La dolce vita: Difference between revisions
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'''''La Dolce Vita''''' ([[1960]]) is a film directed by [[Federico Fellini]]. One of the works that defined the characteristic Fellini style, it is a vast panel of long, loosely connected scenes that paint a portrait of the high and low life of [[Rome]] in the late [[1950s|fifties]] and early [[1960s|sixties]], as seen through the eyes of its main character, a jaded society reporter, Marcello (played by [[Marcello Mastroianni]]), in his dealings with his simple, jealous lover ([[Yvonne Furneaux]]), a sophisticated woman ([[Anouk Aimée]]) with whom he has an episodic relationship, a beautiful bombshell ([[Anita Ekberg]]) whom he follows in her wanderings through Rome (including the notable scene of her night bath in the [[Fontana di Trevi]]), and a multitude of other characters of all walks of life. Fellini observes all these people with evident affection, but passes no moral judgment on their actions. |
'''''La Dolce Vita''''' ([[1960]]) is a film directed by [[Federico Fellini]]. One of the works that defined the characteristic Fellini style, it is a vast panel of long, loosely connected scenes that paint a portrait of the high and low life of [[Rome]] in the late [[1950s|fifties]] and early [[1960s|sixties]], as seen through the eyes of its main character, a jaded society reporter, Marcello (played by [[Marcello Mastroianni]]), in his dealings with his simple, jealous lover ([[Yvonne Furneaux]]), a sophisticated woman ([[Anouk Aimée]]) with whom he has an episodic relationship, a beautiful bombshell ([[Anita Ekberg]]) whom he follows in her wanderings through Rome (including the notable scene of her night bath in the [[Fontana di Trevi]]), and a multitude of other characters of all walks of life. Fellini observes all these people with evident affection, but passes no moral judgment on their actions. |
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Among the famous scenes of ''La Dolce Vita'' are the false miracle, when two children fake an appearance of the [[Mary, the mother of Jesus|Virgin]] on the outskirts of Rome, drawing immense crowds, and the episode of Steiner (played by [[Alain Cuny]]), an intelectual friend of Marcello with a perfect family life, who ends up by comitting [[suicide]]. After Steiner's death Marcello embarks on an aimless life of orgies, after one of which he walks out in the early morning to find a dead sea monster on the beach, the symbolic end to the film. |
Among the famous scenes of ''La Dolce Vita'' are the false miracle, when two children fake an appearance of the [[Mary, the mother of Jesus|Virgin]] on the outskirts of Rome, drawing immense crowds, and the episode of Steiner (played by [[Alain Cuny]]), an intelectual friend of Marcello with a perfect family life, who ends up by comitting [[suicide]]. After Steiner's death Marcello embarks on an aimless life of orgies, after one of which he walks out in the early morning to find a dead sea monster on the beach, the symbolic end to the film. |
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Revision as of 20:11, 11 April 2004
La Dolce Vita (1960) is a film directed by Federico Fellini. One of the works that defined the characteristic Fellini style, it is a vast panel of long, loosely connected scenes that paint a portrait of the high and low life of Rome in the late fifties and early sixties, as seen through the eyes of its main character, a jaded society reporter, Marcello (played by Marcello Mastroianni), in his dealings with his simple, jealous lover (Yvonne Furneaux), a sophisticated woman (Anouk Aimée) with whom he has an episodic relationship, a beautiful bombshell (Anita Ekberg) whom he follows in her wanderings through Rome (including the notable scene of her night bath in the Fontana di Trevi), and a multitude of other characters of all walks of life. Fellini observes all these people with evident affection, but passes no moral judgment on their actions.
Among the famous scenes of La Dolce Vita are the false miracle, when two children fake an appearance of the Virgin on the outskirts of Rome, drawing immense crowds, and the episode of Steiner (played by Alain Cuny), an intelectual friend of Marcello with a perfect family life, who ends up by comitting suicide. After Steiner's death Marcello embarks on an aimless life of orgies, after one of which he walks out in the early morning to find a dead sea monster on the beach, the symbolic end to the film.
La Dolce Vita has earned the 1961 Academy Award for Best Costume Design, Black-and-White, for art director Piero Gherardi.
Curiosities:
- Paparazzo, the news photographer (played by Walter Santesso) who works with Marcello, is the origin of the word used in many languages (normally in the plural, paparazzi) to describe these intrusive photographers.
- One of the major scenes of the film would be the relationship of Marcello with an older writer living in a tower, to be played by thirties actress Luise Rainer. After many difficult dealings with Rainer, Fellini decided to scrap the scene for good, to which the actress reacted furiously, complaining that she had "spoiled a priceless piece of cloth to dress this character that will never be!"
- In the "party of the nobles", attended by Marcello in a castle outside Rome, some of the servants and waiters are played by real aristocrats.