The Career of Nicodemus Dyzma: Difference between revisions
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''Nicodemus Dyzma'' has become [[proverb]]ial in [[Poland]] as an [[archetype]] of the crude [[opportunist]] who makes his [[Social status#Social Mobility and Social Status|upwardly-mobile]] way by dint of fortuitous connections, ruthlessness and the acquiescence of an oblivious [[society]]. |
''Nicodemus Dyzma'' has become [[proverb]]ial in [[Poland]] as an [[archetype]] of the crude [[opportunist]] who makes his [[Social status#Social Mobility and Social Status|upwardly-mobile]] way by dint of fortuitous connections, ruthlessness and the acquiescence of an oblivious [[society]]. |
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He is |
He is forced by the spirit of his times and the society around him to become something they need him to become. Ignorant and malleable, Dyzma turns into a puppet in the hands of the elite class. Whatever happens to him during his climb of the social ladder falls outside of his mental, financial and legal competence. |
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==Controversy== |
==Controversy== |
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Revision as of 20:55, 12 February 2009
The Career of Nicodemus Dyzma (Polish title: Kariera Nikodema Dyzmy) is a 1932 Polish bestselling novel by Tadeusz Dołęga-Mostowicz.
The book was made into a 1956 Polish film with Adolf Dymsza in the title role, then into a 1980 television miniseries starring Roman Wilhelmi and in 2002, a movie, starring Cezary Pazura.
Plot summary
Nicodemus Dyzma is a small-town man who comes to the Polish capital from the Eastern provinces (called "Kresy") in search of work. While walking the streets of Warsaw, he finds a lost invitation to a party reception. Hoping for a free meal, he decides to use it since he owns a tuxedo. At the reception, he befriends a Member of Parliament and wins the hearts of guests with his attitude. He is introduced to a wealthy landowner by the name of Kunicki, a former con artist, who is so impressed by Dyzma that he offers him a job as superintendent of his country estate. At the estate, Dyzma meets Kunicki's wife, Nina, who quickly falls in love with him. Soon Dyzma takes control of all affairs of the estate and starts to climb the social and political ladder. He is offered a series of prestigious appointments; however, he is also forced to hide his past from the prying eyes of his adversaries and the general public.
Legacy
Nicodemus Dyzma has become proverbial in Poland as an archetype of the crude opportunist who makes his upwardly-mobile way by dint of fortuitous connections, ruthlessness and the acquiescence of an oblivious society.
He is forced by the spirit of his times and the society around him to become something they need him to become. Ignorant and malleable, Dyzma turns into a puppet in the hands of the elite class. Whatever happens to him during his climb of the social ladder falls outside of his mental, financial and legal competence.
Controversy
An American novel Being There written by fellow Pole Jerzy Kosiński bears strong resemblance to the adventures of Nicodemus Dyzma. In June 1982, a Village Voice article by Geoffrey Stokes and Eliot Fremont-Smith accused Kosiński of plagiarizing Dołęga-Mostowicz whose bestselling novel wasn't known to English readers at the time of Kosiński's publication in 1971. The article also claimed that all of Kosiński's novels including Being There had actually been ghost-written or possibly translated from Polish by his "assistant editors," pointing to striking stylistic differences among them and sparking off further authorship controversies about Kosiński's literary output.[1] Being There was filmed by Hal Ashby in 1979 under the same title starring Peter Sellers.
See also
- Politics in fiction
- Political fiction
- Jerzy Kosiński and the claims of plagiarism including film Being There.