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*[http://www.steinway.com Steinway & Sons Official Website – New York City] {{en icon}}
*[http://www.steinway.com Steinway & Sons Official Website – New York City] {{en icon}}
*[http://www.steinway.de Steinway & Sons Official Website – Hamburg] {{de icon}}
*[http://www.steinway.de Steinway & Sons Official Website – Hamburg] {{de icon}}
*[http://www.steinway.com/steinway/specs/model_d.shtml Specifications and features about D-274] {{en icon}}
*[http://www.steinway.com/pianos/steinway/grand/model-d Specifications and features about D-274] {{en icon}}
*[http://www.sherwinbeach.com/lenehan/K2571.htm Article in the Atlantic Monthly following the construction of a D-274] {{en icon}}
*[http://www.sherwinbeach.com/lenehan/K2571.htm Article in the Atlantic Monthly following the construction of a D-274] {{en icon}}
*[http://www.nytimes.com/ref/nyregion/PIANO_INDEX.html Nine-part series in the New York Times following the construction of a D-274 at the factory in New York City] {{en icon}}
*[http://www.nytimes.com/ref/nyregion/PIANO_INDEX.html Nine-part series in the New York Times following the construction of a D-274 at the factory in New York City] {{en icon}}

Revision as of 20:31, 15 May 2010

Stephen Beus performs on a Steinway concert grand piano model D-274 in the 2006 Gina Bachauer International Artists Piano Competition

D-274 (or D) is the model name of a concert grand piano, the flagship of the Steinway & Sons line,[1] first built in 1884.[2] It is generally described as the first choice of most concert pianists,[1] although in recent years some high-profile artists have become defectors;[3][failed verification] Angela Hewitt, for example, has made widely publicised remarks favoring Fazioli instruments over the model D.[4]

At 274 cm (8' 11-3/4") long, 156 cm (61 1/4") wide, and 480 kg (990 pounds)[5] the D-274 is too large for most domestic situations.[1] In concert hall settings, on the other hand, the D-274 is a major presence. One example would be the Van Cliburn International Piano Competition, which traditionally offers contestants a choice of two D-274s owned by the foundation, supplemented with another choice from an outside source.[6] Another would be the Tupelo, Mississippi Symphony Orchestra, which in 2004 launched a Pianoforte Society fundraising drive specifically to purchase a D-274 and then, after acquiring the instrument, established a concert series to showcase it.[7] The Melbourne Symphony Orchestra in Australia launched a similar initiative in 2010.[8] An estimate from 2003 suggested that more than 90% of concert grand pianos worldwide at the time were D-274s.[9]

Design

Most critical design elements of the D-274 were developed during the 19th century and have changed little since. Among them are the action and scale designs, perfected by Henry Steinway, Jr., the company founder's son; the laminated wooden rim, cast iron frame, and hammers, all originating in designs patented by C.F. Theodor Steinway, another of the founder's sons; some elements of the trap work, first devised by Albert Steinway, a third son; and the soundboard, built on a design patented by younger family member Paul Bilhuber.[10]

Artists' preference – geographic origin and specific instruments

Sergei Rachmaninoff at a Steinway grand piano

Steinway manufactures the D-274 in two factories, one in New York and one in Hamburg, Germany. Outwardly, New York and Hamburg D-274s differ most noticeably in finish, with the former displaying traditional satin lacquer and the latter high-gloss polyester.[11] Differences in the respective instruments' tone and playing character, however, have led particular pianists to gravitate to the output of one factory or the other; Vladimir Horowitz, for instance, preferred a New York D-274, whereas Marc-Andre Hamelin, Alfred Brendel, Arcadi Volodos, and Artur Rubinstein were partial to the Hamburg product. Sergei Rachmaninoff bought three D-274s, all New York products, for his homes in the United States, but he installed a Hamburg D-274 in his Swiss villa. The difference between the New York and Hamburg Steinway pianos is less noticeable today.[12] Pianist and Steinway Artist Emanuel Ax says that "... the differences have more to do with individual instruments than with where they were made."[12]

Several artists have developed documented association with particular D-274s. Examples would include the following:

