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Pre-Code Hollywood: Difference between revisions

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*''[[Red Dust]]'' ([[1932]])
*''[[Red Dust]]'' ([[1932]])
*''[[Red-Headed Woman]]'' ([[1932]])
*''[[Red-Headed Woman]]'' ([[1932]])
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*''[[The Sign of the Cross (movie)|The Sign of the Cross]]'' ([[1932]])
*''[[The Sign of the Cross (movie)|The Sign of the Cross]]'' ([[1932]])
*''[[Tarzan, the Ape Man]]'' ([[1932]])
*''[[Tarzan, the Ape Man]]'' ([[1932]])
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*''[[Three on a Match]]'' ([[1932]])
*''[[Three on a Match]]'' ([[1932]])
*''[[Trouble in Paradise]]'' ([[1932]])
*''[[Trouble in Paradise]]'' ([[1932]])

Revision as of 01:57, 14 November 2005

File:Sinsoftfocus.jpg
Clara Bow on the cover of Sin in Soft Focus, a book by Mark A. Vieira about Pre-code Hollywood.

Pre-Code films are films created during the period of 1930-1934, before the Motion Picture Production Code or Hays Code was created. Although there was an existing code of conduct for the film industry, many ignored it. Films from this period are very risque for the 1930's and could include sexual innuendos, drug references, references to homosexuality, as well as women in their undergarments, which was quite a tabu at the time. Popular character roles are tough talking assertive women, gangsters, and ladies of the night.

Many classic film fans today prefer these pre-code films for their mix of class and trash.

Notable Pre-Code Films