Paul Renner

Futura typeface in light, regular, and semibold

Paul Renner (August 9 1878 – April 25 1956) was a typeface designer, most notably of Futura. He was born in Wernigerode, Germany and died in Hödingen.

He was born in Prussia and had a strict Protestant upbringing, being educated in 19th century Gymnasium. He was brought up to have a very German sense of leadership, of duty and responsibility. He was suspicious of abstract art and disliked many forms of modern culture, such as jazz, cinema, and dancing. But equally, he admired the functionalist strain in modernism. Thus, Renner can be seen as a bridge between the traditional (19th century) and the modern (20th century). He attempted to fuse the Gothic and the roman typefaces.

Renner was a prominent member of the Deutscher Werkbund (German Work Federation). Two of his major texts are Typografie als Kunst (Typography as Art) and Die Kunst der Typographie (The Art of Typography). He created a new set of guidelines for good book design and invented the popular Futura, a geometric sans-serif font used by many typographers throughout the 20th century and up till the present. The typeface Architype Renner is based upon Renner's early experimental exploration of geometric letterforms for the Futura typeface, most of which were deleted from the face's character set before it was issued. Tasse, a 1994 typeface is a revival of Renner's 1953 typeface Steile Futura.

Renner was a friend of the eminent German typographer Jan Tschichold and a key participant in the heated ideological and artistic debates of that time.

Politics

Even before 1932, Renner made his opposition to the Nazis very clear, notably in his book “Kultur-bolschewismus?” (Cultural Bolshevism?). He was unable to find a German publisher, so it was published his Swiss friend Eugen Rentsch.

After the Nazis seized power in March 1933, he was arrested and dismissed from his post in Munich in 1933, and subsequently went into a period of internal exile. Soon after the book's publication, it was withdrawn from the German book market, until a photo-mechanical reprint was issued by Stroemfeld Verlag, Frankfurt am Main/Basel, in 2003. The new edition included comments by Roland Reuss and Peter Staengle (a main source for these notes).

Typefaces

Futura (1928) Plak (1928) Futura Black (1929)

Futura light (1932) Ballade (1938) Renner Antiqua (1939)

Books

All books are German editions.

• Typographie als Kunst, Munich 1922
• Mechanisierte Grafik. Schrift, Typo, Foto, Film, Farbe, Berlin 1930
• Kulturbolschewismus?, Zurich 1932,
• Die Kunst der Typographie, Berlin 1939, New print Augsburg 2003; ISBN 3875124146,
• Das moderne Buch, Lindau 1946,
• Ordnung und Harmonie der Farben. Eine Farbenlehre für Künstler und Handwerker, Ravensburg 1947
• Vom Geheimnis der Darstellung, Frankfurt 1955

References

• Burke, Christopher. Paul Renner: the art of typography. Hypen Press, London: 1998. ISBN 0-907259-12-X.
• Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopædia of Type Faces. Blandford Press Lts.: 1953, 1983. ISBN 0-7137-1347-X.
• Leonard, Charles C. Paul Renner and Futura: The Effects of Culture, Technology, and Social Continuity On the Design of Type for Printing.

External links

• Biography with image and typeface samples
• Template:PND

This article incorporates text from the German article de:Paul Renner, especially from this version.