Quantum of Solace

For other uses, see Quantum of Solace (disambiguation).

Quantum of Solace (2008) is the 22nd James Bond film by EON Productions and is the direct sequel to the 2006 film Casino Royale. Directed by Marc Forster, it features Daniel Craig's second performance as James Bond. In the film, Bond battles Dominic Greene (Mathieu Amalric), a member of the Quantum organisation posing as an environmentalist who intends to stage a coup d'état in Bolivia to take control of its water supply. Bond seeks revenge for the death of his lover, Vesper Lynd (Eva Green), and is assisted by Camille Montes (Olga Kurylenko), who is also seeking revenge.

Producer Michael G. Wilson developed the film's plot while Casino Royale was being shot. Neal Purvis, Robert Wade, Paul Haggis, and Joshua Zetumer contributed to the script. The title was chosen from a 1960 short story in Ian Fleming's For Your Eyes Only, though the film does not contain any elements of the original story. Location filming took place in Panama, Chile, Italy, and Austria while interior sets were built and filmed at Pinewood Studios. Forster aimed to make a modern film that also featured classic cinema motifs: a vintage aeroplane was used for a dogfight sequence, and Dennis Gassner's set designs are reminiscent of Ken Adam's work on several early Bond films. Taking a course away from the usual Bond villains, Forster rejected any grotesque appearance for the character Dominic Greene to emphasise the hidden and secret nature of the film's contemporary villains.

The film premiered at the Odeon Leicester Square on 29 October 2008, gathering mixed reviews which mainly praised Craig's gritty performance and the film's action sequences while feeling that Quantum of Solace was not as impressive as the predecessor Casino Royale. It was, however, the second most commercially successful Bond film, earning GBP£50 million in product placement, and grossing USD$586,090,727 at the box office as of 9 March 2009: notably close to its predecessor's record.

Plot

The film continues immediately after the events of Casino Royale with Bond driving from Lake Como to Siena, Italy. With the captured Mr. White in the luggage compartment of his car, Bond is attacked by chasing henchmen. After evading his pursuers, Bond and M interrogate White regarding his organisation, Quantum. M's bodyguard, Mitchell, is revealed as a double agent and a traitor, attacking M and allowing White to escape; Bond chases Mitchell across Siena and kills him. Following a forensic investigation into Mitchell's apartment back in London, Bond heads to Haiti to track down and kill Mitchell's contact, Edmund Slate. In carrying out his objective, Bond learns that Slate was sent to kill Camille Montes at the behest of her lover, Dominic Greene, the chairman of an ecological organization called Greene Planet. While observing her meeting with Greene, Bond learns that Greene is helping the Bolivian general Medrano – who murdered Camille's family – overthrow his government in exchange for a seemingly barren piece of desert.

Greene has Camille escorted away on Medrano's boat to "sweeten" their deal, but Bond rescues her. Bond then follows Greene to a private jet, which flies him to a performance of Tosca at Lake Constance, Austria. Bond infiltrates Quantum's meeting at the opera, and a gunfight ensues in a restaurant. A bodyguard of Guy Haines, an advisor to the British Prime Minister, is killed, and M, assuming Bond is the killer, has his passports and credit cards revoked. Bond travels to Talamone, small Italian town in Maremma, to reunite with his old ally René Mathis, whom he convinces to accompany him to La Paz. They are greeted by Strawberry Fields, an MI6 field operative from the British Consulate, who demands that Bond return to the UK on the next available flight. Bond disobeys and seduces her in their hotel suite.

Bond meets Camille again at a fund-raiser being held by Greene, and they leave hastily together, but are pulled over by the Bolivian police. The police order Bond to open the luggage compartment of his vehicle, revealing a bloodied Mathis. As Bond lifts Mathis out of the vehicle, the policemen open fire and fatally wound Mathis, who dies in Bond's arms. After Bond subdues the police and deposits Mathis's body in a waste container, Bond and Camille drive to Greene's intended land acquisition and survey the area in a Douglas DC-3 plane. They are intercepted and shot down by an Aermacchi SF.260 fighter and a Bell UH-1 Iroquois helicopter. They escape from the crippled plane by parachuting, landing in a sinkhole. While escaping the cave, Bond and Camille discover Quantum is blockading Bolivia's supply of fresh water, normally flowing in subterranean rivers, by damming it to double the price of water. The duo return to La Paz, where Bond meets M and learns Quantum murdered Fields by drowning her in crude oil. Believing that Bond has become a threat to both friend and foe, M orders him to disarm and end his activities in Bolivia, but he defies her and escapes.

