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===Influences===
===Influences===
Townsend draws influence from a wide range of music genres, most prominently [[Heavy metal music|heavy metal]]. Townsend has cited, among others, [[Judas Priest]], [[W.A.S.P.]], [[Frank Zappa]], [[Broadway theatre|Broadway musicals]], [[Abba]], [[new age music]], [[Zoviet France]], [[King's X]], [[Morbid Angel]], [[Barkmarket]], [[Grotus]], [[Jane's Addiction]], and [[Fear Factory]] as his influences,<ref name="In Music We Trust interview">{{cite web|title=Interview: Strapping Young Lad: An extreme metal all-star squad|publisher=''In Music We Trust''|author=SOS, Mike|url=http://www.inmusicwetrust.com/articles/71h16.html|accessdate=January 31, 2008|month=August | year=2005}}</ref> and has also expressed his admiration for [[Meshuggah]] on several occasions, calling them "the best metal band on the planet".<ref name="The New Raging Bull! - Strapping Young Lad">{{cite web|title=The New Raging Bull! - Strapping Young Lad|publisher=''[[Guitar Player]]''|author=Jones, H. Deirdre|url=http://www.guitarplayer.com/article/strapping-young-lad/nov-06/24072|accessdate=January 31, 2008|month=November | year=2006}}</ref> ''[[City (Strapping Young Lad album)|City]]'' was influenced by bands such as [[Foetus (band)|Foetus]] and [[White Noise (band)|White Noise]],<ref name="Devin Townsend interviewed by Tony on 3RRR FM, Melbourne"/> and ''[[The New Black]]'''s influences were Meshuggah, and "more traditional metal" like [[Metallica]].<ref name="az-interview" />
Townsend draws influence from a wide range of music genres, most prominently [[Heavy metal music|heavy metal]]. Townsend has cited, among others, [[Judas Priest]], [[W.A.S.P.]], [[Frank Zappa]], [[Broadway theatre|Broadway musicals]], [[Abba]], [[new age music]], [[Zoviet France]], [[King's X]], [[Morbid Angel]], [[Barkmarket]], [[Grotus]], [[Jane's Addiction]], and [[Fear Factory]] as his influences,<ref name="In Music We Trust interview">{{cite web|title=Interview: Strapping Young Lad: An extreme metal all-star squad|publisher=''In Music We Trust''|author=SOS, Mike|url=http://www.inmusicwetrust.com/articles/71h16.html|accessdate=January 31, 2008|month=August | year=2005}}</ref> and has also expressed his admiration for [[Meshuggah]] on several occasions, calling them "the best metal band on the planet".<ref name="The New Raging Bull! - Strapping Young Lad">{{cite web|title=The New Raging Bull! - Strapping Young Lad|publisher=''[[Guitar Player]]''|author=Jones, H. Deirdre|url=http://www.guitarplayer.com/article/strapping-young-lad/nov-06/24072|accessdate=January 31, 2008|month=November | year=2006}}</ref> ''[[City (Strapping Young Lad album)|City]]'' was influenced by bands such as [[Foetus (band)|Foetus]] and [[White Noise (band)|White Noise]],<ref name="Devin Townsend interviewed by Tony on 3RRR FM, Melbourne"/> and ''[[The New Black]]'''s influence was Meshuggah..<ref name="az-interview" />


==Discography==
==Discography==

Revision as of 05:16, 4 April 2010

Devin Townsend

Devin Garret Townsend (born May 5, 1972) is a Canadian musician and record producer. He was the founder, songwriter, vocalist, and guitarist in extreme metal band Strapping Young Lad from 1994 to 2006 and has had an extensive career as a solo artist.

After performing in a number of metal bands in high school, Townsend was discovered by a record label in 1993 and was asked to perform lead vocals on Steve Vai's album Sex & Religion. After recording and touring with Vai, Townsend was discouraged by what he found in the music industry, and vented his anger on a solo album released under the pseudonym Strapping Young Lad. He soon assembled a band under the name, and released the critically acclaimed City in 1997. Since then, he has released three more albums with Strapping Young Lad, along with solo material released under his own independent record label, HevyDevy Records. Townsend's solo albums, a diverse mix of hard rock and progressive metal, have featured a varying lineup of supporting musicians. In 2002 he formed The Devin Townsend Band, a dedicated lineup which recorded and toured for two of his solo releases.

