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===2010 Revisions===
===2010 Revisions===
[[File:Gaga-monster ball UK DITD.jpg|thumb|Gaga performing "Glitter and Grease" on the revamped 2010 Monster Ball show in Glasgow, United Kingdom.]]
[[File:Gaga-monster ball UK DITD.jpg|thumb|Gaga performing "Glitter and Grease" on the revamped 2010 Monster Ball show in Liverpool, United Kingdom.]]
In December 2009, Gaga revealed that for her 2010 concerts, she planned to cancel the whole concept of the show, and start fresh.<ref name="revamp">{{cite news|url=http://www.mtvasia.com/News/200912/23019123.html|title=Lady Gaga Reveals Details Of Revamped Monster Ball Tour For 2010|last=Montogomery|first=James|date=2009-12-23|work=''MTV''|publisher=MTV Networks|accessdate=2010-02-18}}</ref> She felt that the revamp of the show was needed as the original tour was constructed in a very short span of time.
In December 2009, Gaga revealed that for her 2010 concerts, she planned to cancel the whole concept of the show, and start fresh.<ref name="revamp">{{cite news|url=http://www.mtvasia.com/News/200912/23019123.html|title=Lady Gaga Reveals Details Of Revamped Monster Ball Tour For 2010|last=Montogomery|first=James|date=2009-12-23|work=''MTV''|publisher=MTV Networks|accessdate=2010-02-18}}</ref> She felt that the revamp of the show was needed as the original tour was constructed in a very short span of time.
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Revision as of 18:56, 11 December 2010

The Monster Ball Tour
Tour by Lady Gaga
A female blond woman stands in a metallic leotard. Her left foot is put forward and she wears black heels and sunglasses. Around her, she wears a number of concentric metallic rings which encircles her. Behind her, a number of drunk men are visible, some standing and some sitting. Above the woman the words 'The Monster Ball Tour' is written in white font. Beneath it, the words 'Starring LADY GAGA' are written in white on black.
Promotional poster for Gaga's 2009–11 tour
Associated albumThe Fame Monster
Start dateNovember 27, 2009 (2009-11-27)
End dateMay 6, 2011 (2011-05-06)
Legs8
No. of shows119 in North America
63 in Europe
15 in Oceania
4 in Asia
201 Total
Lady Gaga concert chronology

The Monster Ball Tour is the second worldwide concert tour by American recording artist Lady Gaga in support of her third extended play, The Fame Monster. The tour was officially announced on October 15, 2009, after her joint concert tour with rapper Kanye West, titled Fame Kills, was suddenly canceled. Described by Gaga as "the first-ever 'pop electro opera'", The Monster Ball began four days after the release of The Fame Monster. Rapper Kid Cudi and singer Jason Derülo were the supporting act for the first North American leg of the tour, while the band Alphabeat supported the UK stop of the tour. Other opening acts included Far East Movement and the Scissor Sisters. Virgin Mobile USA and Virgin Mobile Canada were the official sponsors of the American and Canadian legs of the tour, respectively. Gaga's production team, Haus of Gaga, designed the poster and the stage of the concert, including a giant contraption called "The Orbit".

Gaga and her production team developed a stage that looks like a frame with forced perspectives and everything for the show fitted within it. She felt that the design would allow her creative control. Since the album dealt with the paranoias faced by Gaga over the year, the main theme of the show became evolution, with Gaga portraying growth as the show progressed. She compared the setting of the stage with that of a hollowed-out television set. Elements of the cancelled tour with Kanye West were incorporated in some parts. The set list of the tour consisted of songs from The Fame Monster as well as her debut album The Fame. For the 2010 shows, Gaga felt that a revamp of the show was needed as the original tour was constructed in a very short span of time. The revamped shows has a New York theme, and portrays a story where Gaga and her friends are in New York and get lost while going to the Monster Ball.

The show was divided into five segments with the last one being the encore. Each segment featured Gaga in a new dress and was followed by a video interlude, portraying Gaga in Gothic and artsy poses, to the next one. The show began with Gaga appearing from behind an electric maze of lights. It continued with acoustic piano playing, dancing in costumes made of guns, Cleopatra style head gears and fairy-tale Rapunzel style hair. Contemporary critics praised the show, commending Gaga's singing abilities and sense of style and fashion. They were also impressed by the pompousness and the theatricality of the show, comparing it to the tours of artists like Madonna.

Background

Gaga performing "Just Dance" while playing a keytar on the original show.

