Over the Edge (Zimbabwe): Difference between revisions
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== Early History == |
== Early History == |
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Over the Edge first performed on [[November 1994]] at the [[Avondale Summer Arts Festival]] in [[Harare]]. The members had been friends for years, many having been in [Reps Theatre#Repteens|Repteens]], and decided to put on a production. The group was praised for its talent and enthusiasm but it was especially noted for its racial diversity. Although racial diversity had been standard practise in Zimbabwe Theatres and Theatrical companies since the 1960s, the majority of performers were inevitably white. Over the Edge, on the other hand, had more or less equal ratios of black, white and "coloured" members. |
Over the Edge first performed on [[November 1994]] at the [[Avondale Summer Arts Festival]] in [[Harare]]. The members had been friends for years, many having been in [[Reps Theatre#Repteens|Repteens]], and decided to put on a production. The group was praised for its talent and enthusiasm but it was especially noted for its racial diversity. Although racial diversity had been standard practise in Zimbabwe Theatres and Theatrical companies since the 1960s, the majority of performers were inevitably white. Over the Edge, on the other hand, had more or less equal ratios of black, white and "coloured" members. |
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The Group was quickly raising eyebrows, not only for its ethnic make-up, but also for its extreme, "off-the-wall" comedy performances. The group quickly gained recognition and was soon playing to packed houses at the [[Reps Theatre]] and the [[7 Arts Theatre]]. |
The Group was quickly raising eyebrows, not only for its ethnic make-up, but also for its extreme, "off-the-wall" comedy performances. The group quickly gained recognition and was soon playing to packed houses at the [[Reps Theatre]] and the [[7 Arts Theatre]]. |
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'''"Born African"''' is, undeniably, Over the Edge's most successful production to date. The play centres around the lives of three people living in Zimbabwe, a white [[lawyer]], a coloured youth and a black [[servant]]. The show was done with minimal set and costume, with the donning of a single item of clothing being used to change into another charecter. The three cast members all wore [[black face paint]], in order to bring the charecters to the same level. |
'''"Born African"''' is, undeniably, Over the Edge's most successful production to date. The play centres around the lives of three people living in Zimbabwe, a white [[lawyer]], a coloured youth and a black [[servant]]. The show was done with minimal set and costume, with the donning of a single item of clothing being used to change into another charecter. The three cast members all wore [[black face paint]], in order to bring the charecters to the same level. |
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The show's main strength was in portayal of ordinary people in Zimbabwe, an view that is rarely seen in other countries. The show also portrayed lesser well known issues, such as |
The show's main strength was in portayal of ordinary people in Zimbabwe, an view that is rarely seen in other countries. The show also portrayed lesser well known issues, such as black on black violence, mixed-race relationships and colonial hangovers. The shows central focus, on the other hand, was what it actually meant to "Be [[African]]". The show ends with the characters thinking of leaving, but then realising that they were "born African" and deciding to stay. |
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The show was first shown at the [[Harare Internation Festival of the Arts]] (HIFA), before it was reworked and shown at the [[Edinburgh Fringe Festival]] in [[2001]]. The show was critically acclaimed and the cast were nominated for "Best Ensemble" in |
The show was first shown at the [[Harare Internation Festival of the Arts]] (HIFA), before it was reworked and shown at the [[Edinburgh Fringe Festival]] in [[2001]]. The show was critically acclaimed and the cast were nominated for "Best Ensemble" in The Stage Awards. |
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== Today == |
== Today == |
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*[[The Crucible]] by [[Arthur Miller]] ([[1996]]) |
*[[The Crucible]] by [[Arthur Miller]] ([[1996]]) |
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*Moliere’s Learned Ladies ([[1997]]) |
*Moliere’s Learned Ladies ([[1997]]) |
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*The Complete works of William Shakespeare (abridged) by the Reduced Shakespeare Company ([[1997]]) |
*The Complete works of William Shakespeare (abridged) by the [[Reduced Shakespeare Company]] ([[1997]]) |
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*An adapted version of the American play [[Sheer Madness]] ([[1999]]) |
*An adapted version of the American play [[Sheer Madness]] ([[1999]]) |
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*Three original plays, Completely Over the Edge ([[1998]]), Anti-Panto ([[1998]]) and Anti-Panto 0.5 ([[1999]]) |
*Three original plays, Completely Over the Edge ([[1998]]), Anti-Panto ([[1998]]) and Anti-Panto 0.5 ([[1999]]) |
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Revision as of 10:51, 4 November 2005
Over the Edge (OTE for short) is a Zimbabwean mult-racial Theatrical company. It is one of Zimbabwe's most prolific and sucessful independant Theatre companies. They have won both local and international acclaim, as well as numerous awards.