In 2007, Townsend disbanded both Strapping Young Lad and The Devin Townsend Band, taking a break from touring to spend more time with his family. After a two-year hiatus, he began work on a four-album series called The Devin Townsend Project, with each album written in a different style. The first two entries in the series, Ki and Addicted, were released in 2009. Townsend has scheduled tours throughout Australia and North America in 2010 in support of the albums, and plans to release the next two, Deconstruction and Ghost, in 2011.

Townsend's trademark production style, featuring a heavily multitracked wall of sound, has been compared to the styles of Phil Spector and Frank Zappa. His versatile vocal delivery ranges from screaming to singing, and his songwriting is similarly diverse. Townsend's musical style is rooted in metal, and his albums are written to express different aspects of his personality.

Biography

Early musical career (1972–1996)

Devin Townsend was born in New Westminster, British Columbia, on May 5, 1972.[1] Townsend picked up the banjo when he was five, and began playing guitar when he was 12.[2] He participated in several metal bands while he was in high school, and founded Grey Skies at the age of 19. Around the same time he joined a popular local group called Caustic Thought, replacing Jed Simon on guitar and playing alongside bassist Byron Stroud, both of whom would later become members of Townsend's flagship band, Strapping Young Lad.[3] In 1993, Townsend began writing material under the name Noisescapes, a project he later described as "just as violent as Strapping Young Lad".[4]

Townsend recorded a Noisescapes demo and sent copies to various record labels. Relativity Records responded to Townsend with a record deal and Townsend began work on what was to be the first Noisescapes album, Promise.[5] Shortly afterward, the label introduced him to musician Steve Vai. Impressed with Townsend's vocal work, Vai offered him the role of the lead vocalist on his new album Sex and Religion. Townsend took the offer, unfamiliar with Vai's work and unaware of his acclaim in the music world. After recording Sex and Religion, Townsend accompanied Vai on a world tour in support of the album.[5] Townsend soon landed a second touring gig, this time with the opening band of Vai's tour, The Wildhearts.[6] He played live with the band throughout half of 1994 in Europe, and appeared as a guest musician on their single Urge. Ginger, the band's frontman, remained close friends with Townsend,[7] later co-writing several songs on Infinity and the Christeen + 4 Demos EP.

While on tour with The Wildhearts, Townsend formed a short-lived thrash metal project with Metallica's then-bassist Jason Newsted. The band, known as IR8, featured Newsted on vocals and bass, Townsend on guitar, and Tom Hunting of Exodus on drums. The group recorded a few songs together, although Townsend says that they never intended to go further than that. "People heard about it and thought we wanted to put out a CD, which is absolutely not true," he explains. "People took this project way too seriously."[4] A demo tape was put together, but the material was not released until 2002, when Newsted published the IR8 vs. Sexoturica compilation.

Though Townsend was proud of what he had accomplished so early in his career, he was discouraged by his experience with the music industry. "I was becoming a product of somebody else's imagination, and it was mixing with my own personality," he later reflected. "This combination was appalling."[8] He pushed to get his own projects off the ground. Despite getting notable touring gigs with other musicians, however, Townsend continued to face rejection of his own music. Relativity Records dropped Noisescapes from their label shortly after Townsend accepted Vai's offer, seeing no commercial appeal in Townsend's music.[9] "I have a hunch they only offered me a deal to get me to sing with Steve," he mused.[4] While touring with The Wildhearts, Townsend received a phone call from an A&R representative for Roadrunner Records, expressing an interest in his demos and an intention to sign him. The offer was ultimately rescinded by the head of Roadrunner, who regarded Townsend's recordings as "just noise".[10]

In 1994, Century Media Records offered Townsend a contract to make "some extreme albums".[10] He agreed to a five-album deal with the record label[11] and began to record material under the pseudonym Strapping Young Lad. Townsend avoided using his real name at this point in career, looking for a fresh start after his high-profile Vai gig. "At the beginning, I wanted to avoid at all cost to use my name because I was known as the singer for Steve Vai and it wasn't the best publicity to have," he later explained. "I was playing somebody else's music and I was judged in respect to that music."[8] Townsend produced and performed nearly all the instruments on the debut studio album, Heavy as a Really Heavy Thing, which was released in April 1995. Following the release of the record, Townsend and several other musician friends he knew in Vancouver recorded an album in 1996 entitled Cooked on Phonics for another one-off side project, Punky Brüster. Written and recorded in under a month, the album was produced as a parody of punk rock bands and documents the act of selling out for mainstream success.