Initially, hip-hop artist Kanye West and Lady Gaga had plans to launch a joint tour together. "Fame Kills: Starring Lady Gaga and Kanye West", as the tour was known, was confirmed in September 2009.[1] In the aftermath of the 2009 MTV Video Music Awards, West made a public statement that he would take a break from the music industry following the media and public reaction to his outburst during Taylor Swift's acceptance speech for winning the VMA for Best Female Video. Nevertheless, the complete schedule for Fame Kills was released, with the tour set to begin on November 10, 2009 in Phoenix, Arizona.[2] Shortly afterwards, the tour was officially cancelled without any explanation.[3] Gaga addressed the situation at Billboard's annual Women in Music luncheon where she cited creative differences as the reason for the tour's cancellation. In an interview she stated, "[Kanye] is going to take a break, but the good news is, I am not."[4]

After ensuring the public that she would be embarking on a solo tour in lieu of the defunct Fame Kills tour, Gaga officially announced The Monster Ball Tour on October 15, 2009. The tour had originally been planned to debut in London in early 2010, but ended up kicking off on November 27, 2009 in Montreal.[5][6] Rapper Kid Cudi and singer Jason Derülo were confirmed as the supporting acts for the tour. While Kid Cudi was confirmed to be supporting Gaga from the beginning of the tour, Derülo joined the tour beginning on December 28, 2009.[5][7] The official poster for the tour features Gaga in her signature Versace 676 sunglasses and what she has dubbed "The Orbit", which she first wore on the October 3, 2009 edition of Saturday Night Live. The contraption was designed by Nasir Mazhar in collaboration with Gaga's own creative production company, Haus of Gaga.[4][8] The tour's sponsor of the American leg was Virgin Mobile USA, who introduced the "Free I.P." program, offering fans who volunteer their time to homeless youth organizations access to free show tickets.[9]

Development

Gaga performing "Alejandro" on the first leg of the tour

In an interview with Rolling Stone, Gaga explained that she wanted to put together an expensive looking, beautiful show which would be affordable by her fans.[6] She explained that the tour is a "pop-electro opera" because the theatrics and the story elements interwoven in the tour are played like an opera. According to her the design of the show is innovative and forward in terms of creativeness. Gaga wanted to change the shape of the stage and designed one with Haus of Gaga that is "essentially a frame with forced perspective, and the frame is put inside the stage."[6] Gaga explained,

"It's got kind of a triangular inset, like a diamond, and everywhere we're playing, the dimensions fit this box that I'm bringing, so it's this giant box that fits into every show. So no matter where I go, my fans get the same experience. So often you go into theaters and there's ambient light flying in from all sorts of places, and the audience is in different spots, and the stage is in different shapes and lengths and widths and depths, so this is a way for me to control all the light and all of the different elements of the show."[6]

The theme of the show is evolution.[10] According to Gaga, the songs on The Fame Monster represents the personal demons that she had faced. Hence while developing the record Gaga spoke about original sin and demons inside human beings. She said, "So we talked about growth, and that led us into this kind of scientific space, and we started talking about evolution and the evolution of humanity and how we begin as one thing, and we become another."[6] This theme of monsters and evolution is supposed to play a part in the fashion for the tour, which according to Gaga is "another level from where we were with the Fame Ball. [...] It's going to be a truly artistic experience that is going to take the form of the greatest post-apocalyptic house party that you've ever been to." Although Gaga stated that she was inspired by the things her and Kanye were doing with the Fame Kills tour, she concluded, "...I made a decision based on integrity not to use any of the things that we had designed together." Later, she agreed that it was "the great lost tour".[6] Emphasizing further on the theme of evolution, Gaga said:

"I begin as a cell and I grow and change throughout the show, [...] And it's also done in what now is becoming my aesthetic, which is, you know, it's part pop, part performance art, part fashion installation — so all of those things are present. [..] It's a story, it's me battling all my monsters along the way. I'm playing all the music from The Fame, all the music from The Fame Monster. And the stage that I designed with the Haus [of Gaga] is a giant cube that sits. Imagine you were to hollow out a TV and just break the fourth wall on a TV screen. It forces you to look at the center of the TV. It's my way of saying, 'My music is art.'"[11]

For the performance of "Paparazzi", Gaga had collaborated with her Haus of Gaga creative partner Matthew "Matty Dada" Williams. She commented, "I had a different vision for it in the beginning. Dada thought it should be braided, and I said, 'I never wear my hair braided.' He said, 'I know, but it's so Rapunzel, and it's something people deeply understand. And when you're wearing sunglasses on a scaffolding piece with a giant alien dancing behind you, I promise you it's not going to look like Rapunzel.'"[12]

2010 Revisions

Gaga performing "Glitter and Grease" on the revamped 2010 Monster Ball show in Liverpool, United Kingdom.

