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'''Samuel Cook'''<ref name="britannica"/> (January 22, 1931 &ndash; December 11, 1964), better known as '''Sam Cooke''', was an American [[gospel music|gospel]], [[R&B]], [[soul music|soul]], and [[popular music|pop]] singer, [[songwriter]], and [[entrepreneur]]. He is considered to be one of the pioneers and founders of [[soul music]].<ref>{{cite book|last=Appiah|first=Kwame Anthony |coauthors=Gates, Henry Louis; Gates, Henry Louis, Jr.|title=Africana: An A-to-Z Reference of Writers, Musicians, and Artists of the African American Experience|publisher=Running Press|date=2004|pages=146|isbn=0-762-42042-1}}</ref><ref>{{cite book|last=DeCurtis|first=Anthony |coauthors=Henke, James |others=George-Warren, Holly|title=The Rolling Stone Illustrated History of Rock & Roll: The Definitive History of the Most Important Artists and their Music|publisher=Random House|date=1992|pages=135|isbn=0-679-73728-6}}</ref><ref name="ROCK ON ALMANAC">{{cite book |last=Nite |first=Norm N. |title=Rock On Almanac: The First Four Decades of Rock 'n' Roll: A Chronolology|year= 1992 |publisher= [[Harper & Row|HarperPerennial]] |location=[[New York, New York]] |isbn 0-062-73157-2 |pages=140–142}} </ref>
'''Samuel Cook'''<ref name="britannica"/> (January 22, 1931 &ndash; December 11, 1964), known better as '''Sam Cooke''', was an African-American [[gospel music|gospel]], [[R&B]], [[soul music|soul]], and [[popular music|popular]] singer, [[songwriter]], and [[entrepreneur]]. He is considered to be one of the pioneers and founders of [[soul music]].<ref>{{cite book|last=Appiah|first=Kwame Anthony |coauthors=Gates, Henry Louis; Gates, Henry Louis, Jr.|title=Africana: An A-to-Z Reference of Writers, Musicians, and Artists of the African American Experience|publisher=Running Press|date=2004|pages=146|isbn=0-762-42042-1}}</ref><ref>{{cite book|last=DeCurtis|first=Anthony |coauthors=Henke, James |others=George-Warren, Holly|title=The Rolling Stone Illustrated History of Rock & Roll: The Definitive History of the Most Important Artists and their Music|publisher=Random House|date=1992|pages=135|isbn=0-679-73728-6}}</ref><ref name="ROCK ON ALMANAC">{{cite book |last=Nite |first=Norm N. |title=Rock On Almanac: The First Four Decades of Rock 'n' Roll: A Chronolology|year= 1992 |publisher= [[Harper & Row|HarperPerennial]] |location=[[New York, New York]] |isbn 0-062-73157-2 |pages=140–142}} </ref>


Cooke had 29 Top 40 hits in the U.S. between 1957 and 1964. Major hits like "[[You Send Me]]", "[[A Change Is Gonna Come (song)|A Change Is Gonna Come]]", "[[Chain Gang (song)|Chain Gang]]", "[[Wonderful World (Sam Cooke song)|Wonderful World]]", and "[[Bring It on Home to Me]]" are some of his most popular songs. Cooke was also among the first modern [[black (people)|black]] performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the American [[African-American Civil Rights Movement (1955-1968)|Civil Rights Movement]].<ref>{{cite web|url=http://www.rollingstone.com/news/story/7661211/the_man_who_invented_soul|title=The Man Who Invented Soul|last=Guralnick|first=Peter|date=2005-09-22|publisher=rollingstone.com|accessdate=2008-08-08}}</ref>
Cooke had 29 Top 40 successes in the U.S. between 1957 and 1964. Major successes like "[[You Send Me]]", "[[A Change Is Gonna Come (song)|A Change Is Gonna Come]]", "[[Chain Gang (song)|Chain Gang]]", "[[Wonderful World (Sam Cooke song)|Wonderful World]]", and "[[Bring It on Home to Me]]" are some of his most popular songs. Cooke was also among the first modern [[black (people)|black]] performers and composers to attend to the business part of his musical career. He initated both a record company and a publishing company as an extension of his careers as a singer and composer. He was also active with the American [[African-American Civil Rights Movement (1955-1968)|minority rights movement]].<ref>{{cite web|url=http://www.rollingstone.com/news/story/7661211/the_man_who_invented_soul|title=The Man Who Invented Soul|last=Guralnick|first=Peter|date=2005-09-22|publisher=rollingstone.com|accessdate=2008-08-08}}</ref>


==Early life and career==
==Early life and career==
{{main|The Soul Stirrers}}
{{main|The Soul Stirrers}}
Cooke was born in [[Clarksdale, Mississippi]]. He added an "e" onto the end of his name, though the reason for this is disputed.<ref name=Guralnick>{{cite book |last=Guralnick |first=Peter |authorlink=Peter Guralnick |title=Dream Boogie: The Triumph of Sam Cooke |publisher=[[Little, Brown and Company]] |date=2005 |page=626-634, 642-647, 670 |isbn=0316377945}}</ref> He was one of seven children of Annie Mae and the Reverend Charles Cook, a [[Baptist]] minister. The family moved to [[Chicago]] in 1933.
Cook was born Samuel Cook in [[Clarksdale, Mississippi]]. He added an "e" to the end of his name; the reason for this is disputed.<ref name=Guralnick>{{cite book |last=Guralnick |first=Peter |authorlink=Peter Guralnick |title=Dream Boogie: The Triumph of Sam Cooke |publisher=[[Little, Brown and Company]] |date=2005 |page=626-634, 642-647, 670 |isbn=0316377945}}</ref> He was one of seven children of Annie Mae and the Reverend Charles Cook, a [[Baptist]] minister. The family moved to [[Chicago]] during 1933.


Cooke began his career singing [[gospel]] with his siblings in a group called The Singing Children. He first became known as lead singer with the Highway QC's as a teenager, where he did some of his most impressive and plaintive gospel performances. In 1950, a 19-year-old Cooke replaced gospel tenor [[R.H. Harris]] as lead singer of the landmark gospel group [[The Soul Stirrers]]. Under Cooke's leadership, the group signed with [[Specialty Records]] and recorded the hits "Peace in the Valley", "How Far Am I From Canaan?", "Jesus Paid the Debt" and "One More River". Cooke's emotive singing inspired a generation of gospel-emulating pop performers in the years to come.
Cooke began his career singing [[gospel]] with his siblings in a team called The Singing Children. He became well-known first as lead singer with the Highway QC's as a teenager, where he did some of his most impressive and plaintive gospel performances. During 1950, 19-year-old Cooke replaced gospel tenor [[R.H. Harris]] as lead singer of the landmark gospel group [[The Soul Stirrers]]. With Cooke's direction, the group contracted with [[Specialty Records]] and recorded the successes "Peace in the Valley", "How Far Am I From Canaan?", "Jesus Paid the Debt" and "One More River".