City through Infinity (1996–1998)

Townsend assembled a permanent lineup of Strapping Young Lad to record City, including prolific metal drummer Gene Hoglan, along with Townsend's former bandmates Jed Simon on guitar and Byron Stroud on bass. The industrial-influenced[12] album was released in 1997. To this day, the album is widely considered Strapping Young Lad's best work,[13][14] with Metal Maniacs calling it "groundbreaking"[15] and Revolver naming it "one of the greatest metal albums of all time".[16] Townsend himself considers it the band's "ultimate" album.[17] Later that year, Townsend released his first solo album, Ocean Machine: Biomech. The album featured a mix of hard rock, ambient, and progressive rock.[15] Townsend founded his own independent record label, HevyDevy Records, to release the album.[15]

After the completion of City and Biomech, Townsend began to approach a mental breakdown. "I started to see human beings as little lonesome, water based, pink meat," he explained, "life forms pushing air through themselves and making noises that the other little pieces of meat seemed to understand." In 1997, he checked himself into a mental-health hospital, where he was diagnosed with bipolar disorder. The diagnosis helped him understand where the two sides of his music were coming from; he felt his disorder "gave birth to the two extremes that are Strapping's City record and Ocean Machine's Biomech."[18] After being discharged from the hospital, Townsend found that "everything just clicked" and he was able to write his second solo album, Infinity, which he described as "the parent project" of City and Biomech,[18] with music influenced by Broadway.[15] Townsend returned to the studio, accompanied by Hoglan, to work on the album, on which Townsend played most of the instruments. Infinity was released in October 1998. Later in his career, Townsend has cited Infinity as his favorite solo record.[12]

With Infinity, Townsend began to label all albums outside of Strapping Young Lad under his own name, dropping the Ocean Machine moniker, to reduce confusion. He wanted to show that despite the highly varied nature of his projects, they are all simply aspects of his identity.[8] The album Biomech was relabeled and redistributed as Ocean Machine: Biomech, under Townsend's name, to reflect the new arrangement. Townsend's bandmates began to play two sets at their shows, one as Strapping Young Lad, and one as The Devin Townsend Band, playing songs from Townsend's solo albums.[1]

Physicist and Terria (1999–2001)

Townsend performing at the Wâldrock Festival, The Netherlands, June 30, 2001.

Townsend's next project took several years to come to fruition. After the creation of the IR8 demo tape, Townsend and Jason Newsted had begun work on a new project called Fizzicist, which they described as "heavier than Strapping Young Lad". When the IR8 tape was leaked, Newsted's Metallica bandmates James Hetfield and Lars Ulrich learned of the project. Hetfield was "fucking pissed" that Newsted was playing outside the band, and Newsted was prevented by his bandmates from working on any more side projects.[19] With the project stalled, Townsend instead wrote the album himself, entitling it Physicist. Townsend assembled his Strapping Young Lad bandmates to record it, the only time this lineup was featured on a Devin Townsend album.[1] The thrash-influenced[15] Physicist was released in June 2000, and is generally considered a low point in Townsend's career. Hoglan and the rest of the band were dissatisfied with the way the sound was mixed,[20] and Townsend considers it his worst album to date.[21]

Feeling he had "ostracized a bunch of fans" with Physicist, Townsend felt he had the chance to make a more personal and honest record.[12] Townsend was inspired one morning while driving across Canada with his band, and looked to write an "introspective" album dedicated to his homeland.[22] He produced and recorded Terria, a "highly illustrated stream-of-consciousness" album,[12] with Gene Hoglan on drums, Craig McFarland on bass and Jamie Meyer on keyboards. Townsend cited Ween's White Pepper as an inspiration for the album.[12] Terria was released in November 2001.