Bond meets CIA agent Felix Leiter at a local bar, who discloses Greene and Medrano will meet at an eco-hotel in the Bolivian desert. Tipped off by Leiter, Bond evades American special forces attempting to kill him. Bond then sets out to the hotel where Greene and Medrano make the change in the Bolivian leadership. Bond kills the departing Colonel of Police for betraying Mathis, and sets off a chain of explosions in the hotel when a hydrogen fuel tank is hit by an out of control vehicle. Camille kills Medrano, and Bond captures Greene. After interrogating him, he leaves Greene stranded in the middle of the desert with only a can of motor oil. Bond drives Camille to a train station, where they kiss before she departs.

Bond goes to Kazan, Russia, where he confronts Vesper Lynd's former lover, Yusef Kabira. Yusef is a member of Quantum who seduces high-ranking women with valuable connections, getting them to give up government assets as ransom for himself in fake kidnappings where he is supposedly held hostage. He is attempting to do the same with Canadian agent Corinne Veneau, even giving her the same kind of necklace he gave Vesper. Surprising them at Yusef's apartment, Bond tells Corinne about Vesper and advises her to alert the Canadian Security Intelligence Service. As Bond is leaving Yusef's apartment he is confronted by M, who is surprised that Bond did not kill Yusef, but rather left him alive for questioning. M reveals that Leiter has been promoted by the CIA, while Beam was fired and jailed. And that Greene was found in the desert, shot dead and with motor oil in his stomach. Bond doesn't volunteer any information on Greene, but tells M that she was right about Vesper. M then tells Bond that MI6 needs him back and fully reinstates him as an agent. Bond walks off into the night telling M that he never left. As he leaves, he drops Vesper's necklace in the snow.

Originally after this scene, Bond was to confront Guy Haines and the escaped White at Haines' villa in the outskirts of London. Bond confronts White, only to learn that White is escaping and Haines is about to die. Bond rushes to save Haines and M says not to worry about White and capture Haines. The scene was deleted in the final version of the movie but Activision kept the scene in the Quantum of Solace: The Game. Ironically, the game ends just like Casino Royale where James Bond says "Bond, James Bond."

Cast

See also: List of James Bond allies in Quantum of Solace and List of James Bond henchmen in Quantum of Solace

Daniel Craig as James Bond, Craig's physical training for his reprise of the role placed extra effort into running and boxing, to spare him the injuries he sustained on his stunts in the first film. Craig felt he was fitter, being less bulky than in the first film. He also practiced speedboating and stunt driving. Craig felt Casino Royale was [physically] "a walk in the park" compared to Quantum of Solace, and required a different performance from him because Quantum of Solace is a revenge film, not a love story like Casino Royale. While filming in Pinewood, he suffered a gash when kicked in his face, which required eight stitches, and a fingertip was sliced off. He laughed these off, noting they did not delay filming, and joked his finger wound would enable him to have a criminal career (though it had grown back when he made this comment). He also had minor plastic surgery on his face. The actor advised Paul Haggis on the script and helped choose Marc Forster as the director.

Olga Kurylenko as Camille Montes, a Russian-Bolivian agent with her own vendetta regarding Greene and Medrano. Forster chose her because out of the 400 women who auditioned, she seemed the least nervous. When she read the script, she was glad she had no love scene with Craig because it would have distracted viewers from her performance. Kurylenko spent three weeks training to fight with weapons, and she learned a form of indoor skydiving known as body flying. Kurylenko dislikes stunts, but overcame her fears because she found Craig helpful. She was given a DVD box set of the films since the Bond franchise was not easily available to watch where she grew up in Ukraine. Kurylenko found Michelle Yeoh in Tomorrow Never Dies inspiring "because she did the fight scenes by herself." The producers had intended to cast a South American actress in the role. Kurylenko trained with a dialect coach to perform with a Spanish accent, which was easy as "I have a good ear, so I can imitate people," and because her accent was not made heavy. When reflecting on her experience as a Bond girl, she stated she was most proud of overcoming her fears in performing stunts.

Mathieu Amalric as Dominic Greene, a leading member of Quantum posing as a businessman working in reforestation and charity funding for environmental science. Amalric acknowledged taking the role was an easy decision because, "It's impossible to say to your kids that 'I could have been in a Bond film but I refused.'" Amalric wanted to wear make-up for the role, but Forster explained that he wanted Greene not to look grotesque, but to symbolise the hidden evils in society. Amalric modelled his performance on "the smile of Tony Blair [and] the craziness of Sarkozy," the latter of whom he called "the worst villain we [the French] have ever had [...] he walks around thinking he's in a Bond film." He later claimed this was not criticism of either politician, but rather an example of how a politician relies on performance instead of a genuine policy to win power. "Sarkozy, is just a better actor than [his presidential opponent] Ségolène Royal – that's all," he explained. Amalric and Forster reconceived the character, who was supposed to have a "special skill" in the script, to someone who uses pure animal instinct when fighting Bond in the climax. Bruno Ganz was also considered for the part, but Forster decided Amalric gave a pitiful quality.

