894 a volume of exquisitely fantastic ''Melodramas'' in rhymed verse, a collection which contains some of Drachmann's most perfect work. |
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His novel ''Med den brede Pensel'' (''With a Broad Brush'', 1887) was followed in 1890 by ''Forskrevet'', the history of a young painter, ''Henrik Gerhard'', and his revolt against his [[bourgeois]] surroundings. With this novel is closely connected ''Den hellige Ild'' (''The Sacred Fire'', 1899), in which Drachmann speaks in |
His novel ''Med den brede Pensel'' (''With a Broad Brush'', 1887) was followed in 1890 by ''Forskrevet'', the history of a young painter, ''Henrik Gerhard'', and his revolt against his [[bourgeois]] surroundings. With this novel is closely connected ''Den hellige Ild'' (''The Sacred Fire'', 1899), in which Drachmann speaks in his own person. There is practically no story in this autobiographical volume, which abounds in lyrical passages. In 1899 he produced his romantic play called ''Gurre''; in 1900 a brilliant lyrical drama, ''Hallfred Vandraadeskjald''; and in 1903, ''Det grønne Haab''. He died in Copenhagen on the 14th of January 1908. |
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See an article by [[Karl Gjellerup]] in ''Dansk Biografisk Lexikon'' vol. iv. (Copenhagen, 1890). |
See an article by [[Karl Gjellerup]] in ''Dansk Biografisk Lexikon'' vol. iv. (Copenhagen, 1890). |
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Revision as of 19:26, 27 February 2004
Holger Henrik Herboldt Drachmann (October 9, 1846 - January 14, 1908), Danish poet and dramatist, son of Dr AG Drachmann, a physician of Copenhagen, whose family was of German extraction, was born in Copenhagen.
Owing to the early death of his mother, who was a Dane, the child was left much to his own devices. He soon developed a fondness for semi-poetical performances, and loved to organize among his companions heroic games, in which he himself took such parts as those of Tordenskjold and Niels Juul.
His studies were belated, and he did not enter the university until 1865, leaving it in 1866 to become a student in the Academy of Fine Arts. From 1866 to 1870 he was learning, under Professor Sørensen, to become a marine painter, and not without success. But about the latter date he came under the influence of Georg Brandes, and, without abandoning art, he began. to give himself more and more to literature. At various periods he travelled very extensively in England, Scotland, France, Spain and Italy, and his literary career began by his sending letters about his journeys to the Danish newspapers.
After returning home, he settled for some time in the island of Bornholm, painting seascapes. He now issued his earliest volume of poems, Digte (1872), and joined the group of young Radical writers who gathered under the banner of Brandes. Drachmann was unsettled, and still doubted whether his real strength lay in the pencil or in the pen. By this time he had enjoyed a surprising experience of life, especially among sailors, fishermen, students and artists, and the issues of the Franco-German War and the French Commune had persuaded him that a new and glorious era was at hand.
His volume of lyrics, Dæmpede Melodier (Muffled Melodies, 1875), proved that Drachmann was a poet with a real vocation, and he began to produce books in prose and verse with great rapidity. Ungt Bled (Young Blood, 1876) contained three realistic stories of contemporary life. But he returned to his true field in his magnificent Sange ved Havet; Venezia (Songs of the Sea; Venice, 1877), and won the passionate admiration of his countrymen by his prose work, with interludes in verse, called Derovre fra grænsen (Over the Frontier there, 1877), a series of impressions made on Drachmann by a visit to the scenes of the war with Germany.
During the succeeding years he was a great traveller, visiting most of the principal countries of the world, but particularly familiarizing himself, by protracted voyages, with the sea and with the life of man in maritime places. In 1879 he published Ranker og Roser (Tendrils and Roses), amatory lyrics of a very high order of melody, in which he showed a great advance in technical art. To the same period belongs Paa sømands tro og love (On the Faith and Honor of a Sailor, 1878), a volume of short stories in prose.
It was about this time that Drachmann broke with Brandes and the Radicals, and set himself at the head of a sort of nationalist or popular-Conservative party in Denmark. He continued to celebrate the life of the fishermen and sailors in books, whether in prose or verse, which were the most popular of their day. Paul og Virginie and Lars Kruse (both 1879); Østen for sol og vesten for maane (East of the Sun and Moon, 1880); Puppe og Sommerfugi (Chrysalis and Butterfly, 1882); and Strandby Folk (1883) were among these.
In 1882 Drachmarn published his fine translation, or paraphrase, of Byron's Don Juan. In 1885 his romantic play called Der var engang (Once upon a Time) had a great success on the boards of the Royal theatre, Copenhagen; and his tragedies of Volund Smed (Wayland the Smith) and Brav-karl (1897) made him the most popular playwright of Denmark. He published in 1894 a volume of exquisitely fantastic Melodramas in rhymed verse, a collection which contains some of Drachmann's most perfect work.
His novel Med den brede Pensel (With a Broad Brush, 1887) was followed in 1890 by Forskrevet, the history of a young painter, Henrik Gerhard, and his revolt against his bourgeois surroundings. With this novel is closely connected Den hellige Ild (The Sacred Fire, 1899), in which Drachmann speaks in his own person. There is practically no story in this autobiographical volume, which abounds in lyrical passages. In 1899 he produced his romantic play called Gurre; in 1900 a brilliant lyrical drama, Hallfred Vandraadeskjald; and in 1903, Det grønne Haab. He died in Copenhagen on the 14th of January 1908.
See an article by Karl Gjellerup in Dansk Biografisk Lexikon vol. iv. (Copenhagen, 1890).
Reference
- This entry incorporates public domain text originally from the 1911 Encyclopaedia Britannica.