=== Crossover pop success ===
=== Crossover pop success ===
His first pop single, "Lovable" (1956), was released under the [[pseudonym|alias]] "Dale Cooke" in order not to alienate his gospel fan base (he sang with The Soul Stirrers until 1957); there was a considerable stigma against gospel singers performing secular music. However, it fooled no one<ref name=bookofhits>{{cite book|last=Bronson|first=Fred |title=The Billboard Book of Number 1 Hits: The Inside Story Behind Every Number One Single on Billboard's Hot 100 from 1955 to the Present|publisher=Billboard Books|date=2003|pages=30|isbn=0-823-07677-6}}</ref> - Cooke's unique and distinctive vocals were easily recognized. [[Art Rupe]], head of [[Specialty Records]], the label of The Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but he was unhappy about the type of music Cooke and producer [[Bumps Blackwell]] were making. Rupe expected Cooke's secular music to be similar to that of another [[Specialty Records]] artist, [[Little Richard]]. When Rupe walked in on a recording session and heard Cooke covering [[Gershwin]], he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label.
His first popular music single, "Lovable" (1956), was released with the [[pseudonym|alias]] "Dale Cooke" in order not to alienate his gospel fan base (he sang with The Soul Stirrers until 1957); there was a considerable stigma against gospel singers performing secular music. However, Cooke's unique and distinctive vocals were easily recognized
<ref name=bookofhits>{{cite book|last=Bronson|first=Fred |title=The Billboard Book of Number 1 Hits: The Inside Story Behind Every Number One Single on Billboard's Hot 100 from 1955 to the Present|publisher=Billboard Books|date=2003|pages=30|isbn=0-823-07677-6}}</ref>.
[[Art Rupe]], manager of [[Specialty Records]], the distributor of The Soul Stirrers, gave his permission for Cooke to record secular music with his real name, but he was unhappy about the type of music Cooke and producer [[Bumps Blackwell]] were making. Rupe expected Cooke's secular music to be similar to that of another [[Specialty Records]] artist, [[Little Richard]]. When Rupe walked in on a recording session and heard Cooke covering [[Gershwin]], he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell disassociated from the company.


In 1957, Cooke signed with Keen Records. His first release was "[[You Send Me]]", the B-side of his first Keen single (the A-side was a reworking of [[George Gershwin]]'s "[[Summertime (song)|Summertime]]"<ref>{{cite book|last=Guralnick|first=Peter |title=Dream Boogie: The Triumph of Sam Cooke|publisher=Little, Brown and Company|date=2005|pages=167|isbn=0-316-37794-5}}</ref>) which spent six weeks at #1 on the [[List of No. 1 R&B hits (United States)|Billboard R&B chart]]. The song also had mainstream success, spending three weeks at #1 on the [[Billboard Hot 100|Billboard pop]] chart.<ref>{{cite book|last=Dean|first=Maury |title=Rock 'N' Roll Gold Rush: A Singles Un-cyclopedia|publisher=Algora Publishing|date=2003|pages=176|isbn=0-875-86207-1}}</ref>
During 1957, Cooke signed with Keen Records. His first release was "[[You Send Me]]", the B-side of his first Keen single (the A-side was a reworking of [[George Gershwin]]'s "[[Summertime (song)|Summertime]]"<ref>{{cite book|last=Guralnick|first=Peter |title=Dream Boogie: The Triumph of Sam Cooke|publisher=Little, Brown and Company|date=2005|pages=167|isbn=0-316-37794-5}}</ref>) which scored #1 for six weeks on the [[List of No. 1 R&B hits (United States)|Billboard R&B chart]]. The song also had mainstream success, scoring #1 for three weeks at on the [[Billboard Hot 100|Billboard popular music]] chart.<ref>{{cite book|last=Dean|first=Maury |title=Rock 'N' Roll Gold Rush: A Singles Un-cyclopedia|publisher=Algora Publishing|date=2003|pages=176|isbn=0-875-86207-1}}</ref>


[[File:Cooke in studio.jpg|thumb|right|210px|Sam Cooke in studio, 1963]]
[[File:Cooke in studio.jpg|thumb|right|210px|Sam Cooke in studio, 1963]]


In 1961, Cooke started his own record label, [[SAR Records]], with J.W. Alexander and his manager, Roy Crain.<ref name="musichistory">{{cite book|last=Warner|first=Jay |coauthors=Jones, Quincy |title=On This Day in Black Music History|publisher=Hal Leonard Corporation|date=2006|pages=10|isbn=0-634-09926-4}}</ref> The label soon included The Simms Twins, The Valentinos, [[Bobby Womack]], and [[Johnnie Taylor]]. Cooke then created a publishing imprint and management firm, then left Keen to sign with [[RCA Victor]]. One of his first RCA singles was the hit "[[Chain Gang (song)|Chain Gang]]". It reached #2 on the Billboard pop chart and was followed by more hits, including "Sad Mood", "[[Bring it on Home to Me]]" (with [[Lou Rawls]] on backing vocals), "[[Another Saturday Night]]" and "Twistin' the Night Away".
During 1961, Cooke started his own record company, [[SAR Records]], with J.W. Alexander and his manager, Roy Crain.<ref name="musichistory">{{cite book|last=Warner|first=Jay |coauthors=Jones, Quincy |title=On This Day in Black Music History|publisher=Hal Leonard Corporation|date=2006|pages=10|isbn=0-634-09926-4}}</ref> The company soon included The Simms Twins, The Valentinos, [[Bobby Womack]], and [[Johnnie Taylor]]. Cooke then created a publishing imprint and management company, then left Keen to contract with [[RCA Victor]]. One of his first RCA singles was the successful song "[[Chain Gang (song)|Chain Gang]]". It scored #2 on the Billboard popular music chart and was followed by more successes, including "Sad Mood", "[[Bring it on Home to Me]]" (with [[Lou Rawls]] on backing vocals), "[[Another Saturday Night]]" and "Twistin' the Night Away".


Like most R&B artists of his time, Cooke focused on singles: in all he had 29 top-40 hits on the pop charts, and more on the R&B charts. In spite of this, he released a well received [[blues music|blues]]-inflected LP in 1963, ''[[Night Beat]]'', and his most critically acclaimed studio album ''[[Ain't That Good News (album)|Ain't That Good News]]'', which featured five [[Single (music)|singles]], in 1964.
Like most R&B artists of his time, Cooke emphasized singles: in all he had 29 top-40 successes on the popualr music charts, and more on the R&B charts. In spite of this, he released a well received [[blues music|blues]]-inflected LP in 1963, ''[[Night Beat]]'', and his most critically acclaimed studio album ''[[Ain't That Good News (album)|Ain't That Good News]]'', which featured five [[Single (music)|singles]], in 1964.