Judi Dench as M. Forster felt Dench was underused in the previous films and wanted to make her part bigger, having her interact with Bond more because she is "the only woman Bond doesn’t see in a sexual context," which Forster finds interesting.

Giancarlo Giannini as René Mathis, Bond's ally who was mistakenly believed to be a traitor in Casino Royale. Having been acquitted, he chooses to aid Bond again.

Gemma Arterton as MI6 Agent Strawberry Fields, who works at the British consulate in Bolivia. Forster found Arterton a witty actress and selected her from 7000 candidates. One of the casting directors asked her to audition for the role, having seen her portray Rosaline in Love's Labour's Lost at the Globe Theatre. Arterton said Fields was "not so frolicsome" as other Bond girls, but is instead "fresh and young, not [...] a femme fatale." Arterton described Fields as a homage to the 1960s Bond girls, comparing her red wig to Diana Rigg, who played Tracy Bond in On Her Majesty's Secret Service. Rigg, alongside Honor Blackman, is one of her favourite Bond girls. Arterton had to film her character's death scene first day on the set. Although she found the experience unpleasant, she believes the scene will be an iconic part of the film. The character's first name is never actually uttered on screen; when Bond asks her for her name, she replies, "Just Fields."

Jeffrey Wright as Felix Leiter, Bond's ally at the CIA. This marked the first time the same actor played Leiter twice in a row. Only David Hedison had previously played the character twice, in Live and Let Die (1973) and Licence to Kill (1989), but these performances were not consecutive. Early script drafts gave Leiter a larger role, but his screentime was restricted by on-set rewrites.

Anatole Taubman as Elvis, Greene's second-in-command. His name was chosen by Paul Haggis, while Taubman chose the bowl cut. Amalric and Taubman improvised a backstory for Elvis: he is Dominic's cousin and once lived on the streets before being inducted into Quantum. He called Elvis "a bit of a goofball. He thinks he's all that but he's not really. [...] He's not a comic guy. He definitely takes himself very serious, but maybe by his taking himself too serious he may become friendly."

David Harbour as Gregg Beam, the CIA Section Chief for South America and a contact of Felix Leiter.

Joaquín Cosío as General Medrano, the exiled general whom Greene is helping to get back into power, in return for support of his organisation. He is responsible for the murder of Camille's entire family when she was a young girl.

Jesper Christensen as Mr. White, whom Bond captured after he stole the money won at Casino Royale in Montenegro.

Rory Kinnear as Bill Tanner, M's aide.

Tim Pigott-Smith as the British Secretary of State for Foreign and Commonwealth Affairs.

Neil Jackson as Edmund Slate, a henchman who fights Bond in Haiti.

Simon Kassianides as Yusef, who has a confrontation with Bond in Kazan towards the end of the film.

Stana Katic as Corrine Veneau, The Canadian Intelligence Service Agent.

Glenn Foster as Craig Mitchell, M's Bodyguard and Double Agent.

Directors Guillermo del Toro and Alfonso Cuarón are friends of Marc Forster and while filming he asked them to cameo, providing voices in the Spanish language. Cuarón appears as a Bolivian helicopter pilot, while del Toro provides several other voices.

Production

Development

"If you remember in Chinatown, if you control the water you control the whole development of the country. I think it's true. Right now it appears to be oil, but there's a lot of other resources that we don't think about too much but are all essential, and they're very limited and every country needs it. Because every country knows that raising the standard of living (and populations are getting bigger) is the way we're all going."

–Michael G. Wilson on the plot

In July 2006, as Casino Royale entered post-production, EON Productions announced that the next film would be based on an original idea by producer Michael G. Wilson. It was decided beforehand the film would be a direct sequel, to exploit Bond's emotions following Vesper's death in the previous film. Just as Casino Royale's theme was terrorism, the sequel focuses on environmentalism. The film was confirmed for a 2 May 2008 release date, with Craig reprising the lead role. Roger Michell, who directed Craig in Enduring Love and The Mother, was in negotiations to direct, but opted out because there was no script. Sony Entertainment vice-chairman Jeff Blake admitted a production schedule of eighteen months was a very short window, and the release date was pushed back to late 2008. Neal Purvis and Robert Wade completed their draft of the script by April 2007, and Paul Haggis – who polished the Casino Royale script – began his rewrite the next month.

In June 2007, Marc Forster was confirmed as director. He was surprised that he was approached for the job, stating he was not a big Bond film fan through the years, and that he would not have accepted the project had he not seen Casino Royale prior to making his decision: he felt Bond had been humanised in that film, arguing since traveling the world had become less exotic since the series' advent, it made sense to focus more on Bond as a character. Born in Germany and raised in Switzerland, Forster was the first Bond director not to come from the British Commonwealth of Nations, although he noted Bond's mother is Swiss, making him somewhat appropriate to handle the British icon. The director collaborated strongly with Barbara Broccoli and Michael G. Wilson, noting they only blocked two very expensive ideas he had. The director found Casino Royale's 144 minute running time too long, and wanted his follow-up to be "tight and fast [...] like a bullet."