In December 2009, Gaga revealed that for her 2010 concerts, she planned to cancel the whole concept of the show, and start fresh.[13] She felt that the revamp of the show was needed as the original tour was constructed in a very short span of time.

"It's kind of funny because, after Kanye and I split up for this tour, I was really unsure if I could get a show together in time for my fans, [...] But I didn't want to disappoint them and not tour over Christmas, and I had a new record coming out, so ... what's exciting about this show is that I was able to put together something that, in truth, I never would have done if I had a longer amount of time. [...] [F]or the next version of the Monster Ball, which is going to be in February when I begin in the U.K. with my arena tour, I'm throwing out the stage. My team thinks I'm completely psychotic. But I don't f---ing care what they think. [...] Well, just to give you an idea, the stage is about four times the size of the one we're on now and conceptually, it's completely different. One thing that has been lost over the past 10-15 years, in pop music, is the idea of showbiz. And this is definitely going to bring that back"[13]

During an interview with London's 95.8 Capital FM radio station, Gaga further elaborated on the changes in the show. She said that the show was constructed like a musical theater. It also incorporated a number of contemporary and old musical pieces, some of them being composed specifically for the show itself. A number of surprises were mentioned by her.[14] A new keytar was constructed for the show. Known as 'Emma', the keytar was played by her at the 2010 BRIT Awards on February 16, 2010. The instrument was created by Gaga's production team Haus of Gaga and she said, "We have this new instrument that I brought to the Brits tonight, 'Emma,' which is what I was playing on the stage. She's a hybrid from all these other instruments, which is quite funny to deal with."[14] During an interview on KISS-FM with Ryan Seacrest, on his show On Air with Ryan Seacrest, Gaga explained,

"It's still called Monster Ball, but it's more of a musical and less of a concert. It has a New York theme, it's a story, and the story is that me and my friends are in New York and we're going to the Monster Ball, and we get lost."[14]

In June 2010, after the announcement of extending the tour till 2011, The Sun reported that Gaga had collaborated with corpse-preserving German scientist Gunther von Hagens, by incorporating his Body Worlds exhibition of dead people in the tour.[15] Hagens' Body World show, which has travelled the world, features dead people who have been preserved through his trademark plastination process—when bodily fluids are replaced by hardened silicone.[15] Gaga asked Hagens to design the set for her tour when it reaches Las Vegas in March 2011. According to her representative, "[Gaga] is fascinated by Gunther's work and life. He grew up in Germany, a country she loves. Gaga sees a kindred spirit and is hoping to meet him in New York. They've spoken over e-mail and it's gone well. She is keen to have some Body Worlds element in one of her shows, with Vegas being the obvious fit. It would be good to top this tour—which is already out there—with something nobody has done before, using dead bodies as part of a gig."[15]

Concert synopsis

Gaga performs "Speechless" during the piano segment of The Monster Ball Tour

The show begins with Gaga appearing behind a giant, green, laser lit video screen featuring scrim lights, in a futuristic silver jewelled jumpsuit with bulbs on it,[16] with matching eye makeup and mask, singing the song "Dance in the Dark" from The Fame Monster, while dancers dressed in white balaclavas and white jumpsuits moved around her.[17][18] The scrim resembled an electric math grid which was lifted during the performance.[19] After the song she strapped on a portable silver jewelled keyboard and started performing "Just Dance" while inside a white cube from which she emerged from the top, and the video screen came up. She was raised on a platform with a keytar over her shoulder as eight dancers in white bodysuits locked into step below her.[17][18] This was followed by a brief video intermission and Gaga returned with an elaborate off-white costume that resembled an alien ecto-skeleton. She started performing "LoveGame" which ended with Gaga pointing towards her groin.[17][18] A digital background of flames was featured with the dancers wearing skeletal headgear.[20] As she got out of her ecto-skeleton outfit, she stripped down to a silver bodysuit for another The Fame Monster song, "Alejandro", which saw her being carried by her crotch by one of her male dancers and lowered onto another male dancer.[17]

Gaga performing "Money Honey" on the tour.