Strapping Young Lad through Synchestra (2003–2006)

Townsend's solo run lasted until 2002. After a five-year break from recording, Strapping Young Lad reunited to record a new album. Townsend credits the album, Strapping Young Lad, as an emotional response to the attacks of September 11, 2001, in the United States. "If the world's about to blow up," said Townsend, "let's write the soundtrack for it."[20] The album's lyrics were based more around fear and insecurity than the "hostile" lyrics of City.[12] Musically, Strapping Young Lad was less industrial than City,[23] and more reminiscent of death metal,[24] with a "larger-than-life" rock production style.[12] Townsend cited Front Line Assembly, Grotus, and Samael's Passage as influences.[12] The self-titled album was released in February 2003. It received lukewarm reviews, with critics finding it inferior to City,[25][26] but it was the band's first charting album, entering at 97th place on Billboard's Top Heatseekers chart.[27]

While Strapping Young Lad was being reunited, Townsend formed a new, permanent band "on par with Strapping" to record and tour for his solo releases.[12] The Devin Townsend Band consisted of Brian Waddell on guitar, Mike Young on bass, Ryan Van Poederooyen on drums, and Dave Young on keyboards. Townsend performed guitar, vocals, and production, as he did in Strapping Young Lad. Townsend worked on the band's first album, Accelerated Evolution, at the same time he was working on Strapping Young Lad, spending half the week on one and half on the other.[28] Accelerated Evolution, named for the pace of putting a new band together in under a year,[12] was released a month after Strapping Young Lad. Mike G. of Metal Maniacs called it "the album of the year", praising it for "the hard-to-accomplish trick of being extreme yet accessible, simultaneously heavy 'n' rockin' yet majestic and beautiful."[15] Prior to the formation of The Devin Townsend Band, Townsend had represented his solo releases live with the Strapping Young Lad lineup; the band would play one set of Strapping Young Lad songs and one set of Devin Townsend songs.[29] After the release of Accelerated Evolution, Townsend's two bands toured separately for their separate albums.[1]

Strapping Young Lad began working on their next album, Alien, in March 2004.[30] Feeling that the band's previous album did not live up to expectations, Townsend decided to take his music to a new extreme.[31] To prepare for the new album, Townsend stopped taking the medication prescribed to treat his bipolar disorder.[32] "I think that as an artist, in order for me to get to the next plateau, I kind of feel the need to explore things and sometimes that exploration leads you to places that are a little crazy," he explains. "And Alien was no exception with that."[33] Although Townsend considered the album an "impenetrable mass of technicality",[34] it was well received on its release, selling 3,697 copies in its first week[35] and appearing on several Billboard charts.[36]

Shortly thereafter Townsend began putting together the next Devin Townsend Band record, with the working title Human.[37] Townsend intended the album as the more "pleasant" counterpart to Alien. "It's basically a record about coming back down to earth after being in space with Alien for a while."[33] The album ended up being renamed Synchestra and was released in January 2006. Townsend showcased a wide variety of musical styles in Synchestra, blending his trademark "pop metal" with influences from folk, polka, and Middle Eastern music.[38]

Ziltoid and hiatus (2006–2008)

Townsend's wife, Tracy Turner, gave birth to their first son, Reyner Liam Johnstan Townsend, on October 4, 2006.[39] Around this time, Townsend withdrew from touring to spend time with his family. From home, Townsend completed his second solo ambient album, The Hummer, releasing it exclusively on his website in November 2006.

In May 2007, Townsend released Ziltoid the Omniscient, a tongue-in-cheek rock opera about the eponymous fictional alien. Townsend recorded the album alone in its entirety; he utilized Drumkit from Hell, a software drum machine used by Meshuggah on their album Catch Thirtythree, for the drum tracks.[40] Shortly after the album's release, Townsend announced that he no longer planned to tour or make albums with Strapping Young Lad or The Devin Townsend Band. He explained that he was "burnt out on travelling, touring, and self promotion" and wished to do production work, write albums, and spend time with his family without the stress of interviews or touring.[41]

In 2008, Townsend lent his voice to characters in several episodes of the Adult Swim cartoon Metalocalypse (see Musician cameos in Metalocalypse for more). The original character design for Pickles the Drummer, one of the series' main characters, bore a striking resemblance to Townsend. The series' co-creator Brendan Small acknowledged the similarity, and altered the design before the series began. "We made sure he didn't look like Devin Townsend. We gave him the goatee and the dreadover so he wouldn't look like that."[42]

The Devin Townsend Project (2008–present)

After removing himself from the music industry, Townsend cut his trademark hair off[43] and gave up drinking and smoking.[44] Townsend found it "disconcerting" that he had difficulty writing music without drugs, and that he had trouble identifying his purpose as a musician. He spent a year producing albums in absence of writing, but found it unrewarding and decided to "pick up the guitar and just write".[43] This began a period of "self discovery"[44] where he learned "how to create without drugs".[45]

