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Crowfoot, Grace. Of the Warp-Weighted Loom.The Annual of the British School at Athens, Vol. 37, (1936/1937), pp. 36-47
Crowfoot, Grace. Of the Warp-Weighted Loom.The Annual of the British School at Athens, Vol. 37, (1936/1937), pp. 36-47
*{{cite book|last=Marsden|first=Richard|title=Cotton Weaving: Its Development, Principles, and Practice|publisher=George Bell & Sons|date=1895|pages=584|url=http://www.cs.arizona.edu/patterns/weaving/books.html|accessdate=Feb 2009|language=English}}
*{{cite book|last=Marsden|first=Richard|title=Cotton Weaving: Its Development, Principles, and Practice|publisher=George Bell & Sons|date=1895|pages=584|url=http://www.cs.arizona.edu/patterns/weaving/books.html|accessdate=Feb 2009|language=English}}
*{{cite journal|last=Mass|first=William|date=1990|title=The Decline of a Technology Leader:Capabilty, strategy and shuttleless Weaving|journal=Business and Economic History|issn=089-6825|url=www.h-net.org/~business/bhcweb/publications/BEHprint/v019/p0234-p0244.pdf}}
*{{cite journal|last=Mass|first=William|date=1990|title=The Decline of a Technology Leader:Capabilty, strategy and shuttleless Weaving|journal=Business and Economic History|issn=089-6825|url=www.h-net.org/~business/bhcweb/publications/BEHprint/v019/p0234-p0244.pdf}} jojojo


==External links==
==External links==

Revision as of 19:35, 23 October 2009

A woman in Konya works at a vertical loom.
An early nineteenth century Japanese loom with several heddles, which the weaver controls with her foot.

A loom is a machine or device for weaving thread or yarn into textiles. Looms can range from very small hand-held frames, to large free-standing hand looms, to huge automatic mechanical devices. The ancient Egyptians and Chinese used looms as early as 4000 BC.[1]

The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.

Weaving

See Weaving for more information.
See Textile manufacturing terminology for more terms connected with looms.

Weaving is done by intersecting the longitudinal threads, the warp, i.e. "that which is thrown across", with the transverse threads, the weft, i.e. "that which is woven".

Shuttle looms

Draper power loom in Lowell, Mass. US

The major components of the loom are the warp beam, heddles, harnesses, shuttle, reed and takeup roll. In the loom, yarn processing includes shedding, picking, battening and taking-up operations.

  • Shedding. Shedding is the raising of the warp yarns to form a shed through which the filling yarn, carried by the shuttle, can be inserted. The shed is the vertical space between the raised and unraised warp yarns. On the modern loom, simple and intricate shedding operations are performed automatically by the heddle or heald frame, also known as a harness. This is a rectangular frame to which a series of wires, called heddles or healds, are attached. The yarns are passed through the eye holes of the heddles, which hang vertically from the harnesses. The weave pattern determines which harness controls which warp yarns, and the number of harnesses used depends on the complexity of the weave. Two common methods of controlling the heddles are dobbies and a Jacquard Head.
  • Picking. As the harnesses raise the heddles or healds, which raise the warp yarns, the shed is created. The filling yarn in inserted through the shed by a small carrier device called a shuttle. The shuttle is normally pointed at each end to allow passage through the shed. In a traditional shuttle loom, the filling yarn is wound onto a quill, which in turn is mounted in the shuttle. The filling yarn emerges through a hole in the shuttle as it moves across the loom. A single crossing of the shuttle from one side of the loom to the other is known as a pick. As the shuttle moves back and forth across the shed, it weaves an edge, or selvage, on each side of the fabric to prevent the fabric from raveling.
  • Battening. As the shuttle moves across the loom laying down the fill yarn, it also passes through openings in another frame called a reed (which resembles a comb). With each picking operation, the reed presses or battens each filling yarn against the portion of the fabric that has already been formed. The point where the fabric is formed is called the fell. Conventional shuttle looms can operate at speeds of about 150 to 160 picks per minute.[2]

With each weaving operation, the newly constructed fabric must be wound on a cloth beam. This process is called taking up. At the same time, the warp yarns must be let off or released from the warp beams. To become fully automatic, a loom needs a filling stop motion which will brake the loom, if the weft thread breaks.[3] An automatic loom requires 0.125hp to 0.5hp to operate.

Types of loom

Backstrap loom

An extremely simple design, using a rigid heddle. The long warp threads are tied to a post, tree or similar immovable object, and the other end attached to the weaver's belt or a special strap around the back. The weaver then leans back to bring tension to the warp threads/yarn and moves the heddle up and down, passing the weft thread through the shed to complete the weave. Such looms are used to make relatively narrow fabric strips, but stripes, checks, plaids can be made.