The section was followed by a video interlude featuring snarling dogs and brooding ravens.[21] The performance of "Monster" began with Gaga emerging in a black feathered jacket and performing dance moves reminiscent of Michael Jackson. The backdrop featured a black bird's wings.[19] It continued with two songs from The Fame Monster: "So Happy I Could Die" and "Teeth", where she removed the feathered dress. She then started performing the song "Speechless" and continued at the piano with the acoustic version of "Poker Face"; she played the piano while balancing on her piano stool and holding one leg up in the air.[17] Rapper Kid Cudi joined her then to perform his song "Make Her Say" which contains a sample of "Poker Face". This segment was followed by the performance of "Fashion" and "The Fame", during these performances Gaga wore a gold Egyptian styled crown and matching body suit.[17] The dress was compared to the garment of a viking.[22] Gaga crawled atop her piano during the follow-up songs "The Fame" and "Money Honey".[18] Upholstered in black vinyl and nearly nude in a red patent leather bikini, she followed "Money Honey" with "Boys Boys Boys," backed by a squadron of skinny, shirtless, snake-hipped leather boys.[23] Bondage inspired black leather dress with guns hanging from it and a hat made of muzzles,[24] were worn during "Poker Face" and Gaga pumped her hands in the air while performing the song.[18] This was followed by Gaga sitting on a dentist's chair and spreading her legs during "Paper Gangsta".[17] Another video interlude followed displaying arty poses of Gaga in gothic looks.[19]

She returned on the stage while wearing multiple donned braided extensions for "Paparazzi". Gaga was perched atop a railing and from each of her braids, a dancer was attached on the stage. A backdrop of stars were shown during the performance.[12] The performance ended with Gaga faking her death. This was followed by "Eh, Eh (Nothing Else I Can Say)" which signified her rebirth as she descended from the top amidst white lights and mechanical fog.[21] She wore a giant human sized gyroscope around her, which was developed by the Haus of Gaga and was named "The Orbit".[24] The last song of the show was "Bad Romance" which she performed in an '80s-inspired white power suit with exaggerated high shoulders and highwaisted pants.[17] The show ended with a video of Gaga getting a heart-shaped tattoo on her shoulder with the word "Dad" in the center of it.[19]

Critical response

Gaga performing "Paper Gangsta" while tying her dancers to a chair.

Jane Stevenson from Toronto Sun gave the concert four out of five stars and said that "Lady Gaga came across as a confident, colourful, and campy performer. [...] Gaga's success was evident with slick-looking videos, lights, elaborate costumes, dancers, and yes, a band, even if her stage was sometimes left dark as she left to make numerous changes."[17] T'Cha Dunlevy for The Gazette noted that the performance was lacking—adding that the show never reached its peak until the end, when Gaga performed the "real rendition" of "Poker Face" and "Bad Romance." "Better late than never," Dunlevy concluded.[18] Aedan Helmer from Jam! magazine said that "At first blush, it might seem the real driving force behind Gaga's meteoric rise to fame is her hand-picked cadre of costume and set designers—dubbed Haus of Gaga—who seemingly know no bounds when it comes to pushing the envelope of haute couture and the theatre of the absurd. [...] But what really sets Gaga apart from the middling masses of lip-synching Britney clones and Idol wannabes is her pure, unadulterated musical talent. [...] The Lady can sing."[25] Theatre critic Kelly Nestruck, while writing for The Guardian, said "While The Monster Ball has nothing on the great operas or the golden age of musical theatre, Lady Gaga's 'electro-pop opera' is at least twice as entertaining and infinitely fresher than any stage musical written over the last decade."[24] Lauren Carter from Boston Herald praised the show saying "[Gaga] only has two albums under her belt but who cares? Every song feels like a hit, and Gaga-as-star is already taking on Madonna-like proportions. [...] After [the show] at the Wang Theater, fans could justifiably walk away thinking Lady Gaga is crazy, brilliant or both."[20] Jeremy Adams from Rolling Stone reviewed the performance at Wang Center in Boston and said that "Throughout the evening, Gaga [..] aimed for a kind of pop theatricality that might potentially cement her burgeoning status as performance artist."[19]

A blond woman in white pants and black bustier stands inside a number of metallic circular rings. She holds a microphone to her mouth with her left hand and her right hand makes a claw like gesture. The woman is flanked by men and women in white dress and fierce expressions with their eyes being white in color.
Gaga, surrounded by her dancers, performing the final song "Bad Romance" while standing inside a gyroscope.