"Because Bond plays it real, I thought the political circumstances should be real too, even though Bond shouldn't be a political film. I thought the more political I make it, the more real it feels, not just with Bolivia and what's happening in Haiti, but with all these corporations like Shell and Chevron saying they're green because it's so fashionable to be green. During the Cold War, everything was very clear, the good guys and the bad guys. Today there's much overlapping of good and bad. It isn't as morally distinct, because we all have both elements in us."

–Marc Forster on the political landscape of the film

Haggis, Forster and Wilson rewrote the story from scratch. Haggis said he completed his script two hours before the 2007–2008 Writers Guild of America strike officially began. Forster noted a running theme in his films were emotionally repressed protagonists, and the theme of the picture would be Bond learning to trust after feeling betrayed by Vesper. Forster said he created the Camille character as a strong female counterpart to Bond rather than a casual love interest: she openly shows emotions similar to those which Bond experiences but is unable to express. Haggis located his draft's climax in the Swiss Alps, but Forster wanted the action sequences to be based around the four classical elements of earth, water, air and fire. The decision to homage Goldfinger in Fields's death came about as Forster wanted to show oil had replaced gold as the most precious material. The producers rejected Haggis's idea that Vesper Lynd had a child, because "Bond was an orphan [...] Once he finds the kid, Bond can't just leave the kid."

Michael G. Wilson decided on the film's title Quantum of Solace only "a few days" before its announcement on 24 January 2008. It was the name of a short story in Ian Fleming's anthology For Your Eyes Only (1960), although the film is otherwise unrelated. Daniel Craig admitted, "I was unsure at first. Bond is looking for his quantum of solace and that's what he wants, he wants his closure. Ian Fleming says that if you don't have a quantum of solace in your relationship then the relationship is over. It's that spark of niceness in a relationship that if you don't have you might as well give up." He said that "Bond doesn't have that because his girlfriend [Vesper Lynd] has been killed," and therefore, "[Bond is] looking for revenge [...] to make himself happy with the world again." Afterwards, Quantum was made the name of the organisation introduced in Casino Royale. Craig noted the letter Q itself looks rather odd.

During filming, after the strike ended, Forster read a spec script by Joshua Zetumer, which he liked, and hired him to reshape scenes for the later parts of the shoot, which the director was still unsatisfied with. Forster had the actors rehearse their scenes, as he liked to film scenes continually. Zetumer rewrote dialogue depending on the actors' ideas each day.

Filming

Quantum of Solace was shot in six countries, Second unit filming began in Italy at the Palio di Siena horse race on 16 August 2007: though at this point Forster was unsure how it would fit into the film. Some scenes were filmed also in Maratea and Craco, two little and characteristics towns in Basilicata. Other places used for location shooting were Madrid in August 2007; Baja California, Mexico in early 2008, for shots of the aerial battle; Malcesine and Limone sul Garda in Italy during March, and at Talamone during the end of April. The main unit began on 3 January 2008, at Pinewood Studios. The 007 Stage was used for the fight in the art gallery, and an MI6 safehouse hidden within the city's cisterns, while other stages housed Bond's Bolivian hotel suite, and the MI6 headquarters. Interior and exterior airport scenes were filmed at Farnborough Airfield and the snowy closing scenes were filmed at the Bruneval Barracks in Aldershot.

File:Quantum Of Solace Shelter Bay.jpg

Marine shooting being carried out at Fort Sherman

Shooting in Panama City began on 7 February 2008 at Howard Air Force Base. The country doubled for Haiti and Bolivia, with the National Institute of Culture of Panama standing in for a hotel in the latter country. A sequence requiring several hundred extras was also shot at nearby Colón. Shooting in Panama was also carried out at Fort Sherman, a former US military base on the Colón coast. Forster was disappointed he could only shoot the boat chase in that harbour, as he had a more spectacular vision for the scene. Officials in the country worked with the locals to "minimise inconvenience" for the cast and crew, and in return hoped the city's exposure in the film would increase tourism. The crew was going to move to Cusco, Peru for ten days of filming on 2 March, but the location was cancelled for budget reasons. Twelve days of filming in Chile began on 24 March at Antofagasta. There was shooting in Cobija, the Paranal Observatory, and other locations in the Atacama Desert. Forster chose the desert and the observatory's ESO Hotel to represent Bond's rigid emotions, and being on the verge of committing a vengeful act as he confronts Greene in the film's climax.