==Death==
==Death==
Cooke died at the age of 33 on December 11, 1964 at the Hacienda Motel at 9137 South [[Figueroa Street]] in [[Los Angeles, California]], which has since been torn down. Bertha Franklin, manager of the motel, told police that she shot and killed Cooke in self-defense because he had threatened her. Police found Cooke's body in Franklin's apartment/office, clad only in a sports jacket and shoes, but no shirt, pants or underwear.<ref>Krajick, David. "[http://www.trutv.com/library/crime/notorious_murders/celebrity/sam_cooke/10.html The Death of Sam Cooke]", [[truTV|truTV.com Crime Library]]</ref> The shooting was ultimately ruled a [[justifiable homicide]].<ref name=bookofhits /> Cooke was interred in the [[Forest Lawn Memorial Park (Glendale)|Forest Lawn Memorial Park Cemetery]], [[Glendale, California]].
Cooke died at the age of 33 on December 11, 1964 at the Hacienda Motel at 9137 South [[Figueroa Street]] in [[Los Angeles, California]], which has since been torn down. Bertha Franklin, manager of the motel, told police that she shot and killed Cooke in self-defense because he had threatened her. Police found Cooke's body in Franklin's apartment/office, clad only in a sports jacket and shoes, but no shirt, pants or underwear.<ref>Krajick, David. "[http://www.trutv.com/library/crime/notorious_murders/celebrity/sam_cooke/10.html The Death of Sam Cooke]", [[truTV|truTV.com Crime Library]]</ref>
The shooting was ultimately ruled a [[justifiable homicide]].<ref name=bookofhits /> Cooke was interred in the [[Forest Lawn Memorial Park (Glendale)|Forest Lawn Memorial Park Cemetery]], [[Glendale, California]].
Some posthumous releases followed, many of which became hits, including "[[A Change Is Gonna Come (song)|A Change Is Gonna Come]]", an early [[protest song]] that is generally regarded as his greatest composition.<ref>{{cite web|url=http://www.npr.org/templates/story/story.php?storyId=17267529|title=Sam Cooke's Swan Song of Protest|publisher=npr.org|accessdate=2008-08-08}}</ref> After Cooke's death, his widow, Barbara, married [[Bobby Womack]]. Cooke's daughter, [[Linda Womack|Linda]], later married Bobby's brother, [[Cecil Womack|Cecil]].<ref name="musichistory" />
Some posthumous releases followed, many of which became successes, including "[[A Change Is Gonna Come (song)|A Change Is Gonna Come]]",
an early [[protest song]].<ref>{{cite web|url=http://www.npr.org/templates/story/story.php?storyId=17267529|title=Sam Cooke's Swan Song of Protest|publisher=npr.org|accessdate=2008-08-08}}</ref> After Cooke's death, his widow, Barbara, married [[Bobby Womack]]. Cooke's daughter, [[Linda Womack|Linda]], later married Bobby's brother, [[Cecil Womack|Cecil]].<ref name="musichistory" />


===Controversy===
===Controversy===
The details of the case involving Cooke's death are still in dispute. The official police record<ref name=Wolff>Wolff, Daniel. ''You Send Me: The Life and Times of Sam Cooke'', New York: William Morrow, 1995 ISBN 0-688-12403-8</ref> states that Cooke was shot dead by Bertha Franklin, the manager of the Hacienda Motel, where Cooke had checked in earlier that evening. Franklin claimed that Cooke had broken into the manager's office/apartment in a rage, wearing nothing but a shoe and a sports coat (with nothing beneath it) demanding to know the whereabouts of a woman who had accompanied him to the hotel. Franklin said that the woman was not in the office and that she told Cooke this, but the enraged Cooke did not believe her and violently grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve her gun. She said that she then fired at Cooke in [[self-defense]], because she feared for her life. Cooke was struck once in the [[torso]], and according to Franklin, he exclaimed, "Lady, you shot me," before mounting a last charge at her. She said that she beat him over his head with a broomstick before he finally fell, mortally wounded by the gunshot.
The details of the case involving Cooke's death are still disputed. The official police record<ref name=Wolff>Wolff, Daniel. ''You Send Me: The Life and Times of Sam Cooke'', New York: William Morrow, 1995 ISBN 0-688-12403-8</ref> states that Cooke was shot dead by Bertha Franklin, the manager of the Hacienda Motel, where Cooke had registered earlier that evening. Franklin claimed that Cooke had broken into the manager's office/apartment in a rage, wearing nothing but a shoe and a sports coat (with nothing beneath it) demanding to know the whereabouts of a woman who had accompanied him to the hotel. Franklin said that the woman was not in the office and that she told Cooke this, but the enraged Cooke did not believe her and violently grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve her gun. She said that she then shot Cooke in [[self-defense]], because she feared for her life. Cooke was struck once in the [[torso]], and according to Franklin, he exclaimed, "Lady, you shot me," before mounting a last charge at her. She said that she beat him over his head with a broomstick before he finally fell, mortally wounded by the gunshot.


According to Franklin and to the motel's owner, Evelyn Carr, they had been on the phone together at the time of the incident. Thus, Carr claimed to have overheard Cooke's intrusion and the ensuing conflict and gunshots. Carr called the police to request that they go to the motel, informing them that she believed a shooting had occurred.
According to Franklin and to the motel's owner, Evelyn Carr, they had spoken by telephone together at the time of the incident. Thus, Carr claimed to have overheard Cooke's intrusion and the ensuing conflict and gunshots. Carr telephoned the police to request that they go to the motel, informing them that she believed a shooting had occurred.


A [[Coroner|coroner's]] [[inquest]] was convened to investigate the incident. The woman who had accompanied Cooke to the motel was identified as Elisa Boyer, who had also called the police that night shortly before Carr did. Boyer had called the police from a phone booth near the motel, telling them she had just escaped from being kidnapped.
A [[Coroner|coroner's]] [[inquest]] was convened to investigate the incident. The woman who had accompanied Cooke to the motel was identified as Elisa Boyer, who had also telephoned the police that night shortly before Carr did. Boyer had telephoned the police from a telephone booth near the motel, telling them she had just escaped from being kidnapped.


Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She claimed that after they left a local nightclub together, she had repeatedly requested that he take her home, but that he instead took her against her will to the Hacienda Motel. She claimed that once in one of the motel's rooms, Cooke physically forced her onto the bed and that she was certain he was going to [[rape]] her. According to Boyer, when Cooke stepped into the bathroom for a moment, she quickly grabbed her clothes and ran from the room. She claimed that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said that she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long in responding, so, fearing Cooke would soon be coming after her, she fled the motel altogether before the manager ever opened the door. She claimed she then put her own clothing back on, stashed Cooke's clothing away and went to the phone booth from which she called the police.
Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She claimed that after they left a local nightclub together, she had repeatedly requested that he take her home, but that he instead took her against her will to the Hacienda Motel. She claimed that once in one of the motel's rooms, Cooke forced her onto the bed and that she was certain he was going to [[rape]] her. According to Boyer, when Cooke stepped into the bathroom for a moment, she quickly grabbed her clothes and ran from the room. She claimed that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said that she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long in responding, so, fearing Cooke would soon be coming after her,
she fled the motel altogether before the manager ever opened the door. She claimed she then put her own clothing back on, stashed Cooke's clothing away and went to the telephone booth from which she called the police.


Boyer's story is the only account of what happened between the two that night. However, her story has long been called into question. Inconsistencies between her version of events and details reported by other witnesses, as well as [[circumstantial evidence]] (e.g., cash that Cooke was reportedly carrying was never recovered, and Boyer was soon after arrested for [[prostitution]]),<ref>{{cite web|url=http://www.trutv.com/library/crime/notorious_murders/celebrity/sam_cooke/11.html|title=The Death of Sam Cooke|last=Krajicek|first=David |publisher=trutv.com}}</ref> invited speculation that Boyer may have gone willingly to the motel with Cooke and then slipped out of the room with Cooke's clothing in order to rob him, rather than to escape an attempted [[rape]].<ref name=Guralnick /><ref name=Wolff />
Boyer's story is the only account of what happened between the two that night. However, her story has long been questioned. Inconsistencies between her version of events and details reported by other witnesses, as well as [[circumstantial evidence]] (e.g., cash that Cooke was reportedly carrying was never recovered, and Boyer was soon after arrested for [[prostitution]]),<ref>{{cite web|url=http://www.trutv.com/library/crime/notorious_murders/celebrity/sam_cooke/11.html|title=The Death of Sam Cooke|last=Krajicek|first=David |publisher=trutv.com}}</ref> invited speculation that Boyer may have gone willingly to the motel with Cooke and then fled the room with Cooke's clothing in order to rob him, rather than to escape an attempted [[rape]].<ref name=Guralnick /><ref name=Wolff />