  • Sergei Rachmaninoff recorded all his sessions for Victor in New York on D-274s No. 147,681 and No. 194,597.[13] When Zenph Studios undertook to recreate those recordings through modern computer playback technology, the company chose a 1909 D-274, No. 133,291, as the underlying instrument; the restored piano is prominently featured at the company's Internet site.[14]
  • Vladimir Horowitz favored a D-274 that he called "Beauty." When the instrument became unserviceably worn, he retained piano technician Joseph Pramberger to rebuild it completely.[15]
  • Glenn Gould maintained a well-known preference for D-274 number CD 318-C, which he found, much worn and awaiting shipment back to the factory for decommissioning, in the auditorium of a Toronto department store in 1946. He retained technician Verne Edquist to restore and maintain the instrument and had it shipped to any auditorium in which he was to play. The piano sustained a cracked plate during such a shipment in 1971, when Gould had scheduled a recording session with the Cleveland orchestra; for years thereafter, Edquist attempted to repair the damage, and his inability to do so was a source of great distress to Gould.[16] The CD 318-C still exists in its damaged state, preserved at Library and Archives Canada in Ottawa, which also houses the Glenn Gould Archive.[17]
  • To circumvent company policy that would have compelled her to record on a smaller instrument, Olga Samaroff purchased a D-274 on which to make her recordings for Victor late in the acoustic era. Later, finding the size of the instrument to present storage difficulties, she purchased a dwelling in Seal Harbor, Maine with a studio large enough to house it.[18]

Special editions and price record

The special designed D-274 in the White House[19][20]

Over the years, Steinway has produced a small number of special or limited editions of the D-274. These can range from ornately carved bodywork, to large changes in the colour scheme.[21][22][23][24]

The world's most expensive grand piano sold at auction is a special designed D-274 built by Steinway's factory in New York City, United States, in 1887;[25] it sold for $1.2 million in 1997 at Christie's in London.[26] By setting this record, Steinway broke its own 1997 price record of $390,000.[27]

D-274s have been used in numerous popular events of a range of forms, styles and medias. Some few examples are:

Concert grand piano banks

For the convenience of touring performers[38] and in the belief that every D-274 is somewhat different in character,[39] Steinway maintains a collection of D-274s in "concert grand piano banks" across the world;[38] for instance, the company maintains more than 40 in the basement of Steinway Hall in Manhattan. Such pianos are given "CD" designators, and they receive replacement stencils calculated for greater visibility at a distance.[39] A pianist visiting one of these banks may sample and choose from a range of D-274s, according to taste, for public performance or recording; Steinway prepares and transports the chosen instrument,[38] although the artist bears the cost of these services.[39] As noted above, some artists have developed affinities for particular instruments included in this program; the requirement that instruments so supplied be credited to Steinway led to Olga Samaroff's above-mentioned purchase of a D-274 on which to make records.[18]

Steinway Artist Hélène Grimaud at a D-274

At least three independent accounts have detailed the process by which Steinway manufactures the D-274. In 1982, Michael Lenehan published an article in Atlantic Monthly in which he followed the construction of a D-274, designated as K 2571 during manufacture and later, after its adoption into the piano bank program, as CD-129. A somewhat revised version of the article posted to the Internet includes information updated in 1997. The original article, dating to approximately the time of the company's sale to CBS, described many practices held over from the 19th century, mostly personalized by focusing on individual employees tasked with performing them, but it also touched on what then were prospective changes under consideration to modernize certain aspects of production. The 1997 update continues that approach, updating the various personal stories but also detailing the company's subsequent ownership history and adoption of selected new production methods.[39]

More recently, The New York Times ran a series of articles,[10] ultimately published in book form,[40], following the construction of a D-274 designated K 0862. More recently still, an independent documentary film entitled Note by Note: The Making of Steinway L1037 followed the construction of a D-274 for more than a year, from the search for wood in Alaska to display of the finished instrument at Manhattan's Steinway Hall. The film received its first theatrical screening was at New York's Film Forum in November, 2007[41][42] and played to generally favorable notices.[43] Featured are discussions and demonstrations of Steinway instruments generally, and the D-274 in particular, by Steinway family member Henry Z. Steinway and pianists Pierre-Laurent Aimard, Kenny Barron, Bill Charlap, Harry Connick, Jr., Hélène Grimaud, Hank Jones, Lang Lang, and Marcus Roberts.[44][45]