Marc Forster chose the Atacama Desert to represent Bond's vengefulness in the climax

While filming in Sierra Gorda, Chile, the local mayor, Carlos Lopez, staged a protest because he was angry at the filmmakers portraying the Antofagasta region as part of Bolivia, when Chile conquered it in 1883. He was arrested, detained briefly, and put on trial two days later. EON dismissed his claim that they needed his permission to film in the area. Michael G. Wilson also explained Bolivia was appropriate to the plot, because of the country's history of water problems, and was surprised the two countries disliked each other a century after the War of the Pacific. In a poll by Chilean daily newspaper La Segunda, 75% of its readers disagreed with Lopez's actions, due to the negative image they felt it presented of Chile, and the controversy's potential to put off productions looking to film in the country in the future.

From 4–12 April, the main unit shot on Sienese rooftops. Shooting on the real rooftops turned out to be less expensive than building them at Pinewood. The next four weeks were scheduled for filming the car chase at Lake Garda and Carrara. On 19 April, an Aston Martin employee driving a DBS to the set crashed into the lake. He survived, and was fined £400 for reckless driving. Another accident occurred on 21 April, and two days later, two stuntmen were seriously injured, with one, Greek stuntman Aris Comninos, having to be put in intensive care. Filming of the scenes was temporarily halted so that Italian police could investigate the causes of the accidents. Stunt co-ordinator Gary Powell said the accidents were a testament to the realism of the action. Rumours of a "curse" spread among tabloid media, something which deeply offended Craig, who disliked that they compared Comninos' accident to something like his minor finger injury later on the shoot (also part of the "curse"). Comninos recovered safely from his injury.

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Preparations for the performance of Tosca at Bregenzer Festspiele

Filming took place at the floating opera stage at Bregenz, Austria from 28 April–9 May 2008. The sequence, where Bond stalks the villains during a performance of Tosca, required 1500 extras. The production used a large model of an eye, which Forster felt fitted in the Bond style, and the opera itself has parallels to the film. A short driving sequence was filmed at the nearby Feldkirch, Vorarlberg. The crew returned to Italy from 13–17 May to shoot a (planned) car crash at the marble quarry in Carrara, and a recreation of the Palio di Siena at the Piazza del Campo in Siena. 1000 extras were hired for a scene where Bond emerges from the Fonte Gaia. Originally, he would have emerged from the city's cisterns at Siena Cathedral, but this was thought disrespectful. By June, the crew returned to Pinewood for four weeks, where new sets (including the interior of the hotel in the climax) were built. The wrap party was held on 21 June.

Design

Production designer Peter Lamont, a crew member on eighteen previous Bond films, retired after Casino Royale. Forster hired Dennis Gassner in his stead, having admired his work on The Truman Show and the films of the Coen brothers. Craig said the film would have "a touch of Ken Adam," while Michael G. Wilson also called Gassner's designs "a postmodern look at modernism." Forster said he felt the early Bond films' design "were ahead of their time," and enjoyed the clashing of an older style with his own because it created a unique look unto itself. Gassner wanted his sets to emphasise Craig's "great angular, textured face and wonderful blue eyes," and totally redesigned the MI6 headquarters because he felt Judi Dench "was a bit tired in the last film, so I thought, let’s bring her into a new world."

Louise Frogley replaced Lindy Hemming as costume designer, though Hemming remained as supervisor. Hemming hired Brioni for Bond's suits since her tenure on the series began with 1995's GoldenEye, but Lindsay Pugh, another supervisor, explained their suits were "too relaxed." Tom Ford was hired to tailor "sharper" suits for Craig. Pugh said the costumes aimed towards the 1960s feel, especially for Bond and Fields. Prada provided the dresses for both Bond girls. Jasper Conran designed Camille's casual clothes and gold necklace, while Chrome Hearts designed gothic jewellery for Amalric's character, which the actor liked enough to keep after filming. Sophie Harley, who created Vesper Lynd's earrings and Algerian loveknot necklace in Casino Royale, was called upon to create another version of the necklace.

The film returns to the traditional gun barrel opening shot, which was altered into part of the story for Casino Royale where it was moved to the end of the title sequence. In this film the gun barrel sequence was moved to the end of the movie, which Wilson explained was done for a surprise, and to signify the conclusion of the story begun in the previous film. The opening credits sequence was created by MK12; Having worked on Forster's Stranger than Fiction and The Kite Runner, MK12 spontaneously began developing the sequence early on in production, and had a good idea of its appearance which meant it did not have to be redone when the title singer was changed. MK12 selected various twilight colours to represent Bond's mood and focused on a dot motif based on the gunbarrel shot. MK12 also worked on scenes with graphical user interface, including the electronic table MI6 use, and the Port-au-Prince, Haiti title cards.