Ultimately, such questions were deemed to be beyond the scope of the inquest,<ref name=Guralnick /> whose purpose was to establish the circumstances of Franklin's role in the shooting, not to determine exactly what had happened between Cooke and Boyer preceding that. Boyer's leaving the motel room with almost all of Cooke's clothing, regardless of exactly why she did so, combined with the fact that tests showed Cooke was [[inebriated]] at the time, provided what inquest jurors deemed a plausible [[explanation]] for Cooke's bizarre behavior and state of dress, as reported by Franklin and Carr. This explanation, together with the fact that Carr's testimony [[Corroborating evidence|corroborated]] Franklin's version of events, and the fact that police officials testified that both Boyer and Franklin had passed [[Polygraph|lie detector]] tests,<ref name=Guralnick /><ref>(1964, December 16). "[http://select.nytimes.com/gst/abstract.html?res=F60814FB39581B728DDDAE0994DA415B848AF1D3 Shooting of Sam Cooke Held 'Justifiable Homicide']", [[United Press International]]</ref><ref>Robinson, Louie. (1964, December 31). "[http://books.google.com/books?id=xcADAAAAMBAJ&pg=PA62&lpg=PA62&source=bl&ots=YupVQGRmpc&sig=glYLgts__eptvjqQ6PSrR4M-XJc&hl=en&sa=X&oi=book_result&resnum=7&ct=result#PPA55,M Death Shocks Singer's Fans]" ''[[Jet (magazine)|Jet]], p. 59-64''</ref> was enough to convince the [[coroner's jury]] to accept Franklin's explanation that it was a case of justifiable homicide. With that verdict, authorities officially closed the case on Cooke's death.<ref name=Guralnick /><ref>Robinson, Louie. "The Tragic Death of Sam Cooke", ''[[Ebony (magazine)|Ebony]]'', February 1965</ref>
Ultimately, such questions were deemed to be beyond the scope of the inquest,<ref name=Guralnick /> whose purpose was to establish the circumstances of Franklin's role in the shooting, not to determine exactly what had happened between Cooke and Boyer preceding that.
Boyer's leaving the motel room with almost all of Cooke's clothing, regardless of exactly why she did so, combined with the fact that tests showed Cooke was [[inebriated]] at the time, provided what inquest jurors deemed a plausible [[explanation]] for Cooke's bizarre behavior and state of dress, as reported by Franklin and Carr. This explanation, together with the fact that Carr's testimony [[Corroborating evidence|corroborated]] Franklin's version of events, and the fact that police officials testified that both Boyer and Franklin had passed [[Polygraph|lie detector]] tests,<ref name=Guralnick /><ref>(1964, December 16). "[http://select.nytimes.com/gst/abstract.html?res=F60814FB39581B728DDDAE0994DA415B848AF1D3 Shooting of Sam Cooke Held 'Justifiable Homicide']", [[United Press International]]</ref><ref>Robinson, Louie. (1964, December 31). "[http://books.google.com/books?id=xcADAAAAMBAJ&pg=PA62&lpg=PA62&source=bl&ots=YupVQGRmpc&sig=glYLgts__eptvjqQ6PSrR4M-XJc&hl=en&sa=X&oi=book_result&resnum=7&ct=result#PPA55,M Death Shocks Singer's Fans]" ''[[Jet (magazine)|Jet]], p. 59-64''</ref> was enough to convince the [[coroner's jury]] to accept Franklin's explanation that it was a case of justifiable homicide. With that verdict, authorities officially closed the case of Cooke's death.<ref name=Guralnick /><ref>Robinson, Louie. "The Tragic Death of Sam Cooke", ''[[Ebony (magazine)|Ebony]]'', February 1965</ref>


