Viennese trichord: Difference between revisions
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[[Image:Viennese trichord.png|250px|thumb|The Viennese trichord.]] |
[[Image:Viennese trichord.png|250px|thumb|The Viennese trichord.]] |
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In [[music theory]], a '''Viennese trichord''' ({{audio|Viennese trichord.mid|Play}}) is [[prime form]] <0,1,6>; the [[pitch class]] set 0, 1, and 6, including 11 (since ic1 = -1 =11). Named for the [[Second Viennese School]] it has [[Allen Forte|Forte]] [[set theory (music)|#3-5]]. As opposed to [[Paul Hindemith|Hindemith]] and [[minor chord|037]], "Composers such as [[Anton Webern|Webern]], on the other hand, are partial to 016 [[trichord]]s, given their 'more [[consonance and dissonance|dissonant]]' inclusion of [[interval class|ics]] 1 and 6."<ref>Henry Martin (Winter, 2000). "Seven Steps to Heaven: A Species Approach to Twentieth-Century Analysis and Composition", p.149, ''Perspectives of New Music'', Vol. 38, No. 1, pp. 129-168.</ref> |
In [[music theory]], a '''Viennese trichord''' ({{audio|Viennese trichord.mid|Play}}) is [[prime form]] <0,1,6>; the [[pitch class]] set 0, 1, and 6, including 11 (since ic1 = -1 =11). Named for the [[Second Viennese School]] it has [[Allen Forte|Forte]] [[set theory (music)|#3-5]]. As opposed to [[Paul Hindemith|Hindemith]] and [[minor chord|037]] ({{audio|Minor triad on C.mid|Play}}), "Composers such as [[Anton Webern|Webern]], on the other hand, are partial to 016 [[trichord]]s, given their 'more [[consonance and dissonance|dissonant]]' inclusion of [[interval class|ics]] 1 and 6."<ref>Henry Martin (Winter, 2000). "Seven Steps to Heaven: A Species Approach to Twentieth-Century Analysis and Composition", p.149, ''Perspectives of New Music'', Vol. 38, No. 1, pp. 129-168.</ref> |
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==Sources== |
==Sources== |
Revision as of 14:49, 10 March 2010
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tritone | |
minor second | |
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In music theory, a Viennese trichord (ⓘ) is prime form <0,1,6>; the pitch class set 0, 1, and 6, including 11 (since ic1 = -1 =11). Named for the Second Viennese School it has Forte #3-5. As opposed to Hindemith and 037 (ⓘ), "Composers such as Webern, on the other hand, are partial to 016 trichords, given their 'more dissonant' inclusion of ics 1 and 6."[1]
Sources
- ^ Henry Martin (Winter, 2000). "Seven Steps to Heaven: A Species Approach to Twentieth-Century Analysis and Composition", p.149, Perspectives of New Music, Vol. 38, No. 1, pp. 129-168.
External links
- Jay Tomlin. "All About Set Theory", Java Set Theory Machine.