Eddie Higgins: Difference between revisions
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==Biography== |
==Biography== |
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Born and raised in [[Cambridge, Massachusetts]], Higgins initially studied privately with his mother. He started his professional career in [[Chicago, Illinois]], while studying at the [[Northwestern University School of Music]]. An elegant and sophisticated pianist, his encyclopedic [[harmony|harmonic]] approach and wide range of his repertory made him |
Born and raised in [[Cambridge, Massachusetts]], Higgins initially studied privately with his mother. He started his professional career in [[Chicago, Illinois]], while studying at the [[Northwestern University School of Music]]. An elegant and sophisticated pianist, his encyclopedic [[harmony|harmonic]] approach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notably mastery of the instrument. Higgins also had the unusual ability to sound equally persuasive in a broad span of music, whether he was playing traditional [[swing music|swing]], exciting [[bebop]] or reflexive [[ballad]]s, providing the tone and stylistic flavor of each styles, as both a [[solo (music)|soloist]] and as [[accompaniment|accompanist]]. |
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For more than two decades Higgins worked at some of Chicago's most prestigious jazz clubs, including the Brass Rail, Preview Lounge, Blue Note, Cloister Inn and Jazz Ltd. His longest and most memorable tenure was at the lone-gone London House, where he led his jazz trio from the late 1950s to the late 1960s, playing opposite the greatest jazz stars of this period, including [[Cannonball Adderley]], [[Bill Evans]], [[Errol Garner]], [[Stan Getz]], [[Dizzy Gillespie]], [[Errol Garner]], [[Oscar Peterson]] and [[George Shearing]], among others. One should mention that Eddie's time spent at the London House Restaurant was with two of the best sidemen that Chicago had to offer. His [[bassist]] was [[Richard Evans.]] A very prolific bassist and well known in the music community. Richard also worked for Chess records as a producer. His [[drummer]] was none other than [[Marshall Thompson.]] Marshall was a very articulate drummer and teacher as well as a recording performer. One or the best things that took place at the London House was Richard Evans introducing drummer [[Maurice White]] to Jazz Pianist [[Ramsey Lewis.]] After his stint with Ramsey, Maurice went on to form the renowned group [[Earth, Wind and Fire.]] At the time of his introduction to Ramsey Maurice was a studio drummer at Chess Records. |
For more than two decades Higgins worked at some of Chicago's most prestigious jazz clubs, including the Brass Rail, Preview Lounge, Blue Note, Cloister Inn and Jazz Ltd. His longest and most memorable tenure was at the lone-gone London House, where he led his jazz trio from the late 1950s to the late 1960s, playing opposite the greatest jazz stars of this period, including [[Cannonball Adderley]], [[Bill Evans]], [[Errol Garner]], [[Stan Getz]], [[Dizzy Gillespie]], [[Errol Garner]], [[Oscar Peterson]] and [[George Shearing]], among others. One should mention that Eddie's time spent at the London House Restaurant was with two of the best sidemen that Chicago had to offer. His [[bassist]] was [[Richard Evans.]] A very prolific bassist and well known in the music community. Richard also worked for Chess records as a producer. His [[drummer]] was none other than [[Marshall Thompson.]] Marshall was a very articulate drummer and teacher as well as a recording performer. One or the best things that took place at the London House was Richard Evans introducing drummer [[Maurice White]] to Jazz Pianist [[Ramsey Lewis.]] After his stint with Ramsey, Maurice went on to form the renowned group [[Earth, Wind and Fire.]] At the time of his introduction to Ramsey Maurice was a studio drummer at Chess Records. |
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Higgins died in Fort Lauderdale at the age of 77. |
Higgins died in Fort Lauderdale at the age of 77. |
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== Discography == |
== Discography == |
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===As leader=== |
===As leader=== |
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Revision as of 09:13, 12 October 2009
 | This article needs additional citations for verification. (September 2009) |
Edward Haydn Higgins (February 21, 1932 - August 31, 2009) was a jazz pianist, composer and orchestrator. [1]
Biography
Born and raised in Cambridge, Massachusetts, Higgins initially studied privately with his mother. He started his professional career in Chicago, Illinois, while studying at the Northwestern University School of Music. An elegant and sophisticated pianist, his encyclopedic harmonic approach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notably mastery of the instrument. Higgins also had the unusual ability to sound equally persuasive in a broad span of music, whether he was playing traditional swing, exciting bebop or reflexive ballads, providing the tone and stylistic flavor of each styles, as both a soloist and as accompanist.