Over two years, Townsend wrote over 60 songs, and found that they fit into "four distinct styles".[43] In March 2009, Townsend announced his plans for a four-album series called The Devin Townsend Project,[45] with the goal of clarifying his musical identity and being "accountable" for the persona he projects to the public.[43] The project's concept includes a different "theme" and a different group of musicians on each album.[45]

Ki, the first album of The Devin Townsend Project, was written to "set the stage" for the subsequent albums.[45] Townsend channeled his newfound control and sobriety into Ki, a "tense, quiet" album that contrasts with much of the music he had been known for.[43] Ki was released in May 2009.[46] After Ki, Townsend plans a "commercial, yet heavy" album called Addicted, followed by the "chaotic" Deconstruction which represents what Townsend "was trying to achieve with Strapping Young Lad."[43] The fourth album, called Ghost, will be a New Age[43] ambient[45] record. The last two albums are due to be released simultaneously in May 2011.[47]

Townsend returned to the stage in January 2010, touring North America with headliner Between the Buried and Me as well as Cynic and Scale the Summit. This was followed by a headlining tour in Australia and a series of high-profile shows in Europe. He is currently in talks to begin a North American headlining tour beginning in October 2010.[47]

Townsend has also revealed his plans to release another new album Z2, which will be the sequel to his previous album Ziltoid the Omniscient, released in 2007. [48] He plans to start recording it after he has finished the Devin Townsend Project albums. Townsend is also planning on releasing a graphic novel based on the Ziltoid character and possibly performing the Ziltoid album as a staged musical, at least as a one-off. [49]

Musical style

Townsend (right) performing with Strapping Young Lad in Bologna, Italy, 2006.

Townsend designed his two main projects, the aggressive Strapping Young Lad and his more melodic solo material, as counterparts.[50] Strapping Young Lad's music was a diverse mix of extreme metal genres; death metal, thrash metal, black metal[51] and industrial metal. Townsend's solo material blends many genres and influences,[52] with elements of atmospheric ambient music,[53] hard rock and progressive rock,[15] along with pop metal and arena rock[52]. Despite Strapping Young Lad's greater mainstream acceptance, Townsend identifies more with his solo material, and has never intended Strapping Young Lad to be the focus of his music.[54]

As a self-proclaimed "fan of multitracking",[33] Townsend has developed a trademark production style featuring an atmospheric, layered "wall of sound".[38] Townsend has drawn critical praise for his productions, which "are always marked by a sense of adventure, intrigue, chaotic atmospherics and overall aural pyrotechnics", according to Mike G. of Metal Maniacs.[15] Townsend uses software suites such as Pro Tools, Steinberg Cubase, and Logic Pro when recording, mixing, and producing his music.[33] Townsend's musical ideas and production style have drawn comparisons to Phil Spector[38] and Frank Zappa.[55]

Influences

Townsend draws influence from a wide range of music genres, most prominently heavy metal. Townsend has cited, among others, Judas Priest, W.A.S.P., Frank Zappa, Broadway musicals, Abba, new age music, Zoviet France, King's X, Morbid Angel, Barkmarket, Grotus, Jane's Addiction, and Fear Factory as his influences,[56] and has also expressed his admiration for Meshuggah on several occasions, calling them "the best metal band on the planet".[57] City was influenced by bands such as Foetus and White Noise,[10] and The New Black's influence was Meshuggah..[21]

Discography

Main article: Devin Townsend discography

Townsend has released ten solo studio albums (including two with The Devin Townsend Band) and five studio albums with Strapping Young Lad. He has also released numerous EPs, live albums, compilation albums, and collaborations under a variety of monikers, and has produced dozens of albums for other artists.