Chris Johnson from Daily Mail complimented the costumes worn in the tour.[22] Aidin Vaziri of San Francisco Chronicle said that "During her 90-minute performance—not so much a live concert as a meticulously choreographed spectacle—Lady Gaga also evoked Kanye West with the futuristic set, Britney Spears in her heavy-lidded stage movements, Courtney Love with her interminable between-song monologues highlighted by four-letter squelches and—who else?—Madonna for, oh, just about everything else."[26] Jim Harrington from San Jose Mercury News felt that the show would have been better technically if around thirty minutes were lessened from it.[16] James Montogomery from MTV reviewed the concert at San Diego and said that "[Gaga] powered through and turned the San Diego Sports Arena into a raucous, delightfully raw discotheque."[21] Joe Brown from Las Vegas Sun said that "Lady Gaga out-Cher-ed Cher, made Cirque du Soleil and Britney's 'Circus Tour' look like county fair carnivals, and made New Year's Eve in Las Vegas anticlimactic."[23] Ann Powers from Los Angeles Times commented that the tour was "an invigoratingly ambitious show, executed with vigor by its star and her expressive dancers."[27] Jon Pareles from The New York Times said that the tour always provided "something worth a snapshot: a sci-fi tableau, perhaps, or a skimpy, glittery costume. The more her image gets around, the better Lady Gaga does."[28] Alexis Petridis from The Guardian reviewed the opening show of the European leg, and commented that "it takes a certain je ne sais quoi to open your show doing something that looks suspiciously like mime on a rickety metal staircase while wearing an outfit with shoulderpads the size of the deck on a small aircraft carrier."[29] Mariel Conception from Billboard reviewed the show at Madison Square Garden in New York, and said "Lady Gaga may be best known for her gaudy outfits and over-the-top stage shows, but at her hometown headlining debut at Madison Square Garden, the pop phenomenon proved she's a regular girl at heart. Although extravagant attires, fake blood and sparks-shooting bras were still front and center, Gaga also made it a priority to show her gratitude by dedicating songs to her father, her fans, her native New York City and her friends."[30]

Commercial reception

As soon as the dates for the show was announced, there was high demand for tickets. As sponsor of the North American Monster Ball Tour, Virgin Mobile customers had access to presale tickets. Bob Stohrer, VP of Marketing for Virgin Mobile USA said "We are excited to take our partnership with Lady Gaga and The Monster Ball Tour to another level. [...] We'll also build on our partnership around combating youth homelessness and continue to enhance the tour experience for fans and our customers."[31] Shows in the first leg of the tour were sold-out completely, prompting Live Nation Inc. to announce that Gaga will return to the U.S. in February 2011 for another run of U.S. dates. The 2011 dates for the North American Monster Ball Tour were announced as starting from February 19 in Atlantic City, with ten arena dates confirmed through April 18.[32] Additional shows were announced, and Semi Precious Weapons will continue on the road with Gaga until the Monster Ball ends. Live Nation Entertainment's global touring division, headed by chairman Arthur Fogel, holds the reins as promoter/producer of the Monster Ball tour.[32]

Fogel commented on Gaga's lack of experience in a tour and said that it was an opportunity for her. "As an artist with that kind of talent and vision emerges, it creates a lot of excitement, and ticket sales worldwide demonstrate that people are really excited to see the show. Over the course of the next many months we're trying to play to as many people in as many places as possible," Fogel added. "It's an across the board home run."[32] Demands increased and another additional six dates were added to the announced itinerary.[31] The Monster Ball sold out shows in Toronto, Vancouver and San Jose who were compelled to add second dates in each city. In Los Angeles, to ensure that concert goers had the best possible access to tickets, a second performance was announced prior to the onsale of the first shows, and both Staples Center concerts were completely sold out.[31] Billboard estimated that by the time the tour wraps up in 2011, it would have grossed close to $200 million worldwide.[32]

The ticket money from the final performance at Radio City, was donated for the Haiti earthquake relief. Gaga announced on the re-scheduled show at Elliott Hall of Music on January 26, 2010, that about $500,000 was collected for the relief.[33] At the 2010 Billboard Touring Awards, Gaga won the Breakthrough Performer Award, as well as the Concert Marketing & Promotion Award, the latter an acknowledgement of her partnership with Virgin Mobile.[34]

Opening acts

Setlist

Original Set list[17]
  1. "Dance in the Dark"
  2. "Just Dance"
  3. "LoveGame" (contains excepts from "LoveGame Chew Fu Ghettohouse Fix")
  4. "Alejandro"
  5. "Monster"
  6. "So Happy I Could Die"1
  7. "Teeth"
  8. "Speechless"
  9. "Poker Face" (Piano Version)
  10. "Make Her Say" (Performed with Kid Cudi)
  11. "Fashion"
  12. "The Fame"
  13. "Money Honey"
  14. "Beautiful, Dirty, Rich"
  15. "Boys Boys Boys"
  16. "Paper Gangsta"1
  17. "Poker Face"
  18. "Paparazzi"

Encore

  2. "Eh, Eh (Nothing Else I Can Say)"
  4. "Bad Romance"
Revamped Set list[39]

Act 1: City

  • Intro
  • "Dance in the Dark"
  • "Glitter and Grease"
  • "Just Dance"
  • "Beautiful, Dirty, Rich"
  • "Vanity" (selected shows)
  • "The Fame" (contains elements of "Ghost n' Stuff")