They are best known for the imaginative re-inventions of Shakespeare and their original African works. They have had a long relationship with the Edinburgh Fringe Festival and have close links to Reps Theatre
Early History
Over the Edge first performed on November 1994 at the Avondale Summer Arts Festival in Harare. The members had been friends for years, many having been in Repteens, and decided to put on a production. The group was praised for its talent and enthusiasm but it was especially noted for its racial diversity. Although racial diversity had been standard practise in Zimbabwe Theatres and Theatrical companies since the 1960s, the majority of performers were inevitably white. Over the Edge, on the other hand, had more or less equal ratios of black, white and "coloured" members.
The Group was quickly raising eyebrows, not only for its ethnic make-up, but also for its extreme, "off-the-wall" comedy performances. The group quickly gained recognition and was soon playing to packed houses at the Reps Theatre and the 7 Arts Theatre.
Over the next few years, the group performed numerous "reimaginations" of Shakespeare, Arthur Miller and Joe Orten. These adaptations were often set in Zimbabwe (or in an imagined Southern African country, similar to Zimbabwe) and had many satirical references to Zimbabwe's political scene. The group also performed numerous original comic political satires, with the groups trademark extremism.
Overseas Productions
The group won International acclaim when it's productions of Twelth Night and Eternal Peace Asylum were performed at the Edinburgh Fringe Festival in 2000. The group got standing ovations, glowing reviews and packed houses. The group won the "Spirit of The Fringe" award for Twelth Night and Wiina Msamati was nominated for "Best Actor" in the Stage Awards, run by the London newspaper "The Stage".
In October 2000, three members of the group performed at the Amsterdam International Improvisation Festival. There improvised production of "Long Form" gained an instant standing ovation. The group went on to tour the USA in March 2001, playing at the American Repertory Theatre in Boston and many other venues. The productions of Twelth Night and Eternal Peace Asylum were well received by the American audiences.
Born African
"Born African" is, undeniably, Over the Edge's most successful production to date. The play centres around the lives of three people living in Zimbabwe, a white lawyer, a coloured youth and a black servant. The show was done with minimal set and costume, with the donning of a single item of clothing being used to change into another charecter. The three cast members all wore black face paint, in order to bring the charecters to the same level.
The show's main strength was in portayal of ordinary people in Zimbabwe, an view that is rarely seen in other countries. The show also portrayed lesser well known issues, such as black on black violence, mixed-race relationships and colonial hangovers. The shows central focus, on the other hand, was what it actually meant to "Be African". The show ends with the characters thinking of leaving, but then realising that they were "born African" and deciding to stay.
The show was first shown at the Harare Internation Festival of the Arts (HIFA), before it was reworked and shown at the Edinburgh Fringe Festival in 2001. The show was critically acclaimed and the cast were nominated for "Best Ensemble" in The Stage Awards.
Today
Over the Edge has spent the last two years working on their next play, Zuva Crumbling. This political drama is very loosely based on the bombing of The Daily News in 2002. The story centres around a journalist whose negative report on a top goverment official places her family in danger as members of the goverment try to arrest her and destroy the newspaper. Her only hope, and it is not much of a hope, is in the lunatic leader of a revolutionary group which is plotting to destroy the goverment.
The play was recently read at the Royal Academy of Dramatic Art and was well-received. No offficial date has been announced for its debut.
Members
Gavin Peter : Wiina Lucian Msamati : Zane E. Lucas : Craig Peter : Kevin Hanssen : Adam Neil
Plays
- Shakespeare’s Macbeth (1995)
- The Crucible by Arthur Miller (1996)
- Moliere’s Learned Ladies (1997)
- The Complete works of William Shakespeare (abridged) by the Reduced Shakespeare Company (1997)
- An adapted version of the American play Sheer Madness (1999)
- Three original plays, Completely Over the Edge (1998), Anti-Panto (1998) and Anti-Panto 0.5 (1999)
- Eternal Peace Asylum, an original play by Wiina Msamati (1999-2000)
- Loot by Joe Orten (2000)
- Improvisation and theatre games
- TV pilots: Over the Edge (1996) and ”Ah, foetsak!” (2000)
- Born African written by Craig Peter, Wiina Msamati, Kevin Hanssen and Zane E. Lucas(2001-2002)
- Twelfth Night by William Shakespeare(2000,2001)
- Taming of The Shrew by William Shakespeare (2002)