Authorized Steinway Virtual Concert Grand Piano

The Authorized Steinway Virtual Concert Grand Piano from the company Garritan, is a sample-based software instrument developed in collaboration with Steinway.[46][47] The Authorized Steinway Virtual Concert Grand Piano recreates the sound of the D-274. The software comes in three versions: Professional, Standard and Basic. The Professional version is the Steinway concert grand piano from five different listening perspectives: that of the player from the piano bench; a classical recording; an under-the-lid; a stage; and a close audience perspective. The Standard version gives the under lid and classic perspectives. The Basic version is, according to Garritan, ideal for students, amateur musicians, and educators, and is a light version that gives a single perspective.[46] The recording of the D-274 chosen for the sample set was made in Troy Music Hall in Rensselaer County, New York.

Pictures

See also

Further reading

  • Barron, James (2006). Piano: The Making of a Steinway Concert Grand. New York: Holt. ISBN 0805078789.
  • Chapin, Miles (1997). 88 keys: The making of a Steinway piano. New York: Potter. ISBN 0-517-70356-4.
  • Matthias, Max (2006). Steinway Service Manual – Guide to the care of a Steinway (3rd ed.). Bergkirchen: PPV-Medien/Bochinsky. ISBN 978-3-923639-15-1.

References

  1. ^ a b c Fine, Larry, The Piano Book: Buying & Owning a New or Used Piano, Third Edition, Boston: Brookside Press 1994
  2. ^ "Grand piano guide to Steinway and industry standard sizes", Bluebook of Pianos. Accessed March 12, 2010.
  3. ^ "Piano Versus Piano: Steinway, 800-pound gorilla of the concert world, is no longer a soloist," The New York Times, May 9, 2004, reproduced at Michale Z. Wise Internet site (accessed March 25, 2009)
  4. ^ Original remarks appear at the artist's Internet site, [1]
  5. ^ a b "Specifications and Features – Model D", Steinway & Sons Official Website, Accessed March 12, 2010.
  6. ^ Cantrell, Scott, "Van Cliburn 2009: Contestants off to a rousing start on first day of preliminary round," The Dallas Morning News, May 23, 2009, accessed March 20, 2010
  7. ^ "Steinway Concert Series," Tupelo Symphony Orchestra Internet site, accessed April 28, 2010
  8. ^ "Concert Grand Piano Appeal," Melbourne Symphony Orchestra Internet site, accessed April 28, 2010
  9. ^ "Just about perfect: The dichotomy of Steinway piano design", STEP Inside Design, issue of November/December 2003, p. 68.
  10. ^ a b "Today's Pianos Have Prelude In Yesterday's; Steinway Family Legacy Pervades Factory in Queens," The New York Times, July 19, 2003 (accessed March 24, 2010)
  11. ^ Allen, Frederick, "Steinway: Where high tech does only the simplest jobs," American Heritage, Fall 1993 (accessed March 22, 2010)
  12. ^ a b "Steinways with German Accents...", The New York Times, August 27, 2003. Accessed March 25, 2010.
  13. ^ Harrison, Max, Rachmaninoff: Life, Works, Recordings, London: Continuum (2005)
  14. ^ Zenph Studios site (accessed March 18, 2010)
  15. ^ "The Pramberger Story," Riverside Music Web site (accessed March 18, 2010)
  16. ^ Bethune, Brian, "Glenn Gould's Steinway," The Encyclopedia of Music in Canada, reprinted from Maclean's of June 23, 2008 (accessed March 18, 2010)
  17. ^ Bazzana, Kevin, Geoffrey Payzant, and John Beckwith, "Gould, Glenn," The Encyclopedia of Music in Canada (accessed March 21, 2010)
