Jump to content

Leonard Kastle: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Cydebot (talk | contribs)
m Robot - Speedily moving category 21st century classical composers to 21st-century classical composers per CFD.
+ 1956 mini-opera for television, call for verification of claim
Line 1: Line 1:
'''Leonard Gregory Kastle''' (born 11 February 1929) is an [[opera]] [[composer]], [[librettist]], and [[Theatre direction|director]], though he is best known as the [[writer]]/[[film director|director]] of ''[[The Honeymoon Killers]]'', his only venture into the cinema, for which he did all his own research. He was educated at the [[Curtis Institute of Music]] studying under opera composer [[Gian Carlo Menotti]] and also the [[Juilliard School]]. He is an [[emeritus]] member of the [[SUNY Albany]] music faculty.
'''Leonard Gregory Kastle''' (born 11 February 1929) is an [[opera]] [[composer]], [[librettist]], and [[Theatre direction|director]], though he is best known as the [[writer]]/[[film director|director]] of ''[[The Honeymoon Killers]]'', his only venture into the cinema, for which he did all his own research. He was educated at the [[Curtis Institute of Music]] studying under opera composer [[Gian Carlo Menotti]] and also the [[Juilliard School]]. He is an [[emeritus]] member of the [[SUNY Albany]] music faculty.


His operas include ''Deseret'' (1961), on a [[libretto]] by [[Anne Howard Bailey]] about [[Brigham Young]], which he directed for ''[[NBC]] Opera Theater''. He writes in a [[Romantic music|Romantic]] style that the music academy does not hold in high regard as something for contemporary composers to do. His favorite composer is [[Gustav Mahler]], who was not at all respected when he was in music school.
His operas include ''Deseret'' (1961), on a [[libretto]] by [[Anne Howard Bailey]] about [[Brigham Young]], which he directed for ''[[NBC]] Opera Theater''. He writes in a [[Romantic music|Romantic]] style that the music academy does not hold in high regard as something for contemporary composers to do.{{Fact|date=May 2009}}<!--This is such a sorry cliché, but where is the evidence?--> His favorite composer is [[Gustav Mahler]], who was not at all respected when he was in music school.


Kastle has also written ''The Pariahs'', about the sinking of the [[whaling]] ship ''[[Whaleship Essex|Essex]]'', a trilogy of operas about the [[Shakers]] known under the collective title ''The Passion of [[Ann Lee|Mother Ann]]: A Sacred Festival Play'', a children's opera called ''Professor Lookalike and the Children'', a [[piano concerto]], [[sonata]]s for piano and violin, and three unproduced [[screenplay]]s, ''Wedding at Cana'', ''Change of Heart'', and ''Shakespeare's Dog''. In a 2003 interview for the [[Criterion Collection]], he said that no producer wanted ''Wedding at Cana'', just another ''Honeymoon Killers'', which he did not want to do.
In 1956, Kastle composed a thirteen-minute "made-to-measure" opera, titled ''The Swing'', for two singers, a speaking part, and piano accompaniment. It was commissioned by and broadcast on the [[NBC]] television network on Sunday, June 10, 1956, at noon.<ref>E[dward] D[ownes], "13-Minute Opera Bows on TV Program", ''New York Times'' (June 12, 1956).</ref> He has also written ''The Pariahs'', about the sinking of the [[whaling]] ship ''[[Whaleship Essex|Essex]]'', a trilogy of operas about the [[Shakers]] known under the collective title ''The Passion of [[Ann Lee|Mother Ann]]: A Sacred Festival Play'', a children's opera called ''Professor Lookalike and the Children'', a [[piano concerto]], [[sonata]]s for piano and violin, and three unproduced [[screenplay]]s, ''Wedding at Cana'', ''Change of Heart'', and ''Shakespeare's Dog''. In a 2003 interview for the [[Criterion Collection]], he said that no producer wanted ''Wedding at Cana'', just another ''Honeymoon Killers'', which he did not want to do.


After ''The Honeymoon Killers'', Kastle returned to teaching and composing. After the Criterion release of the film, he was rediscovered by a new generation of cult film enthusiasts and occasionally attends film related events such as The Ed Wood Film Festival in 2007 where he served on the panel of judges<ref>[http://blogs.timesunion.com/movies/?p=101 EdWood update: Kastle keeps court] THE MOVIEGOER by Casey Seiler, entertainment editor for TimesUnion.Com September 14, 2007</ref>
After ''The Honeymoon Killers'', Kastle returned to teaching and composing. After the Criterion release of the film, he was rediscovered by a new generation of cult film enthusiasts and occasionally attends film related events such as The Ed Wood Film Festival in 2007 where he served on the panel of judges<ref>[http://blogs.timesunion.com/movies/?p=101 EdWood update: Kastle keeps court] THE MOVIEGOER by Casey Seiler, entertainment editor for TimesUnion.Com September 14, 2007</ref>

Revision as of 17:10, 15 May 2009

Leonard Gregory Kastle (born 11 February 1929) is an opera composer, librettist, and director, though he is best known as the writer/director of The Honeymoon Killers, his only venture into the cinema, for which he did all his own research. He was educated at the Curtis Institute of Music studying under opera composer Gian Carlo Menotti and also the Juilliard School. He is an emeritus member of the SUNY Albany music faculty.

His operas include Deseret (1961), on a libretto by Anne Howard Bailey about Brigham Young, which he directed for NBC Opera Theater. He writes in a Romantic style that the music academy does not hold in high regard as something for contemporary composers to do.[citation needed] His favorite composer is Gustav Mahler, who was not at all respected when he was in music school.

In 1956, Kastle composed a thirteen-minute "made-to-measure" opera, titled The Swing, for two singers, a speaking part, and piano accompaniment. It was commissioned by and broadcast on the NBC television network on Sunday, June 10, 1956, at noon.[1] He has also written The Pariahs, about the sinking of the whaling ship Essex, a trilogy of operas about the Shakers known under the collective title The Passion of Mother Ann: A Sacred Festival Play, a children's opera called Professor Lookalike and the Children, a piano concerto, sonatas for piano and violin, and three unproduced screenplays, Wedding at Cana, Change of Heart, and Shakespeare's Dog. In a 2003 interview for the Criterion Collection, he said that no producer wanted Wedding at Cana, just another Honeymoon Killers, which he did not want to do.

After The Honeymoon Killers, Kastle returned to teaching and composing. After the Criterion release of the film, he was rediscovered by a new generation of cult film enthusiasts and occasionally attends film related events such as The Ed Wood Film Festival in 2007 where he served on the panel of judges[2]

References

  1. ^ E[dward] D[ownes], "13-Minute Opera Bows on TV Program", New York Times (June 12, 1956).
  2. ^ EdWood update: Kastle keeps court THE MOVIEGOER by Casey Seiler, entertainment editor for TimesUnion.Com September 14, 2007