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* ''Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction'' ([[2009]])
* ''Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction'' ([[2009]])
* ''Peckinpah: An Ultraviolent Romance'' ([[2009]])
* ''Peckinpah: An Ultraviolent Romance'' ([[2009]])
* ''Codename Prague: Book 2 of the Scikungfi Trilogy'' (Forthcoming)
* ''Codename Prague: Book 2 of the Scikungfi Trilogy'' ([[2010]])
* ''The Kyoto Man: Book 3 of the Scikungfi Trilogy'' (Forthcoming)
* ''The Kyoto Man: Book 3 of the Scikungfi Trilogy'' (Forthcoming)



Revision as of 01:55, 20 May 2009

D. Harlan Wilson
OccupationNovelist & Professor
NationalityAmerican
Period1999-Present
GenreIrrealism, Bizarro, Science Fiction, Fantasy, Horror
Literary movementBizarro fiction
Notable worksDr. Identity
Website
http://www.dharlanwilson.com

D. Harlan Wilson (born September 3 1971 in Grand Rapids, Michigan) is an American short-story writer and novelist whose body of work is typically associated with the genres of irrealism, science fiction, fantasy, horror, and Bizarro fiction. Elements of splatterpunk, absurdism, literary fiction, ultraviolence, and postmodernism deeply inform his writing, too.[1] He is the author of several books, and his stories and flash fiction have appeared in magazines, journals and anthologies in multiple languages.

A literary critic in addition to a fiction author, Wilson holds a Ph.D. in English and is a college professor at Wright State University. Both his cultural criticism and creative writing focus on how the human condition is an increasingly pathological construction of technocapitalist media forces.[2]

His work has been allied with a wide range of authors, especially Steve Aylett, John Edward Lawson, Carlton Mellick III, Kevin L. Donihe, Vincent Sakowski and Steve Beard.[3]

Wilson is also the editor-in-chief of The Dream People, an online journal of irreal texts.

Books

Films

  • The Cocktail Party (2006) - Co-written with director Brandon Duncan, this short, animated, rotoscoped film is a highly abstracted and philosophical (post)postmodern meditation on the narcissistic themes of consumerism, redundant self-analysis and rampant hypocrisy. The film won several awards, including a Platinum Remi Award (WorldFest-Houston International Film Festival 2007), Grand Jury Award Best of Show (Fear No Film Festival 2007), Best Student Film (Kansas City Filmmakers Jubilee 2007), and Best Animation (ACE Film Festival 2007).

Trivia

Wilson is a direct descendent of James Fenimore Cooper.[4]

References