Goat Island (performance group): Difference between revisions
Content deleted Content added
Laura Cull (talk | contribs) m Added update on current status of the company |
Laura Cull (talk | contribs) |
||
| Line 3: | Line 3: | ||
==External links== |
==External links== |
||
* [http://www.goatislandperformance.org/ Goat Island homepage] |
* [http://www.goatislandperformance.org/ Goat Island homepage] |
||
* [http://everyhousehasadoor.org/ Every house has a door homepage] |
|||
==References== |
==References== |
||
Revision as of 20:46, 23 August 2009
Goat Island is a collaborative performance group based in Chicago, USA.[1] It was founded in 1987 and consists of the core group members Matthew Goulish, Bryan Saner, Karen Christopher, Mark Jeffrey and Litó Walkey.[1] The group is directed by Lin Hixson.[1]In 2006, Goat Island announced that their ninth performance, The Lastmaker (2007), would be the last work that they would create as a company, before individual members went on to pursue new projects and collaborations – such as Goulish and Hixson’s new initiative: Every house has a door.
External links
References
Sources
- Bottoms, Stephen J., and Matthew Goulish, eds. 2007. Small Acts of Repair: Performance, Ecology, and Goat Island. London and New York: Routledge. ISBN 9780415365154.
- Cull, Laura. 2009. "Goat Island, Deleuze's Bergonism and the Experience of Duration." In Deleuze and Performance. Ed. Laura Cull. Deleuze Connections ser. Edinburgh: Edinburgh UP. ISBN 9780748635047. 132-146.
- Goulish, Matthew. 2000. 39 Microlectures: In Proximity of Performance. London and New York: Routledge. ISBN 9780415213936.