References

  1. ^ a b c d Turner, Tracy. "Devin Townsend Biography". HevyDevy Records. Retrieved November 25, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help) Cite error: The named reference "hdr-biography" was defined multiple times with different content (see the help page).
  2. ^ "Devin Townsend Overview." Allmusic. Retrieved June 8, 2009.
  3. ^ "Profile: Jed Simon." Zimmers Hole (official site).
  4. ^ a b c Gewgaw, Hervé S.K.; trans. Billerey, Roger (August/September 1995). "Strapping Young Lad". Hard Rock Magazine. {{cite web}}: Check date values in: |date= (help); Italic or bold markup not allowed in: |publisher= (help)CS1 maint: multiple names: authors list (link)
  5. ^ a b Diperna, Alex (1993). "Shrieking Havoc". Guitar World. South San Francisco, California: Future US. ISSN 1045-6295. OCLC 7982091. {{cite journal}}: Unknown parameter |month= ignored (help)
  6. ^ Johnson, Alex S. (2005). "Devin Townsend interrogated". Zero Tolerance Magazine (3). Obdurate Ltd. ISSN 1742-9897. OCLC 266995054. {{cite journal}}: Unknown parameter |month= ignored (help)
  7. ^ Zell, Ray (November 24, 2001). "The Nutty Professor". Kerrang (880). Bauer Media Group: 34. ISSN 0262-6624. OCLC 32328241.
  8. ^ a b c Lageat, Philippe (2001). "Devin Townsend – Chimie 2000". Hard Rock Magazine: 48–50. OCLC 29807370. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)
  9. ^ Bromley, Adrian (January 10, 1995). "Bracing for Success - CoC interviews Devin Townsend of Strapping Young Lad". Chronicles of Chaos. Retrieved January 31, 2008.
  10. ^ a b c "Devin Townsend interviewed by Tony on 3RRR FM, Melbourne". The Church of Devin Townsend. 1997. Retrieved January 31, 2008. {{cite web}}: Unknown parameter |month= ignored (help)
  11. ^ "Devin Townsend: 'I Don't Have Anything To Say With Strapping Young Lad Anymore'". Blabbermouth.net. July 4, 2006. Retrieved January 31, 2008.
  12. ^ a b c d e f g h i j Popoff, Martin (2003). "Strapping Young Lad". Lollipop Magazine (61). OCLC 36854274. {{cite journal}}: Unknown parameter |month= ignored (help)
  13. ^ Bergman, Keith. "Strapping Young Lad - The New Black review". Blabbermouth.net. Retrieved January 31, 2008.
  14. ^ Begrand, Adrien (March 25, 2005). "Strapping Young Lad: Alien review". PopMatters. Retrieved January 31, 2008.
  15. ^ a b c d e f g h G., Mike (2003). "The Devin Townsend Band: No Holds Barred". Metal Maniacs. ISSN 1559-4297. OCLC 62782997. {{cite journal}}: Unknown parameter |months= ignored (help)
  16. ^ "The 69 Greatest Metal Albums of All Time". Revolver. South San Francisco, California: Future US. 2002. ISSN 1527-408X. OCLC 42757765. {{cite journal}}: Unknown parameter |month= ignored (help)
  17. ^ "Strapping Young Lad Are All Rocked Out". Exclaim!. 2006. Retrieved April 28, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |month= ignored (help)
  18. ^ a b Ingham, Chris (1998). "Metal Hammer Interviews Devin". Far Beyond Metal. Retrieved November 21, 2007. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  19. ^ Fricke, David (June 27, 1996). "Pretty Hate Machine". Rolling Stone. Retrieved November 26, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  20. ^ a b Hawkins, Chris (2003). "Interview with Gene Hoglan of Strapping Young Lad". Metal-Rules.com. Retrieved November 26, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |month= ignored (help)
  21. ^ a b Povarchik, Roy; Vayner, Ofer (July 20, 2006). "Interviews: Devin Townsend from Strapping Young Lad and The Devin Townsend Band". Alternative-Zine.com. Retrieved November 26, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)CS1 maint: multiple names: authors list (link)
  22. ^ Small, Aaron (2001). "Devin Townsend: Diary of a Madman". Brave Words & Bloody Knuckles. Toronto. ISSN 1705-3781. OCLC 57191652. {{cite journal}}: Unknown parameter |month= ignored (help)
  23. ^ Hamilton, Shaun (March 20, 2003). "Interview with Strapping Young Lad". Chain D.L.K. Retrieved January 31, 2008.
  24. ^ Hinds, Andy. "SYL Review". Allmusic. Retrieved January 31, 2008.
  25. ^ Smith, Nate (2003). "CD Reviews: Strapping Young Lad - SYL". Rockzone.com. Retrieved 2008-01-31.
  26. ^ Hoose, Xander (April 16, 2003). "Strapping Young Lad - SYL : Review". Chronicles of Chaos. Retrieved January 31, 2008.