However, some of Cooke's family and supporters have rejected not only Boyer's version of events but also Franklin's and Carr's. They believe that there was a [[conspiracy (crime)|conspiracy]] to murder Cooke and that the murder took place in some manner entirely different from Franklin, Boyer, and Carr's official accounts.<ref>Milicia, Joe. (2005, December 6). "[http://www.highbeam.com/doc/1P1-116060846.html Sam Cooke's story told from 'the inside out' &mdash; A thorough effort to give him his due]" [[Associated Press]]<BR>"That he was killed after being scammed by a prostitute just didn’t make sense to many people. It’s an end that his sister, Agnes Cooke-Hoskins, still discounts. 'My brother was first class all the way. He would not check into a $3 a night motel; that wasn’t his style,' she said while attending a recent tribute to Cooke at the Rock and Roll Hall of Fame and Museum."</ref><ref>Greene, Erik. (2006). ''Our Uncle Sam: The Sam Cooke Story from His Family's Perspective'', [[Trafford Publishing]]. ISBN 1-412-20987-0</ref><ref>[[Solomon Burke|Burke, Solomon]]. [http://www.classicbands.com/SolomonBurkeInterview.html Interview conducted by Gary James]<BR>"I still think there was some kind of conspiracy ... I've always felt there was some sort of conspiracy there ... I listened to the reports and I listened to the story of what happened and I can imagine Sam going after his pants. I can imaging Sam going up to the counter and saying 'Hey, somebody just took my pants.' And he's standing there, seeing the woman with his pants. I can imagine him saying "Give me my pants." But I can't imagine him attacking her. He wasn't that type of person to attack somebody. That wasn't his bag. He was a lover, OK. He wasn't a fighter. He wasn't a boxer. You never heard of Sam Cooke beating up his women."</ref><ref name=Gordon>Guralnick, Peter. (2005, November 16). [http://www.npr.org/templates/story/story.php?storyId=5014891 Interview conducted by Ed Gordon], [[National Public Radio]]<BR>"I would say within the community there is not a single person that believes that Sam Cooke died as is his said to have died: killed by a motel owner at a cheap motel in Los Angeles called the Hacienda which he had gone to with a prostitute named Elisa Boyer. I could have filled a hundred pages of the book with an appendix on all the theories about his death. Central tenet of every one of those theories is that this was a case of another proud black man brought down by the white establishment who simply didn't want to see him grow any bigger.<BR><BR>I looked into this very carefully. I had access to the private investigators' report, which nobody had seen and which filled in a good many more details. And no evidence has ever been adduced to prove any of these theories."</ref><ref name=Hildebrand>Hildebrand, Lee. "[http://www.sfbg.com/40/03/art_music_star.html Elvis biographer Peter Guralnick tackles another music legend: Sam Cooke]", ''[[San Francisco Bay Guardian]]'' online<BR>"'In the course of the two or three hundred different interviews with different people that I did for the book, there are two or three hundred different conspiracy theories,' he explained. 'While they were all extremely interesting, and while every one of them reflected a basic truth about prejudice in America in 1964 and the truth of the prejudice that has continued into the present day, none of them came accompanied by any evidence beyond that metaphorical truth.'"</ref><ref>Drozdowski, Ted. (2002, Marc 14-21). [http://www.bostonphoenix.com/boston/music/other_stories/documents/02192128.htm Soul man, Sam Cooke's fulfilling late period]<BR>"It’s hard to buy into conspiracy theories, though several swirl around this incident that paint Cooke as the victim of a plot by white supremacists to silence the country’s most popular self-empowered black man."</ref><ref name=Guralnick /> In her autobiography, ''Rage to Survive'', singer [[Etta James]] claimed that she viewed Cooke's body in the funeral home and that the injuries she observed were well beyond what could be explained by the official account of Franklin alone having fought with Cooke. James described Cooke as having been so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose was mangled.<ref>{{cite book|last=James|first=Etta|coauthors=Ritz, David |title=Rage To Survive: The Etta James Story|publisher=Da Capo Press|date=2003|pages=151|isbn=0-306-81262-2}}</ref>
However, some of Cooke's family and supporters have rejected not only Boyer's version of events but also Franklin's and Carr's. They believe that there was a [[conspiracy (crime)|conspiracy]] to murder Cooke and that the murder took place in some manner entirely different from Franklin, Boyer, and Carr's official accounts.<ref>Milicia, Joe. (2005, December 6). "[http://www.highbeam.com/doc/1P1-116060846.html Sam Cooke's story told from 'the inside out' &mdash; A thorough effort to give him his due]" [[Associated Press]]<BR>"That he was killed after being scammed by a prostitute just didn’t make sense to many people. It’s an end that his sister, Agnes Cooke-Hoskins, still discounts. 'My brother was first class all the way. He would not check into a $3 a night motel; that wasn’t his style,' she said while attending a recent tribute to Cooke at the Rock and Roll Hall of Fame and Museum."</ref><ref>Greene, Erik. (2006). ''Our Uncle Sam: The Sam Cooke Story from His Family's Perspective'', [[Trafford Publishing]]. ISBN 1-412-20987-0</ref><ref>[[Solomon Burke|Burke, Solomon]]. [http://www.classicbands.com/SolomonBurkeInterview.html Interview conducted by Gary James]<BR>"I still think there was some kind of conspiracy ... I've always felt there was some sort of conspiracy there ... I listened to the reports and I listened to the story of what happened and I can imagine Sam going after his pants. I can imaging Sam going up to the counter and saying 'Hey, somebody just took my pants.' And he's standing there, seeing the woman with his pants. I can imagine him saying "Give me my pants." But I can't imagine him attacking her.
He wasn't that type of person to attack somebody. That wasn't his bag.
He was a lover, OK. He wasn't a fighter. He wasn't a boxer. You never heard of Sam Cooke beating up his women."</ref><ref name=Gordon>Guralnick, Peter. (2005, November 16). [http://www.npr.org/templates/story/story.php?storyId=5014891 Interview conducted by Ed Gordon], [[National Public Radio]]<BR>
"I would say within the community there is not a single person that believes that Sam Cooke died as is his said to have died: killed by a motel owner at a cheap motel in Los Angeles called the Hacienda which he had gone to with a prostitute named Elisa Boyer. I could have filled a hundred pages of the book with an appendix on all the theories about his death. Central tenet of every one of those theories is that this was a case of another proud black man brought down by the white establishment who simply didn't want to see him grow any bigger.<BR><BR>
I looked into this very carefully. I had access to the private investigators' report, which nobody had seen and which filled in a good many more details. And no evidence has ever been adduced to prove any of these theories."</ref><ref name=Hildebrand>Hildebrand, Lee. "[http://www.sfbg.com/40/03/art_music_star.html Elvis biographer Peter Guralnick tackles another music legend: Sam Cooke]", ''[[San Francisco Bay Guardian]]'' online<BR>
"'In the course of the two or three hundred different interviews with different people that I did for the book, there are two or three hundred different conspiracy theories,' he explained. 'While they were all extremely interesting, and while every one of them reflected a basic truth about prejudice in America in 1964 and the truth of the prejudice that has continued into the present day, none of them came accompanied by any evidence beyond that metaphorical truth.'"</ref><ref>Drozdowski, Ted. (2002, Marc 14-21). [http://www.bostonphoenix.com/boston/music/other_stories/documents/02192128.htm Soul man, Sam Cooke's fulfilling late period]<BR>"It’s hard to buy into conspiracy theories, though several swirl around this incident that paint Cooke as the victim of a plot by white supremacists to silence the country’s most popular self-empowered black man."</ref>
<ref name=Guralnick /> In her autobiography, ''Rage to Survive'', singer [[Etta James]] claimed that she viewed Cooke's body in the funeral home and that the injuries she observed were well beyond what could be explained by the official account of Franklin alone having fought with Cooke. James described Cooke as having been so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose was mangled.<ref>{{cite book|last=James|first=Etta|coauthors=Ritz, David |title=Rage To Survive: The Etta James Story|publisher=Da Capo Press|date=2003|pages=151|isbn=0-306-81262-2}}</ref>


Nevertheless, no solid, reviewable [[Evidence (law)|evidence]] supporting a [[conspiracy theory]] has been presented to date.<ref name=Gordon /><ref name=Hildebrand />
Nevertheless, no reviewable [[Evidence (law)|evidence]] supporting a [[conspiracy theory]] has been presented to date.<ref name=Gordon /><ref name=Hildebrand />


==Legacy and cultural impact==
==Legacy and cultural impact==
The song "[[A Change Is Gonna Come (song)|A Change Is Gonna Come]]" was played upon the death of Malcolm X, and was memorably featured in [[Spike Lee]]'s film ''[[Malcolm X (film)|Malcolm X]]''. [[Barack Obama]]'s presidential victory speech paraphrased the song: "It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America."<ref>[http://www.guardian.co.uk/world/deadlineusa/2008/nov/05/uselections2008-barackobama ''Barack Obama'', US Election 2008 Victory Speech]</ref>
The song "[[A Change Is Gonna Come (song)|A Change Is Gonna Come]]" was played upon the death of Malcolm X, and was featured memorably in [[Spike Lee]]'s film ''[[Malcolm X (film)|Malcolm X]]''. [[Barack Obama]]'s presidential victory speech paraphrased the song: "It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America."<ref>[http://www.guardian.co.uk/world/deadlineusa/2008/nov/05/uselections2008-barackobama ''Barack Obama'', US Election 2008 Victory Speech]</ref>


Rapper [[Tupac Shakur]] references Cooke in a line of the song "[[Thugz Mansion]]", and [[Nas]] references him in the song "We Major" with [[Kanye West]]. [[The Roots]] song "Stay Cool" suggests, "I got the soul of a young Sam Cooke". [[Mike Doughty]]'s song "Sweet Lord in Heaven" evokes the memory of Cooke. The Irish rock-group [[Jetplane Landing]] have a song named "Sam Cooke".
Rapper [[Tupac Shakur]] references Cooke in a line of the song "[[Thugz Mansion]]", and [[Nas]] references him in the song "We Major" with [[Kanye West]]. [[The Roots]] song "Stay Cool" suggests, "I got the soul of a young Sam Cooke". [[Mike Doughty]]'s song "Sweet Lord in Heaven" evokes the memory of Cooke. The Irish rock-group [[Jetplane Landing]] have a song named "Sam Cooke".