Handloom

Elements of a foot-treadle floor loom
  1. Wood frame
  2. Seat for weaver
  3. Warp beam- let off
  4. Warp threads
  5. Back beam or platen
  6. Rods – used to make a shed
  7. Heddle frame - heald frame - harness
  8. Heddle- heald - the eye
  9. Shuttle with weft yarn
  10. Shed
  11. Completed fabric
  12. Breast beam
  13. Batten with reed comb
  14. Batten adjustment
  15. Lathe
  16. Treadles
  17. Cloth roll- takeup

The earliest looms were wooden vertical-shaft looms, with the heddles fixed in place in the shaft. The warp threads pass alternately through a heddle and through a space between the heddles (the shed), so that raising the shaft raises half the threads (those passing through the heddles), and lowering the shaft lowers the same threads -- the threads passing through the spaces between the heddles remain in place.

Haute lisse and basse lisse looms

Looms used for weaving traditional tapestry are classified as haute lisse looms, where the warp is suspended vertically between two rolls, and the basse lisse looms, where the warp extends horizontally between the rolls.

Warp-Weighted Looms

The warp-weighted loom originates from Ancient Greece, and spread through out Europe thereafter (Crowfoot 1936, 36). It’s defining characteristic are hanging weights which keeps the warp thread taut. Frequently, extra warp-thread is wound around the weights. When a weaver has reached the bottom of their creation, they can role the completed section around the top beam, and unwind the extra warp thread from around the weights to continue. This frees the weaver from size vertical size constraints.

In Ancient Greece, the warp-weighted loom often required two weavers, most often women (Carroll 1983, 98). This is based of physical evidence provided by vase paintings. These large looms require walking back and forth from end to end to add the weft-thread. This is unique because most other looms require a resting position of standing or sitting. According to Artemidorus, if one dreams of a warp-weighted loom it means an upcoming journey. If one dreams of any other type of loom they should expect rest (Crowfoot 1936, 47).

However, as mentioned above, the warp-weighted loom spread over Europe. The warp-weighted loom took on different specific forms and symbolize as it spread from culture to culture. It was extensively used in the north among Scandinavian people (Crowfoot 1936, 40). For as of yet unknown reasons, the warp-weighted loom diminished in popularity and disappeared from common use (Crowfoot 1936, 38). The arrival of mechanized looms and industry may have contributed to this decline. Today, the warp-weighted loom is used as a hobby, in historic preservation societies, and among isolated peoples such as the Lapps in northern Norway (Carroll 1983, 98).

Power looms

A power loom used in Ettayapuram
A Picanol Rapier Loom

Edmund Cartwright built and patented a power loom in 1785, and it was this that was adopted by the nascent cotton industry in England. A silk loom was made by Jacques Vaucanson in 1745, which used the same ideas but it wasn't developed further. The invention of the flying shuttle by John Kay had been critical to the development of a commercially successful power loom.[4] Cartwright's loom was impractical but the ideas were developed by numerous inventors in the Manchester area in England, where by 1818 there were 32 factories containing 5732 looms.[5]

Horrocks loom was viable but it was the Roberts Loom in 1830 [6]that marked the turning point. Before this time hand looms had out numbered power looms. Incremental changes to the three motions continued to be made. The problems of sizing, stop-motions, consistent take-up and a temple to maintain the width remained. In 1841, Kenworthy and Bullough produced the Lancashire Loom[7] which was self-acting or semi-automatic. This enables a 15-year-old spinner to run six looms at the same time. Incrementally, the Dickinson Loom, and then the Keighley born inventor Northrop working for Draper in Lowell produced the fully automatic Northrop Loom which recharged the shuttle when the pirn was empty. The Draper E and X model became the leading products from 1909 until they were challenged by the different characteristics of synthetic fibres such as rayon.[8]

From 1942 the faster and more efficient shuttleless Sulzer Looms and the rapier looms were introduced.[9] Modern industrial looms can weave at 2000 weft insertions per minute. [1] Today, advances in technology have produced a variety of looms designed to maximize production for specific types of material. The most common of these are air-jet looms and water-jet looms.

Patents

See also

References

  1. ^ a b S. Rajagopalan, S.S.M. College of Engineering, Komarapalayam, http://www.pdexcil.org/news/40N1002/advances.htm
  2. ^ Collier 1970, p. 104
  3. ^ Collier 1970, p. 104
  4. ^ Marsden 1892, p. 57
  5. ^ Guest, Richard (1823). "The Compendious History of Cotton-Manufacture". p. 46. Retrieved Feb 2009. {{cite web}}: |chapter= ignored (help); Check date values in: |accessdate= (help)
  6. ^ Marsden 1892, p. 76
  7. ^ Marsden 1892, p. 94
  8. ^ Mass 1990
  9. ^ Collier 1970, p. 111

Bibliography

Carroll, Diane Lee. Warping the Greek Loom: A second Method. American Journal of Archaeology, Vol. 87, No. 1 (Jan., 1983), pp. 96-99

Crowfoot, Grace. Of the Warp-Weighted Loom.The Annual of the British School at Athens, Vol. 37, (1936/1937), pp. 36-47