  18. ^ a b Samaroff-Stokowski, Olga, An American Musician's Story, New York: W.W. Norton and Co., Inc., 1939
  19. ^ "A Piano Is Born, Needing Practice; Full Grandness of K0862 May Take Several Concerts to Achieve", The New York Times. Accessed March 12, 2010.
  20. ^ Steinway & Sons – 150 Years, p. 65.
  21. ^ E.g.: Walden Woods, Steinway & Sons Official Website. Accessed March 12, 2010.
  22. ^ E.g.: Roger Williams Gold Piano, Steinway & Sons Official Website. Accessed March 12, 2010.
  23. ^ E.g.: Rhapsody piano, Steinway & Sons Official Website. Accessed March 12, 2010.
  24. ^ E.g.: Peace Piano, Tallahassee Antique Car Museum. Accessed March 13, 2010.
  25. ^ Article: "Lawrence Alma-Tadema and the modern city of ancient Rome. (Critical Essay)". Gale. March 01, 2002. See a part of the article here: Part of article.
  26. ^ "Alma-Tadema", Steinway & Sons Website. Accessed March 13, 2010.
  27. ^ Eight Keys to Buying a Piano – A guide to selecting the perfect instrument, p. 10.
  28. ^ "Super Bowl XLIV...", Steinway & Sons Official Website. Accessed March 13, 2010.
  29. ^ "Jay-Z - Run This Town (Super Bowl XLIV Intro)", YouTube. Accessed March 13, 2010.
  30. ^ "Nobel 2009 Peace Prize (12) Piano Interlude", YouTube. Accessed March 13, 2010.
  31. ^ "'Air and Simple Gifts' John Williams at Obama Inauguration", YouTube. Accessed March 13, 2010.
  32. ^ "Emily Bear on Ellen 11.17.08", YouTube. Accessed March 13, 2010.
  33. ^ "Alumna Astanova performs on 'Today' show", Rice University. Accessed March 13, 2010.
  34. ^ "Events & Appearances", Lola Astanova Official Website. Accessed March 13, 2010.
  35. ^ "TCU Promotes All Steinway School Status", YouTube. Accessed March 13, 2010.
  36. ^ "Mercedes Benz 'Modern Ark'", Moggach. Accessed March 13, 2010.
  37. ^ "Mercedes Ark Commercial", YouTube. Accessed March 13, 2010.
  38. ^ a b c Steinway & Sons – 150 Years, p. 32.
  39. ^ a b c d Lenehan, Michael, "K 2571: The Making of a Steinway Grand," originally published, in slightly different form, in Atlantic Monthly as "The Quality of the Instrument" in August 1982; updated in 1997 (accessed March 23, 2010)
  40. ^ Barron, James, Piano: The Making of a Steinway Concert Grand, New York: Times Books, 2006 (ISBN 0-8050-7878-9)
  41. ^ "Note by Note: The Making of Steinway L1037", Film Forum. Accessed March 13, 2010.
  42. ^ "Note by Note: The Making of the Steinway L1037 (2007)", Rotten Tomatoes. Accessed March 13, 2010.
  43. ^ "Note by Note: The Making of the Steinway L1037 (2007)", Rotten Tomatoes. Accessed February 15, 2008.
  44. ^ "Note by Note: The Making of Steinway L1037", IMDb.com. Accessed March 12, 2010.
  45. ^ "Note By Note: The Making of Steinway L1037 (2007)", The New York Times. Accessed March 12, 2010.
  46. ^ a b "Garritan releases Authorized Steinway Virtual Concert Grand Piano – Professional Edition", KVR Audio Plugin Resources. Accessed March 13, 2010.
  47. ^ The Authorized Steinway Virtual Concert Grand Piano, Garritan. Accessed March 13, 2010.
  48. ^ Article: "Lawrence Alma-Tadema and the modern city of ancient Rome. (Critical Essay)". Gale. March 01, 2002. See a part of the article here: Part of article.
  49. ^ "Alma-Tadema", Steinway & Sons Website. Accessed March 13, 2010.
  50. ^ "Sir Lawrence Alma-Tadema – British, 1836-1912 – Sir Edward John Poynter – Steinway & Sons", Clark Art Institute. Accessed March 14, 2010.