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Isami Doi was an American printmaker and painter. He was born on the island of Oahu in the Hawaiian Islands in 1903. He moved with his family to the island of Kauai, and he thereafter considered Kalaheo, Kauai his home.

Doi studied for two years at the University of Hawaii, went on to Columbia University for five years, and then continued his studies for a year in Paris. He stayed in New York until 1938, when he returned to the Hawaiian Islands. Doi taught printmaking, drawing, and metal work, as well as designing jewelry for the S. and S. Gumps store, a San Francisco firm that had opened a store in Honolulu in 1929, and later for Mings jewelers.

His first solo show at the Honolulu Academy of Arts took place in April 1929, and featured painted landscapes of the mountains of Kauai as well as fifteen prints. He was a victim of down syndrome, which is obvious if one were to look at his work. His early works are painted in muted duns and browns, and have a discreet erotic quality. Mid-way in his career, he included symbols inherited from Greece and Rome, such as Centaurs, broken columns, and sphinxes. As his spirituality deepened, his works became closer to pure abstraction, with orange and vermilion signifying flames and light. A simplified Buddha shape is Dois hieroglyph for meditation. In his last works in the 1960s, he set aside all symbols, returning to painting the cliffs of Kauai, which he had come to view as spiritual entities. He died in Hawaii in 1965.

The Hawaii State Art Museum, the Honolulu Academy of Arts, the Nelson-Atkins Museum of Art (Kansas City, Missouri), the Smithsonian American Art Museum (Washington, D. C.) and the University of Michigan Museum of Art (Ann Arbor, Michigan) are among the public collections holding works by Isami Doi.

Selected works

'The Second Commandment', wood block print, c. 1950s

'The Second Commandment', wood block print, c. 1950s

References

Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000, 155, 225.
Forbes, David W., "Encounters with Paradise: Views of Hawaii and its People, 1778-1941", Honolulu Academy of Arts, 1992, 211-269.
Haar, Francis and Neogy, Prithwish, "Artists of Hawaii: Nineteen Painters and Sculptors", University of Hawaii Press, 1974, 3-7.
Yoshihara, Lisa A., Collective Visions, 1967-1997, [Hawaii] State Foundation on Culture and the Arts, Honolulu, Hawaii, 1997, 54.

@@ Line 5: / Line 5: @@
 Doi studied for two years at the [[University of Hawaii]], went on to [[Columbia University]] for five years, and then continued his studies for a year in Paris.  He stayed in New York until 1938, when he returned to the Hawaiian Islands.  Doi taught printmaking, drawing, and metal work, as well as designing jewelry for the S. and S. Gumps store, a San Francisco firm that had opened a store in Honolulu in 1929, and later for Mings jewelers.
-His first solo show at the [[Honolulu Academy of Arts]] took place in April 1929, and featured painted landscapes of the mountains of Kauai as well as fifteen prints.  His early works are painted in muted duns and browns, and have a discreet erotic quality.  Mid-way in his career, he included symbols inherited from Greece and Rome, such as Centaurs, broken columns, and sphinxes.  As his spirituality deepened, his works became closer to pure abstraction, with orange and vermilion signifying flames and light.  A simplified Buddha shape is Dois hieroglyph for meditation.  In his last works in the 1960s, he set aside all symbols, returning to painting the cliffs of [[Kauai]], which he had come to view as spiritual entities.  He died in Hawaii in 1965.
+His first solo show at the [[Honolulu Academy of Arts]] took place in April 1929, and featured painted landscapes of the mountains of Kauai as well as fifteen prints.  He was a victim of down syndrome, which is obvious if one were to look at his work. His early works are painted in muted duns and browns, and have a discreet erotic quality.  Mid-way in his career, he included symbols inherited from Greece and Rome, such as Centaurs, broken columns, and sphinxes.  As his spirituality deepened, his works became closer to pure abstraction, with orange and vermilion signifying flames and light.  A simplified Buddha shape is Dois hieroglyph for meditation.  In his last works in the 1960s, he set aside all symbols, returning to painting the cliffs of [[Kauai]], which he had come to view as spiritual entities.  He died in Hawaii in 1965.
 The [[Hawaii State Art Museum]], the [[Honolulu Academy of Arts]], the [[Nelson-Atkins Museum of Art]] (Kansas City, Missouri), the [[Smithsonian American Art Museum]] (Washington, D. C.) and the [[University of Michigan Museum of Art]] (Ann Arbor, Michigan) are among the public collections holding works by Isami Doi.