A fictional version of Cooke (portrayed by [[Paul Mooney (comedian)|Paul Mooney]]) appeared briefly in the 1978 film, ''[[The Buddy Holly Story]]'', leaving the stage at the [[Apollo Theater]] before Buddy and [[The Crickets]] got on. After being featured prominently in the 1985 film ''[[Witness (1985 film)|Witness]]'',<ref>[http://www.imdb.com/title/tt0090329/soundtrack ''Witness'', 1985 film soundtrack]</ref> the song "[[Wonderful World (Sam Cooke song)|Wonderful World]]" gained further exposure. "Wonderful World" was featured in one of two concurrently running [[Levi's]] Jeans commercials in 1985 and became a hit in the [[United Kingdom]] because of this, reaching #2 in re-release. Two of Cooke's songs, "Cupid" and "Twistin' the Night Away" were also prominently featured in the 1987 movie, "Innerspace." Other notable movies that featured his music are ''[[Animal House]]'' ("Wonderful World" and "[[Twistin' the Night Away]]"), ''[[American Werewolf in London]]'', and ''[[Cadence (film)|Cadence]]'' ("[[Chain Gang (song)|Chain Gang]]").
A fictional version of Cooke (portrayed by [[Paul Mooney (comedian)|Paul Mooney]]) appeared briefly in the 1978 film, ''[[The Buddy Holly Story]]'', leaving the stage at the [[Apollo Theater]] before Buddy and [[The Crickets]] got on. After being featured prominently in the 1985 film ''[[Witness (1985 film)|Witness]]'',<ref>[http://www.imdb.com/title/tt0090329/soundtrack ''Witness'', 1985 film soundtrack]</ref> the song "[[Wonderful World (Sam Cooke song)|Wonderful World]]" gained further exposure. "Wonderful World" was featured in one of two concurrently running [[Levi's]] Jeans commercials in 1985 and became a success in the [[United Kingdom]] because of this, reaching #2 in re-release. Two of Cooke's songs, "Cupid" and "Twistin' the Night Away" were also prominently featured in the 1987 movie, "Innerspace." Other notable movies that featured his music are ''[[Animal House]]'' ("Wonderful World" and "[[Twistin' the Night Away]]"), ''[[American Werewolf in London]]'', and ''[[Cadence (film)|Cadence]]'' ("[[Chain Gang (song)|Chain Gang]]").


Cooke's songs "Bring It on Home to Me" and "Change is Gonna Come" were both featured in the movie ''[[Ali (film)|Ali]]''. The opening scene of the movie consisted of a live reenactment of "Bring It on Home to Me".
Cooke's songs "Bring It on Home to Me" and "Change is Gonna Come" were both featured in the movie ''[[Ali (film)|Ali]]''. The opening scene of the movie consisted of a live reenactment of "Bring It on Home to Me".
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==Posthumous honors==
==Posthumous honors==
*Shortly following his passing, [[Motown Records]] released ''[[We Remember Sam Cooke]]'', a collection of Cooke covers recorded by [[The Supremes]].
*Shortly following his death, [[Motown Records]] released ''[[We Remember Sam Cooke]]'', a collection of Cooke covers recorded by [[The Supremes]].
*In 1986, Cooke was inducted as a charter member of the [[Rock and Roll Hall of Fame]].<ref>{{cite web|url=http://www.rockhall.com/inductee/sam-cooke|title=Sam Cooke|publisher=rockhall.com|accessdate=2008-08-08}}</ref>
*During 1986, Cooke was inducted as a charter member of the [[Rock and Roll Hall of Fame]].<ref>{{cite web|url=http://www.rockhall.com/inductee/sam-cooke|title=Sam Cooke|publisher=rockhall.com|accessdate=2008-08-08}}</ref>
*In 1999, Cooke was honored with the [[Grammy Lifetime Achievement Award]], and in 2004 ''[[Rolling Stone]]'' magazine ranked him #16 on their list of the "100 Greatest Artists of All Time".<ref>{{cite web| title = The Immortals: The First Fifty| work = Rolling Stone Issue 946| publisher = Rolling Stone| url =http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty}}</ref>
*During 1999, Cooke was honored with the [[Grammy Lifetime Achievement Award]], and during 2004 ''[[Rolling Stone]]'' magazine ranked him #16 on their list of the "100 Greatest Artists of All Time".<ref>{{cite web| title = The Immortals: The First Fifty| work = Rolling Stone Issue 946| publisher = Rolling Stone| url =http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty}}</ref>
*In 2008, Cooke was named the fourth "Greatest Singer of All Time" by ''[[Rolling Stone]]''.<ref>{{cite web| title = 100 Greatest Singers of All Time| work = Rolling Stone Issue 1066| publisher = Rolling Stone| url = http://www.rollingstone.com/news/coverstory/24161972/page/4}}</ref>
*During 2008, Cooke was named the fourth "Greatest Singer of All Time" by ''[[Rolling Stone]]''.<ref>{{cite web| title = 100 Greatest Singers of All Time| work = Rolling Stone Issue 1066| publisher = Rolling Stone| url = http://www.rollingstone.com/news/coverstory/24161972/page/4}}</ref>


==Discography==
==Discography==

Revision as of 03:37, 17 August 2009

Template:Infobox musical artist 2

Samuel Cook[1] (January 22, 1931 – December 11, 1964), known better as Sam Cooke, was an African-American gospel, R&B, soul, and popular singer, songwriter, and entrepreneur. He is considered to be one of the pioneers and founders of soul music.[2][3][4]

Cooke had 29 Top 40 successes in the U.S. between 1957 and 1964. Major successes like "You Send Me", "A Change Is Gonna Come", "Chain Gang", "Wonderful World", and "Bring It on Home to Me" are some of his most popular songs. Cooke was also among the first modern black performers and composers to attend to the business part of his musical career. He initated both a record company and a publishing company as an extension of his careers as a singer and composer. He was also active with the American minority rights movement.[5]

Early life and career

Cook was born Samuel Cook in Clarksdale, Mississippi. He added an "e" to the end of his name; the reason for this is disputed.[6] He was one of seven children of Annie Mae and the Reverend Charles Cook, a Baptist minister. The family moved to Chicago during 1933.

Cooke began his career singing gospel with his siblings in a team called The Singing Children. He became well-known first as lead singer with the Highway QC's as a teenager, where he did some of his most impressive and plaintive gospel performances. During 1950, 19-year-old Cooke replaced gospel tenor R.H. Harris as lead singer of the landmark gospel group The Soul Stirrers. With Cooke's direction, the group contracted with Specialty Records and recorded the successes "Peace in the Valley", "How Far Am I From Canaan?", "Jesus Paid the Debt" and "One More River".

Crossover pop success

His first popular music single, "Lovable" (1956), was released with the alias "Dale Cooke" in order not to alienate his gospel fan base (he sang with The Soul Stirrers until 1957); there was a considerable stigma against gospel singers performing secular music. However, Cooke's unique and distinctive vocals were easily recognized [7]. Art Rupe, manager of Specialty Records, the distributor of The Soul Stirrers, gave his permission for Cooke to record secular music with his real name, but he was unhappy about the type of music Cooke and producer Bumps Blackwell were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell disassociated from the company.

During 1957, Cooke signed with Keen Records. His first release was "You Send Me", the B-side of his first Keen single (the A-side was a reworking of George Gershwin's "Summertime"[8]) which scored #1 for six weeks on the Billboard R&B chart. The song also had mainstream success, scoring #1 for three weeks at on the Billboard popular music chart.[9]

File:Cooke in studio.jpg
Sam Cooke in studio, 1963

During 1961, Cooke started his own record company, SAR Records, with J.W. Alexander and his manager, Roy Crain.[10] The company soon included The Simms Twins, The Valentinos, Bobby Womack, and Johnnie Taylor. Cooke then created a publishing imprint and management company, then left Keen to contract with RCA Victor. One of his first RCA singles was the successful song "Chain Gang". It scored #2 on the Billboard popular music chart and was followed by more successes, including "Sad Mood", "Bring it on Home to Me" (with Lou Rawls on backing vocals), "Another Saturday Night" and "Twistin' the Night Away".