Effects

Quantum of Solace was the last in Ford Motor's three-film deal that began with 2002's Die Another Day. Although Ford sold over 90% of the Aston Martin company in 2007, the Aston Martin DBS V12 returned for the film's car chase around Lake Garda; Dan Bradley was hired as second unit director because of his work on the second and third Bourne films, so the film would continue the gritty action style begun in Casino Royale. He had intended to use Ford GTs for the opening chase, but it was replaced by the Alfa Romeo 159. After location filming in Italy, further close-ups of Craig, the cars and the truck were shot at Pinewood against a bluescreen. Originally three Alfa Romeos were in the sequence: but Forster felt the scene was running too long and re-edited the scene so it only looked like two Romeos were chasing Bond. Six Aston Martins were destroyed during filming, and one of them was purchased by a fan.

Fourteen cameras were used to film the Palio di Siena, footage which was later edited into the main sequence. Aerial shots using helicopters were banned, and the crew were also forbidden from showing any violence "involving either people or animals." To shoot the foot chase in Siena in April 2008 four camera cranes were built in the town, and a cable camera was also used. Framestore worked on the Siena chase, duplicating the 1000 extras during principal photography to match shots of the 40,000 strong audience at the real Palio, removing wires that held Craig and the stuntmen in the rooftop segment of the chase, and digital expansion of the floor and skylight in the art gallery Bond and Mitchell fall into. The art gallery fight was intended to be simple, but during filming Craig's stunt double accidentally fell from the construction scaffolding. Forster preferred the idea of Bond hanging from ropes reaching for his gun to kill Mitchell, rather than having both men run out of the building to continue their chase as specified in the script, and the number of effects shots increased.

To film the aerial dogfight, a "Snakehead" camera was built and placed on the nose and tail of a Piper Aerostar 700. SolidWorks, who provided the software used to design the camera, stated "pilots for the first time can fly as aggressively as they dare without sacrificing the drama of the shot." The camera could turn 360 degrees and was shaped like a periscope. The crew also mounted SpaceCams on helicopters, and placed cameras with 1600 mm lenses underground, to cover the action. Forster wanted to film the planefight as a homage to Alfred Hitchcock's North by Northwest, and chose planes like the Douglas DC-3 to suit that. To shoot a free-fall scene, Craig disliked the idea of being blown by a large fan, so stunt co-ordinator Gary Powell suggested filming the scene in a vertical wind tunnel. Seventeen small digital cameras were used to shoot the scene, while Craig and Kurylenko wore wind-resistant contact lenses that enabled them to open their eyes as they fell. For safety, they only shot for thirty seconds at a time. The wind tunnel shots served in a manner similar to motion capture, acting as reference for wind blowing on clothes and hair on Craig and Kurylenko's digital doubles, created by Double Negative. Forster wished he had more time to work on the free-fall scene.

The Moving Picture Company created the climactic hotel sequence. The fire effects were supervised by Chris Corbould, and post-production MPC had to enhance the sequence by making the smoke look closer to the actors, so it would look more dangerous. A full-scale replica of the building's exterior was used for the exploding part Bond and Camille escape from. The boat chase was another scene that required very little CGI. Double Negative worked on replacing a few shots of visible stuntmen with a digital version of Craig's head, and recreated the boats Bond jumps over on his motorcycle to make it look more dangerous. Crowd duplication was done for the Tosca scene by Machine FX, to make the performance look like it had sold out. Forster edited the opera scene to resemble The Man Who Knew Too Much. In total, there are 900 visual effects shots in Quantum of Solace.

Music

Main article: Quantum of Solace (soundtrack)

David Arnold, who composed the scores for the previous four Bond films, returned for Quantum of Solace. He said that Forster likes to work very closely with his composers and that, in comparison to the accelerated schedule he was tied to on Casino Royale, the intention was to spend a long time scoring the film to "really work it out." He also said he would be "taking a different approach" with the score. Arnold composed the music based on impressions from reading the script, and Forster edited those into the film. As with Casino Royale, Arnold kept use of the James Bond Theme to a minimum. Arnold collaborated with Kieran Hebden for "Crawl, End Crawl," a remix of the score played during the end credits.

Jack White of The White Stripes and Alicia Keys collaborated on "Another Way to Die," the first Bond music duet. They had wanted to work together for two years beforehand. The song was recorded in Nashville, Tennessee; White played the drums while Keys performed on the piano. The Memphis Horns also contributed to the track. White's favourite Bond theme is John Barry's instrumental piece for On Her Majesty's Secret Service, and he watched various opening credit sequences from the series for inspiration while mixing the track. Mark Ronson and Amy Winehouse had recorded a demo track for the film, but Ronson explained Winehouse's well-publicised legal issues in the preceding weeks made her "not ready to record any music" at that time.

