Mercy, Mercy, Mercy: Difference between revisions
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Added information about the song's theme, structure and chord progression |
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The theme of the song on the original recording is performed by [[Joe Zawinul]] himself playing it on a [[Wurlitzer electric piano]] previously used by [[Ray Charles]].<ref>Keyboards (german keyboard magazine), 06/2007 http://www.keyboards.de.</ref> |
The theme of the song on the original recording is performed by [[Joe Zawinul]] himself playing it on a [[Wurlitzer electric piano]] previously used by [[Ray Charles]].<ref>Keyboards (german keyboard magazine), 06/2007 http://www.keyboards.de.</ref> |
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===Theme=== |
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The first part of the theme is played two times and is completely made of notes from the [[major pentatonic scale]] of the first degree. |
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===Structure and chord progression=== |
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The song has a rather unusual 20 bar structure. The chord progression is mainly made of dominant seventh chords on the first, fourth and fifth degree, giving the whole song a blues feeling, although it is not a tipycal [[blues]] progression. |
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==References== |
==References== |
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[[Category:1960s jazz standards]] |
[[Category:1960s jazz standards]] |
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[[Category:1966 songs]] |
[[Category:1966 songs]] |
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{{jazz-composition-stub}} |
{{jazz-composition-stub}} |
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Revision as of 09:50, 12 November 2010
| "Mercy, Mercy, Mercy" | |
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| Song |
"Mercy, Mercy, Mercy" is a song written by Joe Zawinul in 1966 for Julian "Cannonball" Adderley and his album Mercy, Mercy, Mercy! Live at 'The Club'. The song is the title track of the album and became a surprise[citation needed] hit, reaching #11 on the Billboard charts, and has been re-recorded numerous times, occasionally with added lyrics. It has now become a jazz standard performed by both beginning and advanced jazz musicians.
The theme of the song on the original recording is performed by Joe Zawinul himself playing it on a Wurlitzer electric piano previously used by Ray Charles.[1]
Theme
The first part of the theme is played two times and is completely made of notes from the major pentatonic scale of the first degree.
Structure and chord progression
The song has a rather unusual 20 bar structure. The chord progression is mainly made of dominant seventh chords on the first, fourth and fifth degree, giving the whole song a blues feeling, although it is not a tipycal blues progression.
References
- ^ Keyboards (german keyboard magazine), 06/2007 http://www.keyboards.de.
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