Like most R&B artists of his time, Cooke emphasized singles: in all he had 29 top-40 successes on the popualr music charts, and more on the R&B charts. In spite of this, he released a well received blues-inflected LP in 1963, Night Beat, and his most critically acclaimed studio album Ain't That Good News, which featured five singles, in 1964.

Death

Cooke died at the age of 33 on December 11, 1964 at the Hacienda Motel at 9137 South Figueroa Street in Los Angeles, California, which has since been torn down. Bertha Franklin, manager of the motel, told police that she shot and killed Cooke in self-defense because he had threatened her. Police found Cooke's body in Franklin's apartment/office, clad only in a sports jacket and shoes, but no shirt, pants or underwear.[11] The shooting was ultimately ruled a justifiable homicide.[7] Cooke was interred in the Forest Lawn Memorial Park Cemetery, Glendale, California.

Some posthumous releases followed, many of which became successes, including "A Change Is Gonna Come", an early protest song.[12] After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Bobby's brother, Cecil.[10]

Controversy

The details of the case involving Cooke's death are still disputed. The official police record[13] states that Cooke was shot dead by Bertha Franklin, the manager of the Hacienda Motel, where Cooke had registered earlier that evening. Franklin claimed that Cooke had broken into the manager's office/apartment in a rage, wearing nothing but a shoe and a sports coat (with nothing beneath it) demanding to know the whereabouts of a woman who had accompanied him to the hotel. Franklin said that the woman was not in the office and that she told Cooke this, but the enraged Cooke did not believe her and violently grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve her gun. She said that she then shot Cooke in self-defense, because she feared for her life. Cooke was struck once in the torso, and according to Franklin, he exclaimed, "Lady, you shot me," before mounting a last charge at her. She said that she beat him over his head with a broomstick before he finally fell, mortally wounded by the gunshot.

According to Franklin and to the motel's owner, Evelyn Carr, they had spoken by telephone together at the time of the incident. Thus, Carr claimed to have overheard Cooke's intrusion and the ensuing conflict and gunshots. Carr telephoned the police to request that they go to the motel, informing them that she believed a shooting had occurred.

A coroner's inquest was convened to investigate the incident. The woman who had accompanied Cooke to the motel was identified as Elisa Boyer, who had also telephoned the police that night shortly before Carr did. Boyer had telephoned the police from a telephone booth near the motel, telling them she had just escaped from being kidnapped.

Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She claimed that after they left a local nightclub together, she had repeatedly requested that he take her home, but that he instead took her against her will to the Hacienda Motel. She claimed that once in one of the motel's rooms, Cooke forced her onto the bed and that she was certain he was going to rape her. According to Boyer, when Cooke stepped into the bathroom for a moment, she quickly grabbed her clothes and ran from the room. She claimed that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said that she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long in responding, so, fearing Cooke would soon be coming after her, she fled the motel altogether before the manager ever opened the door. She claimed she then put her own clothing back on, stashed Cooke's clothing away and went to the telephone booth from which she called the police.

Boyer's story is the only account of what happened between the two that night. However, her story has long been questioned. Inconsistencies between her version of events and details reported by other witnesses, as well as circumstantial evidence (e.g., cash that Cooke was reportedly carrying was never recovered, and Boyer was soon after arrested for prostitution),[14] invited speculation that Boyer may have gone willingly to the motel with Cooke and then fled the room with Cooke's clothing in order to rob him, rather than to escape an attempted rape.[6][13]

Ultimately, such questions were deemed to be beyond the scope of the inquest,[6] whose purpose was to establish the circumstances of Franklin's role in the shooting, not to determine exactly what had happened between Cooke and Boyer preceding that. Boyer's leaving the motel room with almost all of Cooke's clothing, regardless of exactly why she did so, combined with the fact that tests showed Cooke was inebriated at the time, provided what inquest jurors deemed a plausible explanation for Cooke's bizarre behavior and state of dress, as reported by Franklin and Carr. This explanation, together with the fact that Carr's testimony corroborated Franklin's version of events, and the fact that police officials testified that both Boyer and Franklin had passed lie detector tests,[6][15][16] was enough to convince the coroner's jury to accept Franklin's explanation that it was a case of justifiable homicide. With that verdict, authorities officially closed the case of Cooke's death.[6][17]

However, some of Cooke's family and supporters have rejected not only Boyer's version of events but also Franklin's and Carr's. They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from Franklin, Boyer, and Carr's official accounts.[18][19][20][21][22][23] [6] In her autobiography, Rage to Survive, singer Etta James claimed that she viewed Cooke's body in the funeral home and that the injuries she observed were well beyond what could be explained by the official account of Franklin alone having fought with Cooke. James described Cooke as having been so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose was mangled.[24]

Nevertheless, no reviewable evidence supporting a conspiracy theory has been presented to date.[21][22]

Legacy and cultural impact

The song "A Change Is Gonna Come" was played upon the death of Malcolm X, and was featured memorably in Spike Lee's film Malcolm X. Barack Obama's presidential victory speech paraphrased the song: "It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America."[25]

Rapper Tupac Shakur references Cooke in a line of the song "Thugz Mansion", and Nas references him in the song "We Major" with Kanye West. The Roots song "Stay Cool" suggests, "I got the soul of a young Sam Cooke". Mike Doughty's song "Sweet Lord in Heaven" evokes the memory of Cooke. The Irish rock-group Jetplane Landing have a song named "Sam Cooke".

A fictional version of Cooke (portrayed by Paul Mooney) appeared briefly in the 1978 film, The Buddy Holly Story, leaving the stage at the Apollo Theater before Buddy and The Crickets got on. After being featured prominently in the 1985 film Witness,[26] the song "Wonderful World" gained further exposure. "Wonderful World" was featured in one of two concurrently running Levi's Jeans commercials in 1985 and became a success in the United Kingdom because of this, reaching #2 in re-release. Two of Cooke's songs, "Cupid" and "Twistin' the Night Away" were also prominently featured in the 1987 movie, "Innerspace." Other notable movies that featured his music are Animal House ("Wonderful World" and "Twistin' the Night Away"), American Werewolf in London, and Cadence ("Chain Gang").

Cooke's songs "Bring It on Home to Me" and "Change is Gonna Come" were both featured in the movie Ali. The opening scene of the movie consisted of a live reenactment of "Bring It on Home to Me".

Alternative rock band The Wallflowers song "Sleepwalker" off of their 2000 album Breach featured the lyric "Cupid don't draw back your bow/Sam Cooke didn't know what I know."

John Cougar Mellencamp's song "Ain't Even Done with the Night" contains the line "You got your hands in my back pockets, and Sam Cooke's singin' on the radio."

JT Nero's first song on the album Demons/Demons is titled, "Who Shot Sam Cooke?"

