Glyndebourne Festival Opera: Difference between revisions
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Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1993, when the theatre was being rebuilt. The renovated theatre opened in 1994. Gus Christie, son of Sir George Christie and grandson of festival founder [[John Christie (opera manager)|John Christie]], became festival chairman in 2000.<ref>[http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2001/05/01/bmgus01.xml Rupert Christiansen, "Dad assures me we're in the best condition ever"], ''[[The Daily Telegraph]]'', 1 May 2001.]</ref> |
Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1993, when the theatre was being rebuilt. The renovated theatre opened in 1994. Gus Christie, son of Sir George Christie and grandson of festival founder [[John Christie (opera manager)|John Christie]], became festival chairman in 2000.<ref>[http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2001/05/01/bmgus01.xml Rupert Christiansen, "Dad assures me we're in the best condition ever"], ''[[The Daily Telegraph]]'', 1 May 2001.]</ref> |
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Glyndebourne is most famous for its productions of [[Wolfgang Amadeus Mozart|Mozart]] [[opera]]s; many of those productions are considered the finest ever done of those operas in the twentieth century,{{Citation needed|date=November 2009}} and the recordings from those stagings are still in print. |
Glyndebourne is most famous for its productions of [[Wolfgang Amadeus Mozart|Mozart]] [[opera]]s; many of those productions are considered the finest ever done of those operas in the twentieth century, {{Citation needed|date=November 2009}} and the recordings from those stagings are still in print. |
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In the late 1980s, the Glyndebourne Festival staged a new production of [[George Gershwin]]'s ''[[Porgy and Bess]]''. It was directed by [[Trevor Nunn]], and was highly acclaimed. The production was subsequently expanded from the small Glyndebourne stage and videotaped in 1993 for television; Trevor Nunn again directed. |
In the late 1980s, the Glyndebourne Festival staged a new production of [[George Gershwin]]'s ''[[Porgy and Bess]]''. It was directed by [[Trevor Nunn]], and was highly acclaimed. The production was subsequently expanded from the small Glyndebourne stage and videotaped in 1993 for television; Trevor Nunn again directed. |
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In 1968, Glyndebourne Festival Opera established its first touring ensemble, Glyndebourne Touring Opera, which in its first season took opera productions to [[newcastle upon Tyne|Newcastle]], [[Liverpool]], [[Manchester]], [[Sheffield]] and [[Oxford]]. In addition to bringing the work of the Glyndebourne Festival Opera to audiences outside of Glyndebourne, Glyndebourne Touring Opera offered opportunities to younger opera singers to develop their craft. In 2003, the Glyndebourne Touring Opera administrative duties were absorbed back into the main Glyndebourne Festival Opera administration, and the touring company was renamed Glyndebourne On Tour. Unlike Glyndebourne Festival Opera, Glyndebourne On Tour does receive a portion of subsidy, from the [[Arts Council England]]. |
In 1968, Glyndebourne Festival Opera established its first touring ensemble, Glyndebourne Touring Opera, which in its first season took opera productions to [[newcastle upon Tyne|Newcastle]], [[Liverpool]], [[Manchester]], [[Sheffield]] and [[Oxford]]. In addition to bringing the work of the Glyndebourne Festival Opera to audiences outside of Glyndebourne, Glyndebourne Touring Opera offered opportunities to younger opera singers to develop their craft. In 2003, the Glyndebourne Touring Opera administrative duties were absorbed back into the main Glyndebourne Festival Opera administration, and the touring company was renamed Glyndebourne On Tour. Unlike Glyndebourne Festival Opera, Glyndebourne On Tour does receive a portion of subsidy, from the [[Arts Council England]]. |
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The schedule involves |
The schedule involves three weeks of performances at Glyndebourne, and then one week in each of the six cities that the touring company visits each year. Glyndebourne Touring Opera and Glyndebourne on Tour have had their own music directors separate from the Glyndebourne Festival Opera. These music directors have included the following: |
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* [[Kenneth Montgomery]] (1975–1976) |
* [[Kenneth Montgomery]] (1975–1976) |
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* [[Nicholas Braithwaite]] (1976–1980) |
* [[Nicholas Braithwaite]] (1976–1980) |
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Revision as of 08:05, 9 December 2009
Glyndebourne Festival Opera is an opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England.
