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*[[Comus (John Milton)]], a 1634 masque by [[John Milton]] with the mythical figure as its main villain
*[[Comus (John Milton)]], a 1634 masque by [[John Milton]] with the mythical figure as its main villain
*[[Comus (Arne)]], a 1738 masque by composer [[Thomas Arne]]
*[[Comus (Arne)]], a 1738 masque by composer [[Thomas Arne]]
*[[Comus (ballet)]] by Robert Helpman
*[[Comus (ballet)]] by [[Robert Helpmann]]
*[[Comus (band)]]
*[[Comus (band)]]
*[[Lord of Misrule]]
*[[Lord of Misrule]]

Revision as of 10:39, 31 August 2009

In Greek mythology, Comus or Komos is the god of festivity, revels and nocturnal dalliances. He is a son and a cup-bearer of the god Bacchus. Comus represents anarchy and chaos. His mythology occurs in the later times of antiquity. During his festivals in Ancient Greece, men and women exchanged clothes. He was depicted as a young man on the point of unconsciousness from drink. He had a wreath of flowers on his head and carried a torch that was in the process of being dropped. Unlike the purely carnal Pan or purely intoxicated Bacchus, Comus was a god of excess.

Comus in art

Description of Comus as he appeared in painting is found in Imagines (Greek Εικόνες, translit. Eikones) by Philostratus the Elder, a Greek writer and sophist of the 3rd century AD.

Lorenzo Costa depicted Comus in his painting The Reign of Comus.

Comus appears at the start of the masque Pleasure Reconciled to Virtue by Ben Jonson.

In John Milton's masque Comus, the god Comus is described as the son of Bacchus and Circe. However, this is just a post-classical invention.

Other

Comus is the namesake for the oldest Carnival organization in New Orleans, the Mistick Krewe of Comus.

See also