  27. ^ "Strapping Young Lad Enter Billboard Heatskeekers Chart". Blabbermouth.net. February 20, 2003. Retrieved January 31, 2008.
  28. ^ "Lord of the Wasteland"; Lehtinen, Arto (June 16, 2005). "Interview With Gene Hoglan". Metal-Rules.com. Retrieved April 26, 2009. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)CS1 maint: multiple names: authors list (link)
  29. ^ Gibson, Doug (June 26, 2005). "Interview with Strapping Young Lad's Jed Simon." Metal Underground.
  30. ^ "Strapping Young Lad Re-Sign With Century Media, Begin Work On New Material". Blabbermouth.net. March 30, 2004. Retrieved January 31, 2008.
  31. ^ Smit, Jackie (March 10, 2005). "Fury & passion in extremis." Chronicles of Chaos.
  32. ^ Powell, Brett (2005). "Interview w/ Devin Townsend of Strapping Young Lad". Los Angeles Loud. Retrieved January 31, 2008.
  33. ^ a b c d Kolman, Tajs (January 27, 2006). "Interview with Devin Townsend". RevelationZ Magazine. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  34. ^ Jones, Deirdre (December 1, 2006). "Masters of menace". Guitar Player. ISSN 0017-5463. OCLC 1751642.
  35. ^ "Soundscan Report: Queens Of The Stone Age, Ozzy Osbourne, Strapping Young Lad". Blabbermouth.net. March 30, 2005. Retrieved January 31, 2008.
  36. ^ "Artist Chart History - Strapping Young Lad". Billboard. Retrieved January 31, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  37. ^ Townsend, Devin (January 7, 2005). "New news!" HevyDevy Forums. Retrieved December 5, 2008.
  38. ^ a b c Lay, David (February 8, 2006). "The Devin Townsend Band - Synchestra". Cleveland Scene. Retrieved December 2, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  39. ^ Turner, Tracy (2006). "HDR News". HevyDevy Records. Retrieved November 25, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |month= ignored (help)
  40. ^ Lee, Cosmo (2007). "Ziltoid the Omniscient: Review." Allmusic.
  41. ^ Townsend, Devin (May 10, 2007). "From Dev." HevyDevy Forums. Retrieved November 26, 2008.
  42. ^ Douglas, Patrick (September 21, 2006). ""Metalocalypse" Brendon and Tommy". The Culture Shock. Retrieved November 25, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  43. ^ a b c d e f g Genghis & Ragman (May 10, 2009). "Podcast #80 – Idol." The Right to Rock.
  44. ^ a b Raven, Paul Graham (April 11, 2009). "Interview: Devin Townsend." The Dreaded Press. Retrieved April 14, 2009.
  45. ^ a b c d e Blabbermouth.net (March 20, 2009). "Devin Townsend to return this summer with Ki." Retrieved April 12, 2009.
  46. ^ InsideOut Music. "Devin Townsend – Ki."
  47. ^ a b "Devin Townsend to Perform Entire Ziltoid Album at Finland's TUSKA Festival." Blabbermouth.net. February 12, 2010. Retrieved February 14, 2010.
  48. ^ MetalSucks.com. "[1]"
  49. ^ Townsend, Devin (November 7, 2009). Response, "Interview Thread - post links here." HevyDevy Forums.
  50. ^ Hawkins, Chris. "Interview with Devin Townsend". Metal-Rules.com. Retrieved January 31, 2008.
  51. ^ Terry, Nick. "Alien review". Decibel magazine. Archived from the original on March 6, 2006. Retrieved January 31, 2008. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; May 6, 2006 suggested (help); Italic or bold markup not allowed in: |publisher= (help)
  52. ^ a b Henderson, Alex. "Accelerated Evolution: Review." Allmusic.
  53. ^ Ballard, David (2003). "A lad insane". Revolver. South San Francisco, California: Future US. ISSN 1527-408X. OCLC 42757765. {{cite journal}}: Unknown parameter |month= ignored (help)
  54. ^ Jimzilla (2003). "Strapping Young Lad: Devin Townsend". Throat Culture. {{cite journal}}: Unknown parameter |month= ignored (help)
  55. ^ Rivadavia, Eduardo. "Alien Review". Allmusic. Retrieved January 31, 2008.
  56. ^ SOS, Mike (2005). "Interview: Strapping Young Lad: An extreme metal all-star squad". In Music We Trust. Retrieved January 31, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |month= ignored (help)
  57. ^ Jones, H. Deirdre (2006). "The New Raging Bull! - Strapping Young Lad". Guitar Player. Retrieved January 31, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |month= ignored (help)
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