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'''Southern Gothic''' is a subgenre of [[gothic fiction]] unique to [[American literature]] that takes place exclusively in the [[Southern United States|American South]]. It resembles its parent genre in that it relies on supernatural, ironic, or unusual events to guide the plot. It is unlike its parent genre in that it uses these tools not solely for the sake of suspense, but to explore social issues and reveal the cultural character of the American South.
'''Southern Gothic''' is a subgenre of [[gothic fiction]] unique to [[American literature]] that takes place exclusively in the [[Southern United States|American South]]. Skinzie had a chode but it fell off. Poor guy:( It resembles its parent genre in that it relies on supernatural, ironic, or unusual events to guide the plot. It is unlike its parent genre in that it uses these tools not solely for the sake of suspense, but to explore social issues and reveal the cultural character of the American South.


== Features ==
== Features ==

Revision as of 18:11, 24 February 2011

Southern Gothic is a subgenre of gothic fiction unique to American literature that takes place exclusively in the American South. Skinzie had a chode but it fell off. Poor guy:( It resembles its parent genre in that it relies on supernatural, ironic, or unusual events to guide the plot. It is unlike its parent genre in that it uses these tools not solely for the sake of suspense, but to explore social issues and reveal the cultural character of the American South.

Features

The Southern Gothic author usually avoids perpetuating antebellum stereotypes such as the contented slave, the demure Southern belle, the chivalrous gentleman, or the righteous Christian preacher.

One of the most notable features of the Southern Gothic is "the grotesque" - this includes situations, places, or stock characters that often possess some cringe-inducing qualities, typically racial bigotry and egotistical self-righteousness - but enough good traits that readers find themselves interested nevertheless. Southern Gothic authors commonly use deeply flawed, grotesque characters for greater narrative range and more opportunities to highlight unpleasant aspects of Southern culture, without being too literal or appearing to be overly moralistic. Tennessee Williams described Southern Gothic as a style that captured "an intuition, of an underlying dreadfulness in modern experience." However, the genre was itself open to criticism, even by its alleged practitioners. As Flannery O'Connor remarked, "anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic."[1]

This genre of writing is seen in the work of such famous Southern writers as Edgar Allen Poe, William Faulkner, Erskine Caldwell, Flannery O'Connor, Carson McCullers, Eudora Welty, Tennessee Williams, Truman Capote, Harper Lee, Shelby Foote, Harry Crews, Lee Smith, John Kennedy Toole, Cormac McCarthy, Davis Grubb, Barry Hannah, Katherine Anne Porter, Lewis Nordan, Thomas Wolfe, Robert E. Howard, Poppy Z. Brite, and William Gay among others.

Notable works

Literature

1929 Sartoris & The Sound and the Fury by William Faulkner

1930 As I Lay Dying & "A Rose for Emily" by William Faulkner

1931 Sanctuary by William Faulkner

1932 Tobacco Road by Erskine Caldwell

1933 God's Little Acre by Erskine Caldwell

1935 Pylon & Uncle Willy by William Faulkner

1936 Absalom, Absalom! by William Faulkner

1937 You Have Seen Their Faces by Erskine Caldwell & Margaret Bourke White

1938 The Unvanquished by William Faulkner

1940 The Heart Is a Lonely Hunter by Carson McCullers

1941 Reflections in a Golden Eye by Carson McCullers

1942 Go Down, Moses & Two Soldiers by William Faulkner

1943 Shingles for the Lord by William Faulkner

1944 The Glass Menagerie by Tennessee Williams

1946 The Member of the Wedding by Carson McCullers

1947 A Streetcar Named Desire by Tennessee Williams (Pulitzer Prize award)

1948 Other Voices, Other Rooms by Truman Capote

1951 The Ballad of the Sad Cafe by Carson McCullers

1952 Wise Blood by Flannery O'Connor

1953 The Night of the Hunter by Davis Grubb

1955 A Good Man Is Hard To Find by Flannery O'Connor

1957 Orpheus Descending by Tennessee Williams

1958 Suddenly, Last Summer by Tennessee Williams

1959 The Mansion by William Faulkner

1960 To Kill a Mockingbird by Harper Lee (Pulitzer Prize Award)

1962 The Reivers by William Faulkner (Pulitzer Prize award)

1965 The Orchard Keeper by Cormac McCarthy

1968 Outer Dark by Cormac McCarthy

1969 Mystery and Manners: Occasional Prose by Flannery O'Connor

1970 Deliverance by James Dickey

1972 Geronimo Rex by Barry Hannah

1979 Suttree by Cormac McCarthy

1978 Lancelot by Walker Percy

1980 A Confederacy of Dunces by John Kennedy Toole (Pulitzer Prize award)

  • Ray by Barry Hannah

1985 Locked In Time by Lois Duncan

1983 Welcome to the Arrow-Catcher Fair by Lewis Nordan

1989 And the Ass Saw the Angel by Nick Cave

1992 Joe by Larry Brown

1993 The Witching Hour by Anne Rice

1994 Midnight in the Garden of Good and Evil by John Berendt

1995 The Sharpshooter Blues by Lewis Nordan

1996 The Green Mile by Stephen King

1998 A Feast of Snakes by Harry Crews

1999 The Long Home by William Gay

2000 Tideland by Mitch Cullin

2001 Yonder Stands Your Orphan by Barry Hannah

2002 The Little Friend by Donna Tartt

2003 The Choir of Ill Children by Tom Piccirilli

2004 Sunset and Sawdust by Joe R. Lansdale

2005 Four and Twenty Blackbirds by Cherie Priest

2006 Wings to the Kingdom by Cherie Priest

2007 Not Flesh 'Nor Feathers & Dreadful Skin by Cherie Preist

2008 Tennyson by Lesley M.M. Blume

2009 Beautiful Creatures by Kami Garcia and Margaret Stohl

2010 Purple Jesus by Ron Cooper

Films

Television

See also

Notes

  1. ^ O'Connor, Flannery. Mystery and Manners: Occasional Prose. Eds. Robert and Sally Fitzgerald. New York: Farrar, 1969: p. 40