Arturo Benedetti Michelangeli: Difference between revisions
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'''Arturo Benedetti Michelangeli''' (5 January 1920{{ndash}}12 June 1995) was a virtuoso [[Italians|Italian]] [[Classical music|classical]] [[pianist]]. |
'''Arturo Benedetti Michelangeli''' (5 January 1920{{ndash}}12 June 1995) was a virtuoso [[Italians|Italian]] [[Classical music|classical]] [[pianist]] and along with [[Josef Hofmann]], considered to be one of the most perfect pianists in history. His eccentric personality and style of playing has often been overlooked, though he is considered by many to be one of the greatest [[pianists]] of the [[20th century]]. |
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==Biography== |
==Biography== |
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Revision as of 08:11, 30 March 2010
Arturo Benedetti Michelangeli |
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Arturo Benedetti Michelangeli (5 January 1920–12 June 1995) was a virtuoso Italian classical pianist and along with Josef Hofmann, considered to be one of the most perfect pianists in history. His eccentric personality and style of playing has often been overlooked, though he is considered by many to be one of the greatest pianists of the 20th century.
Biography
Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh (a brief account of this competition, at which Emil Gilels took first prize, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique"). A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided over by Ignacy Jan Paderewski.
The music critic Harold C. Schonberg wrote of Michelangeli:
His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself emotionally, and his otherwise direct playing is then laden with expressive devices that disturb the musical flow. [1]
From the other side the The Romanian conductor Sergiu Celibidache always saw in Michelangeli a colleague, and not merely another competent pianist: “Michelangeli makes colors; he is a conductor." The teacher and commentator David Dubal argued that he was best in the earlier works of Beethoven and seemed insecure in Chopin, but that he was "demonic" in such works as the Bach-Busoni Chaconne and the Brahms Paganini Variations.
His repertoire was strikingly small for a concert pianist of such stature. Owing to his obsessive perfectionism relatively few recordings were officially released during Michelangeli's lifetime, but these are augmented by numerous bootleg recordings of live performances. Discographical highlights include the (authorized) live performances in London of Ravel's Gaspard de la nuit, Chopin's Sonata No. 2 and Schumann's Carnaval, Op. 9 and Faschingsschwank aus Wien, Op. 26. As well as his playing of Ravel's Piano Concerto in G, Gaspard de la nuit, set standards for those works. His reading of Rachmaninoff's Piano Concerto No. 4 is comparable to that of Rachmaninoff himself. His Debussy series for DG is something of a benchmark, if it is sometimes accused of being a little unatmospheric ("swimming in cool water," in Dubal's words). Several DVDs of live performances, and a master class, are also available.
As a composer, Michelangeli wrote 19 Folksongs a cappella for the SAT men's chorus from Trent (Italy). As a teacher, his pupils included such world-class artists as Martha Argerich, Ivan Moravec, and Maurizio Pollini.
Michelangeli was a great connoisseur of the piano mechanics, and he insisted that his concertos' instruments be in perfect condition. His last concert took place on 7 May 1993 in Hamburg, Germany. After an extended illness he died in Lugano, Switzerland.
References
- ^ Schonberg, Harold (1987). The Great Pianists. New York: Simon & Schuster. pp. 424–425. ISBN 0671638378.
- Dubal, David (1989). The Art of the Piano. New York: Summit Books. pp. 180–181. ISBN 0-671-49238-1.
- Garben, Cord (2002). Arturo Benedetti Michelangeli: Gratwanderungen mit einem Genie. Hamburg: Europaische Verlagsanstalt.
- Richter, Sviatoslav (1998). Bruno Monsaingeon (ed.). Ecrits, conversations. Editions Van de Velde. pp. 260, 289, 310, 312. ISBN 2-85868-255-0.
- Garben Cord, "Arturo Benedetti Michelangeli. In bilico con un genio", Zecchini Editore, (2004), pag. 222 e illustrazioni, con discografia e videografia a cura di Stefano Biosa, CD allegato con inediti, ISBN 8887203245.
- Rattalino Piero, "Arturo Benedetti Michelangeli. L'asceta", coll. Grandi Pianisti 4, Zecchini Editore, (2006), pag. 164, con discografia e videografia a cura di Stefano Biosa, ISBN 8887203415.