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| name =Shirley Jackson
| name =Shirley Jackson
| image =Shirleylottery.jpg|right|300px|thumb
| image =Shirleylottery.jpg|right|300px|thumb
| caption = Shirley Jackson on the cover of one of her books, ''The Lottery''
| caption =
| birthdate = {{birth date|1916|12|14|df=y}}
| birthdate = {{birth date|1916|12|14|df=y}}
| birthplace = [[San Francisco, California]], [[United States]]<sup><small>1</small></sup>
| birthplace = [[San Francisco, California]], [[United States]]<sup><small>1</small></sup>

Revision as of 08:19, 25 January 2009

Shirley Jackson
Shirley Jackson on the cover of one of her books, The Lottery
Shirley Jackson on the cover of one of her books, The Lottery
OccupationAuthor, Novelist
GenreMystery, Horror

Shirley Jackson (December 14, 1916, San Francisco, California - August 8, 1965, Bennington, Vermont) was an influential American author. A popular writer in her time, her work has received increasing attention from literary critics in recent years. She has influenced such writers as Neil Gaiman, Stephen King, Nigel Kneale and Richard Matheson.[1]

She is best known for "The Lottery" (1948), which suggests a deeply unsettling underside to bucolic small-town America. In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when "The Lottery" was published in the June 28, 1948 issue of The New Yorker, it received a response that "no New Yorker story had ever received." Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation and old-fashioned abuse." [2]

In the July 22, 1948 issue of the San Francisco Chronicle Jackson offered the following in response to persistent queries from her readers about her intentions:

Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.

Jackson's husband, Stanley Edgar Hyman, wrote in his introduction to a posthumous anthology of her short stories that "she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements." That she thought it meant something, and something subversive, moreover, she revealed in her response to the Union of South Africa's banning of "The Lottery": "She felt," Hyman says, "that they at least understood."

Life

Born Shirley Hardie Jackson in San Francisco to Leslie and Geraldine Jackson, Shirley and her family lived in the community of Burlingame, California, an affluent middle-class suburb that would feature in Shirley's first novel The Road Through the Wall. The Jackson family then relocated to Rochester, New York, where Shirley attended Brighton High School and graduated in 1934. For college, she first attended the University of Rochester (from which she was "asked to leave") before graduating with a BA from Syracuse University in 1940.

While a student at Syracuse, Shirley became involved with the campus literary magazine, through which she met future husband Stanley Edgar Hyman, who was to become a noted literary critic. For Stanley J. Kunitz and Howard Harcraft's Twentieth Century Authors (1954), she wrote:

I very much dislike writing about myself or my work, and when pressed for autobiographical material can only give a bare chronological outline which contains, naturally, no pertinent facts. I was born in San Francisco in 1916 and spent most of my early life in California. I was married in 1940 to Stanley Edgar Hyman, critic and numismatist, and we live in Vermont, in a quiet rural community with fine scenery and comfortably far away from city life. Our major exports are books and children, both of which we produce in abundance. The children are Laurence, Joanne, Sarah and Barry: my books include three novels, The Road Through The Wall, Hangsaman, The Bird's Nest and a collection of short stories, The Lottery. Life Among the Savages is a disrespectful memoir of my children.

Although Jackson claimed to have been born in 1919 in order to appear younger than her husband, biographer Judy Oppenheimer determined that she was actually born in 1916. [3]

In addition to her adult literary novels, Jackson also wrote a children's novel, Nine Magic Wishes, available in an edition illustrated by her grandson, Miles Hyman, as well as a children's play based on Hansel and Gretel and entitled The Bad Children. In a series of short stories, later collected in the books Life Among the Savages and Raising Demons, she presented a fictionalized version of her marriage and the experience of bringing up four children. These stories pioneered the "true-to-life funny-housewife stories" of the type later popularized by such writers as Jean Kerr and Erma Bombeck during the 1950s and 1960s.

In 1965, Shirley Jackson died of heart failure in her sleep at the age of 48. Shirley suffered throughout her life from various neuroses and psychosomatic illnesses. These ailments, along with the various prescription drugs used to treat them, may have contributed to her declining health and early death. However, at the time of her death, Jackson was overweight and a heavy smoker. After her death, her husband released a posthumous volume of her work, Come Along With Me, containing several chapters of her unfinished last novel as well as several rare short stories (among them "Louisa, Please Come Home") and three speeches given by Jackson in her writing seminars.

Novels

File:Lizziehaas.jpg
Eleanor Parker in Hugo Haas' Lizzie (1957), adapted from Shirley Jackson's The Bird's Nest (1954).

In a promotional blurb by Hyman for Jackson's debut novel, The Road Through the Wall (1948), he described Jackson as someone who practiced witchcraft. Hyman believed this image of Jackson would help promote sales of novels and film rights. She later wrote about witchcraft accusations in her book for young readers, The Witchcraft of Salem Village (1956). [4]

Her other novels include Hangsaman (1951), The Bird's Nest (1954), The Sundial (1958) and The Haunting of Hill House (1959), regarded by many, including Stephen King, as one of the important horror novels of the 20th Century. This contemporary updating of the classic ghost story has a vivid and powerful opening paragraph:

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

This passage also serves as an excellent example of Jackson's literary style: Never strident or sensationalist, her narrative voice is calm, emotionally detached and exquisitely precise in imagery and word choice.

