Lucio Massari: Difference between revisions
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'''Lucio Massari''' ([[22 January]], [[1569]]- [[3 November]], [[1633]]) was an [[Italy| |
'''Lucio Massari''' ([[22 January]], [[1569]]- [[3 November]], [[1633]]) was an [[Italy|Italian]] painter of the [[School of Bologna]]. He can be described as painting during both [[Mannerist]] and early-[[Baroque]] periods. |
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He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the [[Mannerism|Mannerist]] painter [[Bartolomeo Passarotti]], but also worked with [[Bartolomeo Cesi]]. In 1592, he joined the [[Carracci]] studio or the ''Academy of the Incamminati'', and remained attached to [[Ludovico Carracci]] for many years. In 1604, he worked with Ludovico to fresco ''Stories of San Mauro, San Benedetto and others'' in the cloister of [[San Michele in Bosco]]. In 1607, he collaborates with [[Lionello Spada]] and [[Francesco Brizio]] in frescoes for the Palazzo Bonfioli, in Bologna. In 1610, he visits Rome, remains under the patronage of Cardinal Facchinetti, and befriends [[Domenichino]]. In 1612, he completes the frescoes left unfinished by [[Bernardino Poccetti]] in a chapel of the [[Certosa di Galluzzo]], near [[Florence]]. He painted the main altarpiece for the church of Santa Maria in Guadi in [[San Giovanni in Persiceto]]. He returns to Bologna in 1614, and soon travels with [[Francesco Albani]] to work in [[Mantua]]. He is said to have spent so much time in hunting, fishing, and the delights of the countryside, that he neglected painting. Though his biography shows him to be exceedingly prolific in altarpieces. Among his pupils was [[Sebastiano Brunetti]], [[Antonio Randa]], and [[Fra Bonaventura Bisi]]. |
He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the [[Mannerism|Mannerist]] painter [[Bartolomeo Passarotti]], but also worked with [[Bartolomeo Cesi]]. In 1592, he joined the [[Carracci]] studio or the ''Academy of the Incamminati'', and remained attached to [[Ludovico Carracci]] for many years. In 1604, he worked with Ludovico to fresco ''Stories of San Mauro, San Benedetto and others'' in the cloister of [[San Michele in Bosco]]. In 1607, he collaborates with [[Lionello Spada]] and [[Francesco Brizio]] in frescoes for the Palazzo Bonfioli, in Bologna. In 1610, he visits Rome, remains under the patronage of Cardinal Facchinetti, and befriends [[Domenichino]]. In 1612, he completes the frescoes left unfinished by [[Bernardino Poccetti]] in a chapel of the [[Certosa di Galluzzo]], near [[Florence]]. He painted the main altarpiece for the church of Santa Maria in Guadi in [[San Giovanni in Persiceto]]. He returns to Bologna in 1614, and soon travels with [[Francesco Albani]] to work in [[Mantua]]. He is said to have spent so much time in hunting, fishing, and the delights of the countryside, that he neglected painting. Though his biography shows him to be exceedingly prolific in altarpieces. Among his pupils was [[Sebastiano Brunetti]], [[Antonio Randa]], and [[Fra Bonaventura Bisi]]. |
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==External links== |
==External links== |
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*[http://www.mfa.org/collections/search_art.asp?recview=true&id=30868&coll_keywords=&coll_accession=&coll_name=&coll_artist=&coll_place=&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_location=&coll_has_images=&coll_on_view=&coll_sort=0&coll_sort_order=0&coll_view=0&coll_package=15890&coll_start=1 |
*[http://www.mfa.org/collections/search_art.asp?recview=true&id=30868&coll_keywords=&coll_accession=&coll_name=&coll_artist=&coll_place=&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_location=&coll_has_images=&coll_on_view=&coll_sort=0&coll_sort_order=0&coll_view=0&coll_package=15890&coll_start=1 ''Blood of the Redeemer'' at Museum of Fine Arts, Boston] |
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*{{cite book | author= Marchese Antonio Bolognini Amorini| year=1841-1843| title= '''Vite dei Pittori ed Artifici Bolognesi''' (two volumes)| chapter= | editor= | others= | pages= 102–106 (Parte Quinta)| publisher= Tipi Governativi alla Volpe ed Nobili; Original from Oxford Library, digitized June 26, 2006 | id= | url= http://books.google.com/books?id=-GABAAAAQAAJ&dq=pittori&as_brr=1 | authorlink= }} |
*{{cite book | author= Marchese Antonio Bolognini Amorini| year=1841-1843| title= '''Vite dei Pittori ed Artifici Bolognesi''' (two volumes)| chapter= | editor= | others= | pages= 102–106 (Parte Quinta)| publisher= Tipi Governativi alla Volpe ed Nobili; Original from Oxford Library, digitized June 26, 2006 | id= | url= http://books.google.com/books?id=-GABAAAAQAAJ&dq=pittori&as_brr=1 | authorlink= }} |
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Revision as of 15:24, 10 November 2009
Lucio Massari (22 January, 1569- 3 November, 1633) was an Italian painter of the School of Bologna. He can be described as painting during both Mannerist and early-Baroque periods.
He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the Mannerist painter Bartolomeo Passarotti, but also worked with Bartolomeo Cesi. In 1592, he joined the Carracci studio or the Academy of the Incamminati, and remained attached to Ludovico Carracci for many years. In 1604, he worked with Ludovico to fresco Stories of San Mauro, San Benedetto and others in the cloister of San Michele in Bosco. In 1607, he collaborates with Lionello Spada and Francesco Brizio in frescoes for the Palazzo Bonfioli, in Bologna. In 1610, he visits Rome, remains under the patronage of Cardinal Facchinetti, and befriends Domenichino. In 1612, he completes the frescoes left unfinished by Bernardino Poccetti in a chapel of the Certosa di Galluzzo, near Florence. He painted the main altarpiece for the church of Santa Maria in Guadi in San Giovanni in Persiceto. He returns to Bologna in 1614, and soon travels with Francesco Albani to work in Mantua. He is said to have spent so much time in hunting, fishing, and the delights of the countryside, that he neglected painting. Though his biography shows him to be exceedingly prolific in altarpieces. Among his pupils was Sebastiano Brunetti, Antonio Randa, and Fra Bonaventura Bisi.
External links
- Blood of the Redeemer at Museum of Fine Arts, Boston
- Marchese Antonio Bolognini Amorini (1841–1843). Vite dei Pittori ed Artifici Bolognesi (two volumes). Tipi Governativi alla Volpe ed Nobili; Original from Oxford Library, digitized June 26, 2006. pp. 102–106 (Parte Quinta).
{{cite book}}: CS1 maint: date format (link)