History
Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1993, when the theatre was being rebuilt. The renovated theatre opened in 1994. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000.[1]
Glyndebourne is most famous for its productions of Mozart operas; many of those productions are considered the finest ever done of those operas in the twentieth century, [citation needed] and the recordings from those stagings are still in print.
In the late 1980s, the Glyndebourne Festival staged a new production of George Gershwin's Porgy and Bess. It was directed by Trevor Nunn, and was highly acclaimed. The production was subsequently expanded from the small Glyndebourne stage and videotaped in 1993 for television; Trevor Nunn again directed.
In recent years Mozart has continued to be the mainstay of its repertory, but the company has received particular acclaim for its outstanding productions of Janáček and Handel operas.
The primary resident orchestra for the Glyndebourne Festival is the London Philharmonic Orchestra. The festival's associate orchestra is the Orchestra of the Age of Enlightenment. Since January 2001, the festival's music director is Vladimir Jurowski.[2][3]
David Pickard is the general director of the festival. The festival operates without subsidy. Its first placement of advertisements was in 2003.[4]
Many Glyndebourne attendees come from London, and Glyndebourne is regarded as part of the London/English summer season. Performances start in the afternoon, enabling Londoners to leave town after lunch, and finish in time for them to catch the last train back. A long interval allows opera-goers the opportunity for picnic dinners on the extensive lawns or in one of the restaurants in the grounds.
Music directors
- Fritz Busch (1934–1951)
- Vittorio Gui (1952–1963)
- John Pritchard (1964–1977)
- Bernard Haitink (1978–1988)
- Andrew Davis (1989–2000)
- Vladimir Jurowski (2001–present)
Glyndebourne Touring Opera/Glyndebourne On Tour
In 1968, Glyndebourne Festival Opera established its first touring ensemble, Glyndebourne Touring Opera, which in its first season took opera productions to Newcastle, Liverpool, Manchester, Sheffield and Oxford. In addition to bringing the work of the Glyndebourne Festival Opera to audiences outside of Glyndebourne, Glyndebourne Touring Opera offered opportunities to younger opera singers to develop their craft. In 2003, the Glyndebourne Touring Opera administrative duties were absorbed back into the main Glyndebourne Festival Opera administration, and the touring company was renamed Glyndebourne On Tour. Unlike Glyndebourne Festival Opera, Glyndebourne On Tour does receive a portion of subsidy, from the Arts Council England.
The schedule involves three weeks of performances at Glyndebourne, and then one week in each of the six cities that the touring company visits each year. Glyndebourne Touring Opera and Glyndebourne on Tour have had their own music directors separate from the Glyndebourne Festival Opera. These music directors have included the following:
- Kenneth Montgomery (1975–1976)
- Nicholas Braithwaite (1976–1980)
- Jane Glover (1981–1985)
- Graeme Jenkins (1986–1991)
- Ivor Bolton (1992–1997)
- Louis Langrée (1998–2003)
- Edward Gardner (2004–2007)
- Robin Ticciati (2007–present)
References
- ^ Rupert Christiansen, "Dad assures me we're in the best condition ever", The Daily Telegraph, 1 May 2001.]
- ^ Fiachra Gibbons, "New baton". The Guardian, 26 August 2000.
- ^ Tim Ashley and Caroline Sullivan, "A tale of two festivals". The Guardian, 17 May 2002.
- ^ "Inclusive engagement" by Charlotte Higgins, The Guardian, 15 May 2003.
See also
- Glyndebourne Opera House
- Country house opera
- List of opera festivals
- List of music festivals in the United Kingdom
External links