Act 2: Subway

  • "LoveGame"
  • "Boys Boys Boys"
  • "Money Honey"
  • "Telephone"
  • "Speechless"
  • "You and I" (later added)
  • "So Happy I Could Die"

Act 3: Central Park

  • "Monster"
  • "Teeth"
  • "Alejandro"
  • "Poker Face"

Act 4: Monster Ball

  • "Paparazzi"
  • "Bad Romance"

Tour dates

Date City Country Venue
North America[5][40][41][42]
November 27, 2009 Montreal Canada Bell Centre
November 28, 2009 Toronto Air Canada Centre
November 29, 2009 Ottawa Scotiabank Place
December 1, 2009 Boston United States Citi Performing Arts Center
December 2, 2009
December 3, 2009 Camden Susquehanna Bank Center
December 9, 2009 Vancouver Canada Queen Elizabeth Theatre
December 10, 2009
December 11, 2009
December 13, 2009 San Francisco United States Bill Graham Civic Auditorium
December 14, 2009
December 17, 2009 Las Vegas Pearl Concert Theater
December 18, 2009
December 19, 2009 San Diego San Diego Sports Arena
December 21, 2009 Los Angeles Nokia Theatre
December 22, 2009
December 23, 2009
December 27, 2009 New Orleans UNO Lakefront Arena
December 28, 2009 Atlanta Fox Theatre
December 29, 2009
December 31, 2009 Miami James L. Knight Center
January 2, 2010
January 3, 2010 Orlando UCF Arena
January 7, 2010 St. Louis Fox Theatre
January 8, 2010 Rosemont Rosemont Theatre
January 9, 2010
January 10, 2010
January 12, 2010 Detroit Joe Louis Arena
January 13, 2010
January 20, 2010 New York Radio City Music Hall
January 21, 2010
January 23, 2010
January 24, 2010
January 26, 2010 West Lafayette Edward C. Elliott Hall of Music
Europe[42][43]
February 18, 2010 Manchester England Manchester Evening News Arena
February 20, 2010 Dublin Ireland The O2
February 21, 2010
February 22, 2010 Belfast Northern Ireland Odyssey Arena
February 24, 2010 Liverpool England Echo Arena Liverpool
February 26, 2010 London The O2
February 27, 2010
March 1, 2010 Glasgow Scotland Scottish Exhibition and Conference Centre
March 3, 2010 Cardiff Wales Cardiff International Arena
March 4, 2010 Newcastle England Metro Radio Arena
March 5, 2010 Birmingham LG Arena
Oceania[42][44]
March 13, 2010 Auckland New Zealand Vector Arena
March 14, 2010
March 17, 2010 Sydney Australia Sydney Entertainment Centre
March 18, 2010
March 20, 2010 Newcastle Newcastle Entertainment Centre
March 23, 2010 Melbourne Rod Laver Arena
March 24, 2010
March 26, 2010 Brisbane Brisbane Entertainment Centre
March 27, 2010
March 29, 2010 Canberra AIS Arena
April 1, 2010 Perth Burswood Dome
April 3, 2010 Adelaide Adelaide Entertainment Centre
April 5, 2010 Wollongong WIN Entertainment Centre
April 7, 2010 Sydney Sydney Entertainment Centre
April 9, 2010 Melbourne Rod Laver Arena
Asia[42][45]
April 14, 2010 Kobe Japan Kobe World Kinen Hall
April 15, 2010
April 17, 2010 Yokohama Yokohama Arena
April 18, 2010
Europe[42][46]
May 7, 2010 Stockholm Sweden Ericsson Globe
May 8, 2010
May 10, 2010 Hamburg Germany O2 World Hamburg
May 11, 2010 Berlin O2 World
May 15, 2010 Arnhem Netherlands GelreDome XS
May 17, 2010 Antwerp Belgium Sportpaleis
May 18, 2010
May 21, 2010 Paris France Palais Omnisports de Paris-Bercy
May 22, 2010
May 24, 2010 Oberhausen Germany König Pilsener Arena
May 25, 2010 Strasbourg France Zénith de Strasbourg
May 27, 2010 Nottingham England Trent FM Arena Nottingham
May 28, 2010 Birmingham LG Arena
May 30, 2010 London The O2
May 31, 2010
June 2, 2010 Manchester Manchester Evening News Arena
June 3, 2010
June 4, 2010 Sheffield Sheffield Arena
North America[31][42][47][48][49]
June 28, 2010 Montreal Canada Bell Centre
July 1, 2010 Boston United States TD Garden
July 2, 2010
July 4, 2010 Atlantic City Boardwalk Hall
July 6, 2010 New York City Madison Square Garden
July 7, 2010
July 9, 2010
July 11, 2010 Toronto Canada Air Canada Centre
July 12, 2010
July 14, 2010 Cleveland United States Quicken Loans Arena
July 15, 2010 Indianapolis Conseco Fieldhouse
July 17, 2010 St. Louis Scottrade Center
July 20, 2010 Oklahoma City Ford Center
July 22, 2010 Dallas American Airlines Center
July 23, 2010
July 25, 2010 Houston Toyota Center
July 26, 2010
July 28, 2010 Denver Pepsi Center