Release

The film premiered at the Odeon Leicester Square on 29 October 2008. Princes William and Harry of Wales attended, and proceeds from the screening were donated to the charities Help for Heroes and the Royal British Legion. The film was originally scheduled to be released in the UK and North America on 7 November; however, EON pushed forward the British date to 31 October during filming, while the American date was pushed back in August to 14 November, after Harry Potter and the Half-Blood Prince had been moved to 2009, thereby allowing the distributors to market the film over the Fall blockbuster Thanksgiving holiday weekend. In Australia, the film was moved a week to 19 November, after 20th Century Fox chose to release Australia on Quantum of Solace's original date of 26 November.

Editing

After the first screening, Forster cut out a minute-long coda to the film's ending where Bond encounters Mr. White again. The director left it out to give the next film's director a chance to tell his own story, as including the scene would have forced them to make Bond 23 another direct sequel. The catchphrase "Bond, James Bond" was also cut out, marking only the third time that Bond does not introduce himself with the line. It was shot for several different scenes but was completely cut out as Forster and the producers found it unnecessary. Forster also convinced the producers not to edit in flashbacks of the previous film as he felt it would look odd in a direct sequel.

Marketing

Returning product placement partners from Casino Royale included Ford, Heineken Pilsener, Smirnoff, Omega SA, Virgin Atlantic Airways and Sony Ericsson. A reported £50 million was earned in product placement, which tops the Bond film's record of £44 million for Die Another Day. The 2009 Ford Ka is driven by Camille in the film. Avon created a fragrance called Bond Girl 007 with Gemma Arterton as the "face" of the product. Coca-Cola became a promotional partner, rebranding Coke Zero as "Coke Zero Zero 7." A tie-in advert featured the orchestral element of "Another Way to Die." In the film, Coca-Cola was briefly seen being served at Dominic Greene's party. Sony held a competition, "Mission for a Million," enabling registered players to use their products to complete certain tasks. Each completed "mission" gives consumers a chance to win $1 million and a trip to a top secret location.

Corgi International Limited made 5-inch action figures and gadgets (such as a voice-activated briefcase), as well as their traditional die-cast toy vehicles. They also created 7-inch figures of characters from the previous films. Scalextric released four racing sets to coincide with the film. Activision released their first James Bond game, also titled Quantum of Solace, which is based on both Casino Royale and Quantum of Solace. It is the first Bond game to feature Craig's likeness and the first seventh generation console game in the series. Swatch designed a series of wrist watches, each of them inspired by a Bond villain.

Though there was no novelisation despite its original storyline, Penguin Books published a compilation of Fleming's short stories entitled Quantum of Solace: The Complete James Bond Short Stories, with a UK release date of 29 May 2008 and a North American release date of 26 August 2008. The book combines the contents of Fleming's two short story collections, For Your Eyes Only—including the original "Quantum of Solace" short story—and Octopussy and The Living Daylights.

Reviews

Reviews for Quantum of Solace have been fairly positive. Of the 238 reviews listed on Rotten Tomatoes, 65 percent are positive, with an average rating of 6.1/10. However, only 32 percent of selected notable reviewers gave it a positive write-up, with an average rating of 5.5/10. Metacritic calculated a score of 58 out of 100 from 38 reviews, indicating a "mixed or average" response. Critics generally preferred Casino Royale, but continued to praise Craig's depiction of Bond, and agree that the film is still an enjoyable addition to the series. The action sequences and pacing were praised, but criticism grew over the serious and gritty feel that the film carried over. An article published by the Independent Film Channel remarked the contrast between Quantum and Casino Royale's reception came about because the American mood had been lightened following the election of US President Barack Obama, and the emotional Bond who recognises his moral ambiguity had become inappropriate to audiences.

Kim Newman of Empire gave it 4/5, remarking it was not "bigger and better than Casino Royale, [which is] perhaps a smart move in that there's still a sense at the finish that Bond’s mission has barely begun." However, he expressed nostalgia for the more humorous Bond films. The Sunday Times review noted that "[f]ollowing Casino Royale was never going to be easy, but the director Marc Forster has brought the brand’s successful relaunch crashing back to earth — with a yawn"; the screenplay "is at times incomprehensible" and the casting "is a mess." The review concludes that "Bond has been stripped of his iconic status. He no longer represents anything particularly British, or even modern. In place of glamour, we get a spurious grit; instead of style, we get product placement; in place of fantasy, we get a redundant and silly realism."

The Guardian gave a more positive review, rating it as 3/5 stars, and was particularly fond of Craig's performance, saying he "made the part his own, every inch the coolly ruthless agent-killer, nursing a broken heart and coldly suppressed rage" and calling the film "a crash-bang Bond, high on action, low on quips, long on location glamour, short on product placement"; it concludes "Quantum of Solace isn't as good as Casino Royale: the smart elegance of Craig's Bond debut has been toned down in favour of conventional action. But the man himself powers this movie; he carries the film: it's an indefinably difficult task for an actor. Craig measures up."