For more than two decades Higgins worked at some of Chicago's most prestigious jazz clubs, including the Brass Rail, Preview Lounge, Blue Note, Cloister Inn and Jazz Ltd. His longest and most memorable tenure was at the lone-gone London House, where he led his jazz trio from the late 1950s to the late 1960s, playing opposite the greatest jazz stars of this period, including Cannonball Adderley, Bill Evans, Errol Garner, Stan Getz, Dizzy Gillespie, Errol Garner, Oscar Peterson and George Shearing, among others. One should mention that Eddie's time spent at the London House Restaurant was with two of the best sidemen that Chicago had to offer. His bassist was Richard Evans. A very prolific bassist and well known in the music community. Richard also worked for Chess records as a producer. His drummer was none other than Marshall Thompson. Marshall was a very articulate drummer and teacher as well as a recording performer. One or the best things that took place at the London House was Richard Evans introducing drummer Maurice White to Jazz Pianist Ramsey Lewis. After his stint with Ramsey, Maurice went on to form the renowned group Earth, Wind and Fire. At the time of his introduction to Ramsey Maurice was a studio drummer at Chess Records.
During his stay in Chicago, Higgins also recorded a significant number of albums under his auspices and many more as a sideman with a wide variety of musicians, ranging in style from tenor saxophonists Coleman Hawkins to Wayne Shorter; trumpeters Bobby Lewis to Freddie Hubbard, and trombonists Jack Teagarden to Al Grey. His versatility was captured on stage and records, backing up singers and leading his own projects as both pianist and orchestrator, working in every jazz circle from dixieland to modal styles.
In 1970, Higgins moved to Fort Lauderdale, Florida and began spending winters in Florida and summers on Cape Cod, where he player in local clubs. Since the early 1980s, he traveled widely on the jazz festival circuit and has performed frequently in Europe and Japan. His releases on the Japanese Venus label earned him number one in jazz sales on more than one album.
In 1988, Higgins and jazz singer and pianist Meredith d'Ambrosio were married and became a popular team at clubs and festivals, as well as recording for Sunnyside Records. In 2009, dates in Japan and Korea were on his calendar of upcoming concerts, which were suspended due to a long illness.
Higgins died in Fort Lauderdale at the age of 77.
Discography
As leader
- 1986 - By Request (Solo Art) with Milt Hinton, Bobby Rosengarden
- 1990 - Those Quiet Days (Sunnyside) with Kevin Eubanks, Rufus Reid
- 1994 - Zoot's Hymns (Sunnyside) with John Doughten, Phil Flanigan, Danny Burger
- 1997 - Haunted Heart (Sunnyside) with Ray Drummond, Ben Riley
- 1998 - Speaking Of Jobim (Sunnyside) with Jay Leonhart, Terry Clarke
- 1999 - Time On My Hands (Arbors Records) solo
As sideman
- Meredith D'Ambrosio: Love Is Not A Game (Sunnyside, 1990); Shadowland (Sunnyside, 1992); Because Of Spring (Sunnyside, 1994)
- Chuck Hedges Just For Fun (Arbors Records)
- George Masso: The Wonderful World of George Gershwin (Nagel-Heyer, 1992)
- Lee Morgan: Indestructible Lee (Affinity, 1960)
- Sandy Mosse: Relaxin´ With Sandy Mosse (Argo/Fresh Sound, 1956)
- Wayne Shorter: Wayning Moments (Vee Jay, 1962)
- Sonny Stitt: Sonny's Last Recordings (Kingdom Jazz, 1981)
- Cy Touff: Touff Assignement (Argo/Fresh Sound, 1958)