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'''José María Álvarez''', born in [[Cartagena, Spain]] on the 31st of May, 1942, is a [[Spanish people|Spanish]] [[poet]] y [[novelist]].
'''José María Álvarez''', born in [[Cartagena, Spain]] on the 31st of May, 1942, is a [[Spanish people|Spanish]] [[poet]] and [[novelist]].


He studied Philosophy and Letters in the [[University of Murcia]], Philosophy in the [[Sorbonne]] and subsequently both History and Geography in Spanish universities..
He studied Philosophy and Letters in the [[University of Murcia]], Philosophy in the [[Sorbonne]] and subsequently both History and Geography in Spanish universities.


The principal work of Álvarez is ''Museo de cera'' (Wax Museum)<ref name=Álvarez2002> Álvarez, José María (Álvarez2002), ''Museo de cera [http://catalogo.bne.es/uhtbin/cgisirsi/AqQ4wQIUQ5/BNMADRID/2703318/9]'', Seventh Edition, Editorial Renacimiento, ISBN 8484720365, ISBN 9788484720362, 879 pp.</ref> which was a work in progress for many years due the author's endeavouring the completion of a unique and all-encompassing book (''un libro único y totalizador''). In the most recent edition, Álvarez has finally brought the cycle to a conclusion.
The principal work of Álvarez is ''Museo de cera'' (Wax Museum)<ref name=Álvarez2002> Álvarez, José María (Álvarez2002), ''Museo de cera [http://catalogo.bne.es/uhtbin/cgisirsi/AqQ4wQIUQ5/BNMADRID/2703318/9]'', Seventh Edition, Editorial Renacimiento, ISBN 8484720365, ISBN 9788484720362, 879 pp.</ref> which was a work in progress for many years due the author's endeavouring to complete a unique and all-encompassing book (''un libro único y totalizador''). In the most recent edition, Álvarez has finally brought the cycle to a conclusion.


He has also translated into Spanish the work of, among others, [[Stevenson|Robert Louis Stevenson]], [[Poe|Edgar Allan Poe]], [[Jack London]], [[T.S. Eliot]], [[Shakespeare]], [[Villon|François Villon]], the complte works of [[Cavafy|Constantine P. Cavafy]], and the poems from the years of madness of [[Hölderlin|Friedrich Hölderlin]].
He has also translated into Spanish the work of, among others, [[Stevenson|Robert Louis Stevenson]], [[Poe|Edgar Allan Poe]], [[Jack London]], [[T.S. Eliot]], [[Shakespeare]], [[Villon|François Villon]], the complte works of [[Cavafy|Constantine P. Cavafy]], and the poems from the years of madness of [[Hölderlin|Friedrich Hölderlin]].


José María Álvarez has followed a number of the trends in contemporary [[Spanish poetry]] passing from socially aware poetry to a culturalism deriving from his life experience. His protagonist is no revolutionary wishing to change lives, but a bon vivant, disdainer of vulgarity, lover of lost causes.
José María Álvarez has followed a number of the trends in contemporary [[Spanish poetry]], passing from socially aware poetry to a culturalism deriving from his life experience. His protagonist is no revolutionary wishing to change lives, but a bon vivant, a disdainer of vulgarity, and a lover of lost causes.


His poems are often bipartite, consisting of:
His poems are often bipartite, consisting of:

Revision as of 02:27, 22 August 2009

José María Álvarez, born in Cartagena, Spain on the 31st of May, 1942, is a Spanish poet and novelist.

He studied Philosophy and Letters in the University of Murcia, Philosophy in the Sorbonne and subsequently both History and Geography in Spanish universities.

The principal work of Álvarez is Museo de cera (Wax Museum)[1] which was a work in progress for many years due the author's endeavouring to complete a unique and all-encompassing book (un libro único y totalizador). In the most recent edition, Álvarez has finally brought the cycle to a conclusion.

He has also translated into Spanish the work of, among others, Robert Louis Stevenson, Edgar Allan Poe, Jack London, T.S. Eliot, Shakespeare, François Villon, the complte works of Constantine P. Cavafy, and the poems from the years of madness of Friedrich Hölderlin.

José María Álvarez has followed a number of the trends in contemporary Spanish poetry, passing from socially aware poetry to a culturalism deriving from his life experience. His protagonist is no revolutionary wishing to change lives, but a bon vivant, a disdainer of vulgarity, and a lover of lost causes.

His poems are often bipartite, consisting of:

  • An introductory quote (allusions to cinema mythography, theatrical dialogues, fragments of novels, poems, essays, song lyrics, etc.) and
  • The poem as such, which attempts to organise chaos, to explain an incomprehensible world.


Bibliography

  • 1999, La lágrima de Ahab (The tear of Ahab)[1]
  • 2003, Los decorados del olvido (The stage sets of oblivion), a volume of his reminiscences.[2], a poetic work reflecting, generally in a sarcastic tone, on sex and society.


References

  1. ^ a b Álvarez, José María (Álvarez2002), Museo de cera [1], Seventh Edition, Editorial Renacimiento, ISBN 8484720365, ISBN 9788484720362, 879 pp. Cite error: The named reference "Álvarez2002" was defined multiple times with different content (see the help page).
  2. ^ Álvarez, José María (Álvarez2004), Los decorados del olvido, Editorial Renacimiento ISBN 9788484721406

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