July 31, 2010 Phoenix US Airways Center
August 3, 2010 Kansas City Sprint Center
August 6, 2010[A] Chicago Grant Park
August 11, 2010 Los Angeles Staples Center
August 12, 2010
August 13, 2010 Las Vegas MGM Grand Garden Arena
August 16, 2010 San Jose HP Pavilion
August 17, 2010
August 19, 2010 Portland Rose Garden Theatre
August 21, 2010 Tacoma Tacoma Dome
August 23, 2010 Vancouver Canada General Motors Place
August 24, 2010
August 26, 2010 Edmonton Rexall Place
August 27, 2010
August 30, 2010 Saint Paul United States Xcel Energy Center
August 31, 2010
September 2, 2010 Milwaukee Bradley Center
September 4, 2010 Detroit The Palace of Auburn Hills
September 5, 2010 Pittsburgh Consol Energy Center
September 7, 2010 Washington, D.C. Verizon Center
September 8, 2010 Charlottesville John Paul Jones Arena
September 14, 2010 Philadelphia Wells Fargo Center
September 15, 2010
September 16, 2010 Hartford XL Center
September 18, 2010 Charlotte Time Warner Cable Arena
September 19, 2010 Raleigh RBC Center
Europe[42][50][51]
October 13, 2010 Helsinki Finland Hartwall Areena
October 14, 2010
October 16, 2010 Oslo Norway Oslo Spektrum
October 17, 2010
October 20, 2010 Herning Denmark Jyske Bank Boxen
October 26, 2010 Dublin Ireland The O2
October 27, 2010
October 29, 2010
October 30, 2010 Belfast Northern Ireland Odyssey Arena
November 1, 2010
November 2, 2010
November 5, 2010 Zagreb Croatia Arena Zagreb
November 7, 2010 Budapest Hungary Budapest Sports Arena
November 9, 2010 Turin Italy Torino Palasport Olimpico
November 11, 2010 Vienna Austria Wiener Stadthalle
November 14, 2010 Zürich Switzerland Hallenstadion
November 15, 2010
November 17, 2010 Prague Czech Republic O2 Arena
November 19, 2010 Malmö Sweden Malmö Arena
November 22, 2010 Antwerp Belgium Sportpaleis
November 23, 2010
November 26, 2010 Gdańsk Poland Ergo Arena
November 29, 2010 Rotterdam Netherlands The Ahoy
November 30, 2010
December 2, 2010 Lyon France Halle Tony Garnier
December 4, 2010 Milan Italy Mediolanum Forum
December 5, 2010
December 7, 2010 Barcelona Spain Palau Sant Jordi
December 10, 2010 Lisbon Portugal Pavilhão Atlântico
December 12, 2010 Madrid Spain Palacio de Deportes
December 16, 2010 London England The O2
December 17, 2010
December 19, 2010 Paris France Palais Omnisports de Paris-Bercy
December 20, 2010
North America[42][51][52][53][54][55]
February 19, 2011 Atlantic City United States Boardwalk Hall
February 21, 2011 New York City Madison Square Garden
February 22, 2011
February 24, 2011 Washington, D.C. Verizon Center
February 26, 2011 Pittsburgh Consol Energy Center
February 28, 2011 Chicago United Center
March 1, 2011 Grand Rapids Van Andel Arena
March 3, 2011 Toronto Canada Air Canada Centre
March 4, 2011 Buffalo United States HSBC Arena
March 6, 2011 Ottawa Canada Scotiabank Place
March 8, 2011 Boston United States TD Garden
March 10, 2011 Columbus Schottenstein Center
March 12, 2011 Louisville KFC Yum! Center
March 14, 2011 Dallas American Airlines Center
March 15, 2011 San Antonio AT&T Center
March 17, 2011 Omaha Qwest Center Omaha
March 19, 2011 Salt Lake City EnergySolutions Arena
March 22, 2011 Oakland Oracle Arena
March 23, 2011 Sacramento ARCO Arena
March 25, 2011 Las Vegas MGM Grand Garden Arena
March 26, 2011 Phoenix US Airways Center
March 28, 2011 Los Angeles Staples Center
March 29, 2011 San Diego Viejas Arena
March 31, 2011 Anaheim Honda Center
April 4, 2011 Tulsa BOK Center
April 6, 2011 Austin Frank Erwin Center
April 8, 2011 Houston Toyota Center
April 9, 2011 New Orleans New Orleans Arena
April 12, 2011 Sunrise BankAtlantic Center
April 13, 2011 Miami American Airlines Arena
April 15, 2011 Orlando Amway Center
April 16, 2011 Tampa St. Pete Times Forum
April 18, 2011 Duluth Arena at Gwinnett Center
April 19, 2011 Nashville Bridgestone Arena
April 22, 2011 Newark Prudential Center
April 23, 2011 Uniondale Nassau Veterans Memorial Coliseum
April 25, 2011 Montreal Canada Bell Centre
April 27, 2011 Cleveland United States Quicken Loans Arena
May 3, 2011 Zapopan Mexico Estadio Tres de Marzo
May 5, 2011 Mexico City Foro Sol
May 6, 2011

