Claude Balbastre: Difference between revisions
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==Life== |
==Life== |
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Claude Balbastre was born in Dijon in 1724. Although his exact birthdate was disputed, discovery of his baptismal record has now made that date, December 8, certain.<ref>[http://www.musimem.com |
Claude Balbastre was born in Dijon in 1724. Although his exact birthdate was disputed, discovery of his baptismal record has now made that date, December 8, certain.<ref>[http://www.musimem.com/balbastre-bio.htm Baptismal record of Claude Balbastre]</ref> |
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Balbastre's father, a church organist in Dijon, had 18 children from two marriages; Claude was the 16th. Three of his brothers were also named Claude. He received his first music lessons from his father, then became a pupil of [[Claude Rameau]], the younger brother of [[Jean-Philippe Rameau]], the most famous French musician at the time and also a native of Dijon. |
Balbastre's father, a church organist in Dijon, had 18 children from two marriages; Claude was the 16th. Three of his brothers were also named Claude. He received his first music lessons from his father, then became a pupil of [[Claude Rameau]], the younger brother of [[Jean-Philippe Rameau]], the most famous French musician at the time and also a native of Dijon. |
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Revision as of 14:35, 12 December 2010
Claude Balbastre (December 8, 1724 – May 9, 1799) was a French composer, organist and harpsichordist. He was one of the most famous musicians of his time.
Life
Claude Balbastre was born in Dijon in 1724. Although his exact birthdate was disputed, discovery of his baptismal record has now made that date, December 8, certain.[1]
Balbastre's father, a church organist in Dijon, had 18 children from two marriages; Claude was the 16th. Three of his brothers were also named Claude. He received his first music lessons from his father, then became a pupil of Claude Rameau, the younger brother of Jean-Philippe Rameau, the most famous French musician at the time and also a native of Dijon.
Balbastre settled in Paris in 1750 and studied there with Pierre Février, whom he succeeded as organist of the Saint Roch church. Jean-Philippe Rameau helped and protected Claude when he settled in the city, so Balbastre was quickly and efficiently introduced to the Parisian musical circles and high society, and made a brilliant career: he played at the Concert Spirituel until 1782[2], became organist of the Notre-Dame cathedral and of the Chapelle Royale, became harpsichordist to the French royal court where he taught queen Marie-Antoinette, and became organist for Louis-Stanislas-Xavier, Count of Provence, who later became Louis XVIII, King of France. Balbastre fame was so great that the archbishop of Paris had to forbid him to play at Saint Roch during some of the services, because the churches were always crowded when Balbastre played.
An account of one of these services at Saint Roch is provided by Dr Charles Burney who recounts that, on Sunday 17 June 1770, left a dinner early in order to hear the "celebrated" Balbastre play the organ at Saint Roch. Balbastre "performed in all styles in accompanying the choir. When the Magnificat was sung, he played likewise between each verse several minuets, fugues, imitations, and every species of music, even to hunting pieces and jigs, without surprising or offending the congregation, as far as I was able to discover."[3]
Burney visited Balbastre at home and reported that the latter owned a very beautiful harpsichord by Ruckers : "After church M. Balbastre invited me to his house, to see a fine Rucker harpsichord which he has had painted inside and out with as much delicacy as the finest coach or even snuff-box I ever saw at Paris." He also reported that he owned a "very large organ, with pedals, which it may be necessary for a French organist to have for practice; it is too large and coarse for a chamber, and the keys are as noisy as those at St. Roque (sic)." Burney reports that Balbastre was on very good terms with his fellow composer Armand-Louis Couperin, to whom he introduced Burney, remarking "I was glad to see two eminent men of the same profession, so candid and friendly together."[4]
In 1763, he married Marie-Geneviève Hotteterre, daughter of Jacques Martin Hotteterre and descendant of the famous family of Norman musicians. During the French Revolution, Balbastre's connection with nobility and the royal court might have endangered his life, but adapted to the new politital situation, playing the Revolution hymns and songs on his organ. He did lose his official jobs and, temporarily, his pension. He died in Paris in 1799.
Works
Balbastre's known compositions include the following:
- 14 organ concertos (all lost but one)
- quartet sonatas
- two collections of harpsichord pieces (from 1748 and 1759)
- four noëls variés suites for the organ or fortepiano (1770).
- variations on La Marseillaise: Marche des Marseillois et l’Air Ça-ira Arrangés pour le Forte Piano / Par le Citoyen C. Balbastre / Aux braves défenseurs de la République française l’an 1792 1er de la République
Media
Records
BALBASTRE: Premier Livre de Pieces de Clavecin (1759) - Jean-Patrice BROSSE, clavecin Kroll 1774; (label: Pierre Verany) [1999]
See also
Listen to Petite chasse
References
 | Constructs such as ibid., loc. cit. and idem are discouraged by Wikipedia's style guide for footnotes, as they are easily broken. Please improve this article by replacing them with named references (quick guide), or an abbreviated title. (May 2010) |
- ^ Baptismal record of Claude Balbastre
- ^ Sadie, S.(ed), The Norton/Grove Concise Encyclopaedia of Music, Norton, 1994, p.54
- ^ Preface to Curtis (ed.), CB Balbastre : Pièces de Clavecin d'Orgue, de Forte Piano, Huegel, 1973, p. VIII
- ^ Ibid.