Adaptations

Eleanor Parker starred in Hugo Haas' Lizzie (1957), based on The Bird's Nest, with a cast that included Richard Boone, Joan Blondell, Marion Ross and Johnny Mathis. The Haunting of Hill House was adapted to film in 1963 with Julie Harris and Claire Bloom. It was adapted again, with much less critical response, in 1999. Joanne Woodward directed Come Along with Me (1982), adapted from Jackson's unfinished novel, with a cast headed by Estelle Parsons and Sylvia Sidney. In addition to radio, TV and theater adaptations, "The Lottery" has been filmed three times, most notably in 1969 as an acclaimed short film which director Larry Yust made for an Encyclopædia Britannica educational film series. The Academic Film Archive cited Yust's short "as one of the two bestselling educational films ever". [5]

Her 1962 novel, We Have Always Lived in the Castle, was adapted for the stage by Hugh Wheeler in the mid-1960s. Directed by Garson Kanin and starring Shirley Knight, it opened on Broadway October 19, 1966. The David Merrick production closed after only nine performances at the Ethel Barrymore Theatre, but Wheeler's play continues to be staged by regional theater companies.

Magazines

In 1938, while she was studying at Syracuse, her first published story, "Janice," appeared, and the stories that followed were published in Collier's, Good Housekeeping, Harper's, Mademoiselle, The New Republic, The New Yorker, Woman's Day, Woman's Home Companion and other publications.

In 1996, a crate of unpublished stories was found in the barn behind Jackson's house. The best of those stories, along with previously uncollected stories from various magazines, were published in the 1996 collection, Just an Ordinary Day. The title was taken from one of her stories for The Magazine of Fantasy and Science Fiction, "One Ordinary Day, with Peanuts." Jackson's papers are available in the Library of Congress.

Awards

Sources of inspiration

Shirley Jackson's novel Hangsaman (1951) and her short-story "The Missing Girl" (from "Just an Ordinary Day", the 1995 collection of previously unpublished and/or uncollected short-stories) both contain certain elements similar to the mysterious real-life December 1, 1946, disappearance of 18-year-old Bennington College, Vermont, sophomore Paula Jean Welden, of Stamford, Connecticut. This event, which remains unsolved to this day, took place in the wooded wilderness of the Glastenbury Mountain near Bennington in southern Vermont, where Shirley Jackson and her husband were living at the time. The fictional college depicted in Hangsaman is based in part on Jackson's experiences at Bennington College, as indicated by Jackson's papers in the Library of Congress.[6] Jackson's short story. "The Missing Girl," included in Just An Ordinary Day (the 1996 collection of her previously unpublished/uncollected short stories), references the Welden case.[7]Donna Tartt's novel The Secret History also has parallels with the Welden case.

File:Americangoth.jpg

Literary studies

Judy Oppenheimer covers Shirley Jackson's life and career in Private Demons: The Life of Shirley Jackson (Putnam, 1988). S. T. Joshi's The Modern Weird Tale (2001) offers a critical essay on Jackson's work.

Darryl Hattenhauer provides a comprehensive survey of all of Jackson's fiction in Shirley Jackson's American Gothic (State University of New York Press, 2003). Bernice Murphy's recent "Shirley Jackson: Essays on the Literary Legacy" (McFarland, 2005) is a collection commentaries on Jackson's work.

The Shirley Jackson Awards

The first annual Shirley Jackson Awards for "outstanding achievement in the literature of psychological suspense, horror and the dark fantastic" were presented July 20, 2008 at the Readercon Conference on Imaginative Literature in Burlington, Massachusetts. The jurors were John Langan, Sarah Langan, Paul G. Tremblay and F. Brett Cox. The winners were:

Bibliography

Sources

References

  1. ^ Murphy, Bernice (2004-08-31). "Shirley Jackson (1916-1965)". The Literary Encyclopedia. Retrieved 2006-05-09. {{cite web}}: Cite has empty unknown parameter: |accessyear= (help)
  2. ^ Friedman, Lenemaja. "Social Evil: The Lottery," Shirley Jackson. Twayne Publishers, 1975.
  3. ^ Joshi, S.T. The Modern Weird Tale. McFarland, 2001.
  4. ^ Hattenhauer, Darryl. Shirley Jackson's American Gothic. (State University of New York Press, 2003).
  5. ^ Potrzebie: Shirley Jackson's "The Lottery"
  6. ^ Shirley Jackson Papers, Library of Congress, Washington, D.C.
  7. ^ Powers, Tim. "Remember Paula Welden? 30 Years Ago," Bennington Banner, December 1, 1976.
  8. ^ The Shirley Jackson Awards
  9. ^ F. Brett Cox

Further reading

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