Screen Daily says "Notices will focus - rightly - on Craig's magnetism as the steely, sexy, murderous MI6 agent, but two other factors weigh in and freshen up proceedings: Forster's new technical team, led by cinematographer Roberto Schaefer and production designer Dennis Gassner. And the ongoing shift of M, as played by Judi Dench, to front and centre: the Bond girls fade into insignificance as she becomes his moral counterpoint and theirs is the only real relationship on screen." The review continues, "Bond is, as has been previously noted, practically the Martin Scorsese of the BAFTAs: 22 films later, with grosses probably close to the GDP of one of the small nations it depicts, it's still waiting for that Alexander Korda award. The best Casino Royale could achieve was a gong for sound. Will this be the year that changes its fortunes?"

Roger Ebert of The Chicago Sun-Times, who praised the previous film, disliked Quantum of Solace. He wrote that the plot was mediocre, characters weak and that Bond lacked his usual personality, despite his praise for Craig's interpretation of the role. Throughout his review, he emphasised that "James Bond is not an action hero," and also criticised the lack of a fantastical villainous lair and the Bond girls' names not being double entendres. Roger Moore, the third actor to play Bond in the films, continued to feel Craig was a "damn good Bond but the film as a whole, there was a bit too much flash cutting [and] it was just like a commercial of the action. There didn't seem to be any geography and you were wondering what the hell was going on." Some writers criticised the choice of Quantum of Solace as a title. "Yes, it's a bad title," wrote Marni Weisz, the editor of Famous, a Canadian film publication distributed in movie theatres in that country, in an editorial entitled "At least it's not Octopussy."

Box office

Upon its opening in the UK, the film grossed £4.9 million ($8 million), breaking the record for the largest Friday opening (31 October 2008) in the UK. The film then broke the UK opening weekend record, taking £15.5 million ($25 million) in its first weekend, surpassing the previous record of £14.9 million held by Harry Potter and the Goblet of Fire. It earned a further £14.2 million in France and Sweden – where it opened on the same day – which altogether equated to $38.6 million. The weekend gross of $10.6 million in France was a record for the series, surpassing what Casino Royale made in five days by 16%. The $2.7 million gross in Sweden was the fourth-highest opening for a film there.

The following week, the film was playing in sixty countries. It grossed a further $39.3 million in the UK, $16.5 million in France and $7.7 million in Germany on 7 November, 2008. The film broke records in Switzerland, Finland, United Arab Emirates, Nigeria, Romania and Slovenia. Its Chinese and Indian openings were the second largest ever for foreign-language films.

The film grossed $27 million on its opening day in 3,451 theatres in the United States and Canada. It was the #1 film for the weekend, with $67.5 million and $19,568 average per theatre. It was the highest-grossing opening weekend Bond film in the US, and tied with The Incredibles for the biggest November opening outside of the Harry Potter series. The film earned a B- from CinemaScore's audience surveys. From the 31 October British opening through to the November 14 US opening weekend, the film had grossed a total $319,128,882 worldwide. As of 19 March 2009, it has grossed $168,368,427 in the U.S. and Canada along with $417,722,300 in other territories with a total of $586,090,627.

Awards

The film was nominated for Best Original Score, Best Original Song, Visual Effects, Film and Sound Editing at the 2008 Satellite Awards, winning Best Song. It was nominated for Best Action Movie at the 2009 Critics' Choice Awards, and at the Empire Awards, which is voted for by the public, it was shortlisted for Best Actor, Best Actress, Best Newcomer, Best Thriller and Best Soundtrack. It was nominated for the Saturn Award for Best Action/Adventure/Thriller Film, while Kurylenko and Dench were both nominated for the Best Supporting Actress award. An editorial by The Times also listed the film's pre-titles sequence as the tenth greatest car chase in film history.

Home media

Quantum of Solace was released on DVD and Blu-ray in Australia, the UK and North America from 18 to 24 March 2009. They released it in standard one disc set and a deluxe 2 disc special edition. There are no audio commentaries or deleted scenes on these editions.

Like Casino Royale, no book adaptation of the movie was released despite having no relations with the short story except for its title. Instead, Penguin Books released Quantum of Solace: The Complete James Bond Short Stories which is a compilation of both Octopussy and The Living Daylights and For Your Eyes Only, both written by Ian Fleming.

References

Bibliography

• Bond on Set: Filming Quantum of Solace, Greg Williams, DK ADULT (October 20, 2008), ISBN 0756641209

External links

• Official website
  • Official blog
• Quantum of Solace at IMDb
• Quantum of Solace at AllMovie
• Quantum of Solace at Rotten Tomatoes
• Quantum of Solace at Box Office Mojo