Box office score data

Venue City Tickets Sold / Available Gross Revenue
Bell Centre Montreal 23,868 / 28,049 (85%) $2,250,870[56][57]
Air Canada Centre Toronto 12,265 / 12,265 (100%) $619,497[58]
Scotiabank Place Ottawa 7,645 / 7,645 (100%) $375,875[58]
Wang Center Boston 7,056 / 7,056 (100%) $385,924[59]
Susquehanna Bank Center Camden 7,143 / 7,143 (100%) $291,295[59]
Queen Elizabeth Theatre Vancouver 8,220 / 8,220 (100%) $479,149[60]
Bill Graham Civic Auditorium San Francisco 17,000 / 17,000 (100%) $840,960[61]
Nokia Theatre L.A. Live Los Angeles 20,559 / 20,559 (100%) $944,680[62]
Fox Theatre Atlanta 8,897 / 8,897 (100%) $489,849[62]
James L. Knight Center Miami 9,365 / 9,365 (100%) $445,933[63]
UCF Arena Orlando 6,753 / 6,785 (99%) $283,886[64]
Rosemont Theatre Rosemont 12,712 / 13,032 (97%) $610,177[65]
Joe Louis Arena Detroit 16,084 / 16,648 (97%) $750,090[66]
Radio City Music Hall New York 23,684 / 23,684 (100%) $1,360,515[67]
Edward C. Elliott Hall of Music West Lafayette 5,765 / 5,765 (100%) $198,893[68]
Manchester Evening News Arena Manchester 40,327 / 40,472 (~100%) $3,007,033[69]
The O2 Dublin 62,985 / 62,985 (100%) $1,225,970[70]
Odyssey Arena Belfast 10,038 / 10,038 (100%) $426,986[70]
The O2 London 67,795 / 67,812 (99%) $4,618,330[71][72]
Vector Arena Auckland 23,084 / 23,936 (96%) $1,056,840[69]
Sydney Entertainment Centre Sydney 35,460 / 35,460 (100%) $2,533,140[73]
Newcastle Entertainment Centre Newcastle 7,182 / 7,225 (99%) $527,770[66]
Rod Laver Arena Melbourne 39,299 / 39,299 (100%) $2,679,010[74]
AIS Arena Canberra 4,990 / 5,058 (99%) $328,569[69]
Burswood Dome Perth 18,383 / 22,891 (80%) $1,746,560[69]
Adelaide Entertainment Centre Adelaide 9,186 / 9,791 (94%) $629,515[69]
WIN Entertainment Centre Wollongong 5,183 / 5,746 (90%) $349,420[69]
Brisbane Entertainment Centre Brisbane 25,222 / 25,476 (99%) $2,065,210[73]
O2 World Hamburg Hamburg 7,010 / 10,500 (67%) $600,688[72]
Sportpaleis Antwerp 31,818 / 31,818 (100%) $2,483,340[75]
Palais Omnisports de Paris-Bercy Paris 31,474 / 31,552 (~100%) $2,763,340[76]
Boardwalk Hall Atlantic City 13,335 / 13,335 (100%) $1,824,963[77]
Madison Square Garden New York City 45,461 / 45,461 (100%) $5,083,454[69]
American Airlines Center Dallas 25,955 / 28,073 (93%) $2,965,424[78]
Staples Center Los Angeles 29,211 / 29,593 (99%) $3,532,782[79]
Rose Garden Portland 13,149 / 13,149 (100%) $1,386,255[69]
Rexall Place Edmonton 28,282 / 28,282 (100%) $2,794,870[80]
Verizon Center Washington, D.C. 14,528 / 14,528 (100%) $1,564,825[75]
TOTAL 742,763 / 757,621 (98%) $56,524,917

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