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'''Maxwell Robert Guthrie Stewart ('Max') Stafford-Clark''' (born 1941) is an [[England|English]] Theatre Director. |
'''Maxwell Robert Guthrie Stewart ('Max') Stafford-Clark''' (born 1941) is an [[England|English]] Theatre Director. |
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Revision as of 12:00, 16 January 2011
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Maxwell Robert Guthrie Stewart ('Max') Stafford-Clark (born 1941) is an English Theatre Director.
Life and career
He went to school at Felsted and Riverdale Country School in New York City. He has worked as a theatre director since he left Trinity College, Dublin.
His directing career began as associate director of the Traverse Theatre, Edinburgh, in 1966, becoming artistic director there during 1968–70. He was director of the Traverse Theatre Workshop Company from 1970 to 1974.
He co-founded the Joint Stock Theatre Company in 1974. Joint Stock worked with writers using company research to inspire workshops. From these workshops writers such as David Hare, Howard Brenton and Caryl Churchill would garner material to inspire a writing phase before rehearsals began. This methodology is sometimes referred to as The Joint Stock Method. Productions during this period included Hare's Fanshen (1975), Brenton's Epsom Downs and Churchill's Cloud Nine (1979) which Stafford-Clark directed, as well as The Speakers, which was the first promenade production in England.[1]
From 1979 to 1993 he was Artistic Director of the Royal Court Theatre. He was the Court's longest serving Artistic Director. In a difficult period for new writing, he helped nurture a new group of emerging playwrights such as Andrea Dunbar, Hanif Kureishi, Sarah Daniels and Jim Cartwright. During this time among the theatre's productions were Victory by Howard Barker, Insignificance by Terry Johnson, Our Country's Good by Timberlake Wertenbaker and Rat in the Skull by Ron Hutchinson. Perhaps the most important commission and production of this era was Top Girls by Caryl Churchill (1982)
Academic credits include an honorary doctorate from Oxford Brookes University and Professorships at the University of Warwick and the University of Hertfordshire.
Out of Joint
In 1993 he founded the touring company with producer Sonia Friedman, Out of Joint. Recent productions include:
- 2000 A State Affair by Robin Soans (Out of Joint/Soho Theatre)
- 2000 Rita, Sue and Bob Too by Andrea Dunbar (Out of Joint/Soho Theatre)
- 2001 Feelgood by Alistair Beaton (Out of Joint, Hampstead Theatre and the Garrick Theatre)
- 2001 Sliding with Suzanne by Judy Upton (Out of Joint/The Royal Court)
- 2002 Hinterland by Sebastian Barry (Out of Joint/The National Theatre)
- 2002 A Laughing Matter by April De Angelis (Out of Joint/The National Theatre)
- 2002 She Stoops to Conquer by Oliver Goldsmith (Out of Joint/The National Theatre)
- 2003 The Breath of Life by David Hare (Sydney Theatre Company)
- 2003 Duck by Stella Feehily (Out of Joint/Royal Court)
- 2003 The Permanent Way by David Hare (Out of Joint/The National Theatre)
- 2004 Macbeth by William Shakespeare (Out of Joint)
- 2005 Talking to Terrorists by Robin Soans (Out of Joint/Royal Court)
- 2006 The Overwhelming by JT Rogers (Out of Joint/The National Theatre)
- 2007 King of Hearts by Alistair Beaton (Out of Joint, Hampstead Theatre)
- 2008 "The Convicts Opera" - Stephen Jeffreys - Based On The Beggars Opera
- 2009 'Dreams of Violence' by Stella Feehily - (Out of Joint/Soho Theatre)
- 2009 'Mixed Up North' by Robin Soans - (Out of Joint/Octagon Theatre Bolton)
- 2010 'Andersen's English' by Sebastian Barry (Out of Joint/Hampstead Theatre
- 2010 'The Big Fellah' by Richard Bean (Out of Joint/Lyric Hammersmith)
- 2011 'A Dish of Tea with Dr Johnson' adapted by Russell Barr, Ian Redford & Max Stafford-Clark from James Boswell.
Personal life
In 2006, Stafford-Clark suffered a stroke. He has since returned to work, and directed the production of The Overwhelming on Broadway in October 2007, as well as continuing to direct for Out of Joint. In August 2010 he married the playwright Stella Feehily. He has one daughter, Kitty Stafford-Clark.
Bibliography
- Ritchie, R. (1987), The Joint Stock Book, London: Methuen ISBN 0-413-41030-7
- Stafford-Clark, M. (1997), Letters to George: The Account of a Rehearsal, London: Nick Hern Books ISBN 1-854-59317-X
- Stafford-Clark, M. and Roberts, P. (2007), Taking Stock: The Theatre of Max Stafford-Clark, London: Nick Hern Books ISBN 1-854-59840-6
- Stafford-Clark, M. with McKeown, M. (2010), Our Country's Good: Page to Stage, London: Nick Hern Books ISBN 978-1-84842-043-4
References
- ^ Philip Roberts and Max Stafford-Clark, Taking Stock: the Theatre of Max Stafford-Clark, 2007