Camille Claudel (musical): Difference between revisions
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== Plot == |
== Plot == |
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The show's opening scene is in 1913, when Camille was removed from society, then flashes back to 1881 and onward. The plot focuses on Claudel's career and her tempestuous relationship with [[Auguste Rodin]], for whom she was a source of inspiration, a model, a confidante, and a lover. The show opens with Camille's love for her true passion - sculpting ("In the Stone"). The musical features Camille's sometimes troubling relationship with both her father (who had actually helped her) and brother, [[Paul Claudel]]. Despite not being a male, she insists she be allowed to be enrolled at Le Salon ("Not a Man"), yet she still manages to work & learn under Rodin. Act 1 concludes with Camille deciding she no longer needs Rodin, and attempts to live and create on her own, only to have Rodin tell her that she would be nothing without him ("Taking Back My Life"). Act II opens with Rodin reflecting on what he has done, and ailing with amiss for Camille ("A Trembling Man"). When Paul realizes Camille's downward spiral into the unknown and her relations with Rodin, he attempts to save her and turn her to God, such as he had had his own conversion ("Field of Angels"). Instead, Camille cannot seem to understand why no one believes in her - including her family ("What's Never Been Done Before"). Rodin eventually rekindles his love with Camille ("Learning How to Love You"). After several more years, Camille's family decides that is no longer stable (both emotionally & financially), and send her to an insane asylum ("Snow Falls (Reprise)"). At the end of Act II, which switches to modern times, where Camille, now alone, reflects on the life she has lived ("Gold"). |
The show's opening scene is in 1913, when Camille was removed from society, then flashes back to 1881 and onward. The plot focuses on Claudel's career and her tempestuous relationship with [[Auguste Rodin]], for whom she was a source of inspiration, a model, a confidante, and a lover. The show opens with Camille's love for her true passion - sculpting ("In the Stone"). The musical features Camille's sometimes troubling relationship with both her father (who had actually helped her) and brother, [[Paul Claudel]]. Despite not being a male, she insists she be allowed to be enrolled at Le Salon ("Not a Man"), yet she still manages to work & learn under Rodin. Act 1 concludes with Camille deciding she no longer needs Rodin, and attempts to live and create on her own, only to have Rodin tell her that she would be nothing without him ("Taking Back My Life"). Act II opens with Rodin reflecting on what he has done, and ailing with amiss for Camille ("A Trembling Man"). When Paul realizes Camille's downward spiral into the unknown and her relations with Rodin, he attempts to save her and turn her to God, such as he had had his own conversion ("Field of Angels"). Instead, Camille cannot seem to understand why no one believes in her - including her family ("What's Never Been Done Before"). Rodin eventually rekindles his love with Camille, but the love is never returned ("Learning How to Love You"). After several more years, Camille's family decides that is no longer stable (both emotionally & financially), and send her to an insane asylum ("Snow Falls (Reprise)"). At the end of Act II, which switches to modern times, where Camille, now alone, reflects on the life she has lived ("Gold"). |
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== Productions == |
== Productions == |
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Revision as of 23:28, 15 March 2009
| Camille Claudel | |
|---|---|
 Production poster | |
| Music | Frank Wildhorn |
| Lyrics | Nan Knighton |
| Book | Nan Knighton |
| Productions | 2003 Goodspeed Musicals 2004 New York Workshop |
Camille Claudel is a musical with a book and lyrics by Nan Knighton and music by Frank Wildhorn, their second musical. It is based on the life of the real-life French sculptor and graphic artist of the same name. The show was believed to be "sculpted" around Mr. Wildhorn's ex-wife, Linda Eder, whom originated the role. [vague] [citation needed]
Plot
The show's opening scene is in 1913, when Camille was removed from society, then flashes back to 1881 and onward. The plot focuses on Claudel's career and her tempestuous relationship with Auguste Rodin, for whom she was a source of inspiration, a model, a confidante, and a lover. The show opens with Camille's love for her true passion - sculpting ("In the Stone"). The musical features Camille's sometimes troubling relationship with both her father (who had actually helped her) and brother, Paul Claudel. Despite not being a male, she insists she be allowed to be enrolled at Le Salon ("Not a Man"), yet she still manages to work & learn under Rodin. Act 1 concludes with Camille deciding she no longer needs Rodin, and attempts to live and create on her own, only to have Rodin tell her that she would be nothing without him ("Taking Back My Life"). Act II opens with Rodin reflecting on what he has done, and ailing with amiss for Camille ("A Trembling Man"). When Paul realizes Camille's downward spiral into the unknown and her relations with Rodin, he attempts to save her and turn her to God, such as he had had his own conversion ("Field of Angels"). Instead, Camille cannot seem to understand why no one believes in her - including her family ("What's Never Been Done Before"). Rodin eventually rekindles his love with Camille, but the love is never returned ("Learning How to Love You"). After several more years, Camille's family decides that is no longer stable (both emotionally & financially), and send her to an insane asylum ("Snow Falls (Reprise)"). At the end of Act II, which switches to modern times, where Camille, now alone, reflects on the life she has lived ("Gold").
Productions
The world premiere, with Linda Eder in the title role, Michael Nouri as Auguste Rodin, Matt Bogart as Paul Claudel and Milo O'Shea as Camille's father, was staged by Goodspeed Musicals in 2003. It was directed by Gabriel Barre and choreographed by Mark Dendy. The musical was presented in a "chamber-style" form; the cast was minimum,and they attempted to do the most they could with small scale sets. Orchestrations (by Kim Schranberg) were also on a smaller scale. Instead of bringing in statues, they used dancers to perform the roles of them, and many of the scenes were strictly dancing for the statues (sometimes accompanied by music). "The Waltz" was one of these. There were also many book-scenes/moments, more than a common Wildhorn musical. The creators have denounced calling this a "tragedy," but rather a celebration of the life of Camille.
The following year it was presented in the form of a 45-minute reading at The National Alliance for Musical Theatre's 16th Annual Festival of New Musicals. A studio demo recording was conducted in 2004, with no plans of a release. The musical has been consistently worked upon, with productions that were hoped for Europe and regional theatres across the United States. However, in 2007, author Nan Knightnon has said that while there are certain opportunities still lurking, there are no immediate plans to bring Camille anywhere.
Song List
The world premiere song list follows. Although several changes have been made, many of the songs remain intact.
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Recordings
No cast recording has ever been released. In 2004, a studio demo recording was conducted, starring Linda Eder and the majority of the world premiere cast. While it was originally thought that the recording would be released (Nearly all of Mr. Wildhorn's musicals have released a concept album prior to a major production), nothing of the such ever happened.
The musical features the Linda Eder single "Gold," which was seen on two of her solo albums: "Gold" and "Broadway, My Way." The song was also performed at the 2002 Winter Olympics in Salt Lake City, UT. The song has also been "covered" by Brandi Burkhardt at several European concerts with Frank Wildhorn.