Posthumous honors

Discography

Albums

Year Title Chart positions
US UK
1957 Sam Cooke 16
1962 The Best of Sam Cooke 22
1963 Night Beat
1964 Ain't That Good News 34
Sam Cooke at the Copa 29
1985 Sam Cooke at the Harlem Square Club (recorded 1963)
1986 The Man and His Music 8
2003 Portrait of a Legend: 1951-1964 30
2005 Portrait of a Legend: 1951-1964 (re-issue) 19

Singles

Year Title Chart positions
US R&B UK
1957 "You Send Me" 1 1 29
"I'll Come Running Back to You" 18 1
1959 "Only Sixteen" 28 13 23
1960 "Wonderful World" 12 2 27
"Chain Gang" 2 2 9
1961 "Cupid" 17 20 7
1962 "Twistin' the Night Away" 9 1 6
1963 "Another Saturday Night" 10 1 23
"Frankie and Johnny" 14 - 30
1965 "Shake" 7 4 8
1986 "Wonderful World" (re-issue) - 18 2
"Another Saturday Night" (re-issue) - - 75

Further reading

  • Dream Boogie: The Triumph of Sam Cooke by Peter Guralnick (2005) ISBN 0-316-37794-5
  • Our Uncle Sam: The Sam Cooke Story from His Family's Perspective by Erik Greene (2005) ISBN 1-412-06498-8
  • You Send Me: The Life and Times of Sam Cooke by Daniel Wolff, S. R. Crain, Clifton White, and G. David Tenenbaum (1995) ISBN 0-688-12403-8

References

  1. ^ Cite error: The named reference britannica was invoked but never defined (see the help page).
  2. ^ Appiah, Kwame Anthony (2004). Africana: An A-to-Z Reference of Writers, Musicians, and Artists of the African American Experience. Running Press. p. 146. ISBN 0-762-42042-1. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  3. ^ DeCurtis, Anthony (1992). The Rolling Stone Illustrated History of Rock & Roll: The Definitive History of the Most Important Artists and their Music. George-Warren, Holly. Random House. p. 135. ISBN 0-679-73728-6. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  4. ^ Nite, Norm N. (1992). Rock On Almanac: The First Four Decades of Rock 'n' Roll: A Chronolology. New York, New York: HarperPerennial. pp. 140–142. {{cite book}}: Text "isbn 0-062-73157-2" ignored (help)
  5. ^ Guralnick, Peter (2005-09-22). "The Man Who Invented Soul". rollingstone.com. Retrieved 2008-08-08.
  6. ^ a b c d e f Guralnick, Peter (2005). Dream Boogie: The Triumph of Sam Cooke. Little, Brown and Company. p. 626-634, 642-647, 670. ISBN 0316377945.
  7. ^ a b Bronson, Fred (2003). The Billboard Book of Number 1 Hits: The Inside Story Behind Every Number One Single on Billboard's Hot 100 from 1955 to the Present. Billboard Books. p. 30. ISBN 0-823-07677-6.
  8. ^ Guralnick, Peter (2005). Dream Boogie: The Triumph of Sam Cooke. Little, Brown and Company. p. 167. ISBN 0-316-37794-5.
  9. ^ Dean, Maury (2003). Rock 'N' Roll Gold Rush: A Singles Un-cyclopedia. Algora Publishing. p. 176. ISBN 0-875-86207-1.
  10. ^ a b Warner, Jay (2006). On This Day in Black Music History. Hal Leonard Corporation. p. 10. ISBN 0-634-09926-4. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  11. ^ Krajick, David. "The Death of Sam Cooke", truTV.com Crime Library
  12. ^ "Sam Cooke's Swan Song of Protest". npr.org. Retrieved 2008-08-08.
  13. ^ a b Wolff, Daniel. You Send Me: The Life and Times of Sam Cooke, New York: William Morrow, 1995 ISBN 0-688-12403-8
  14. ^ Krajicek, David. "The Death of Sam Cooke". trutv.com.
  15. ^ (1964, December 16). "Shooting of Sam Cooke Held 'Justifiable Homicide'", United Press International
  16. ^ Robinson, Louie. (1964, December 31). "Death Shocks Singer's Fans" Jet, p. 59-64
  17. ^ Robinson, Louie. "The Tragic Death of Sam Cooke", Ebony, February 1965
  18. ^ Milicia, Joe. (2005, December 6). "Sam Cooke's story told from 'the inside out' — A thorough effort to give him his due" Associated Press
    "That he was killed after being scammed by a prostitute just didn’t make sense to many people. It’s an end that his sister, Agnes Cooke-Hoskins, still discounts. 'My brother was first class all the way. He would not check into a $3 a night motel; that wasn’t his style,' she said while attending a recent tribute to Cooke at the Rock and Roll Hall of Fame and Museum."
  19. ^ Greene, Erik. (2006). Our Uncle Sam: The Sam Cooke Story from His Family's Perspective, Trafford Publishing. ISBN 1-412-20987-0
  20. ^ Burke, Solomon. Interview conducted by Gary James
    "I still think there was some kind of conspiracy ... I've always felt there was some sort of conspiracy there ... I listened to the reports and I listened to the story of what happened and I can imagine Sam going after his pants. I can imaging Sam going up to the counter and saying 'Hey, somebody just took my pants.' And he's standing there, seeing the woman with his pants. I can imagine him saying "Give me my pants." But I can't imagine him attacking her. He wasn't that type of person to attack somebody. That wasn't his bag. He was a lover, OK. He wasn't a fighter. He wasn't a boxer. You never heard of Sam Cooke beating up his women."
  21. ^ a b Guralnick, Peter. (2005, November 16). Interview conducted by Ed Gordon, National Public Radio
    "I would say within the community there is not a single person that believes that Sam Cooke died as is his said to have died: killed by a motel owner at a cheap motel in Los Angeles called the Hacienda which he had gone to with a prostitute named Elisa Boyer. I could have filled a hundred pages of the book with an appendix on all the theories about his death. Central tenet of every one of those theories is that this was a case of another proud black man brought down by the white establishment who simply didn't want to see him grow any bigger.

    I looked into this very carefully. I had access to the private investigators' report, which nobody had seen and which filled in a good many more details. And no evidence has ever been adduced to prove any of these theories."
  22. ^ a b Hildebrand, Lee. "Elvis biographer Peter Guralnick tackles another music legend: Sam Cooke", San Francisco Bay Guardian online
    "'In the course of the two or three hundred different interviews with different people that I did for the book, there are two or three hundred different conspiracy theories,' he explained. 'While they were all extremely interesting, and while every one of them reflected a basic truth about prejudice in America in 1964 and the truth of the prejudice that has continued into the present day, none of them came accompanied by any evidence beyond that metaphorical truth.'"
  23. ^ Drozdowski, Ted. (2002, Marc 14-21). Soul man, Sam Cooke's fulfilling late period
    "It’s hard to buy into conspiracy theories, though several swirl around this incident that paint Cooke as the victim of a plot by white supremacists to silence the country’s most popular self-empowered black man."
  24. ^ James, Etta (2003). Rage To Survive: The Etta James Story. Da Capo Press. p. 151. ISBN 0-306-81262-2. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  25. ^ Barack Obama, US Election 2008 Victory Speech
  26. ^ Witness, 1985 film soundtrack
  27. ^ "Sam Cooke". rockhall.com. Retrieved 2008-08-08.
  28. ^ "The Immortals: The First Fifty". Rolling Stone Issue 946. Rolling Stone.
  29. ^ "100 Greatest Singers of All Time". Rolling Stone Issue 1066. Rolling Stone.


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