Jump to content

Claes Oldenburg: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
m Reverted edits by 78.150.242.238 (talk) to last version by Ravendrop
Line 18: Line 18:
'''Claes Oldenburg''' (born January 28, 1929) is a [[Sweden|Swedish]] [[sculpture|sculptor]], best known for his [[public art]] installations typically featuring very large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects.
'''Claes Oldenburg''' (born January 28, 1929) is a [[Sweden|Swedish]] [[sculpture|sculptor]], best known for his [[public art]] installations typically featuring very large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects.


==Biography==
==Biography== Life Story
Claes Oldenburg was born in [[Stockholm]], [[Sweden]], the son of a Swedish diplomat stationed in New York. In 1936 his father was transferred to [[Chicago]] where Oldenburg grew up, attending the [[Latin School of Chicago]]. He studied at [[Yale University]] from 1946 to 1950, then returned to Chicago where he took classes at [[The School of the Art Institute of Chicago]].
Claes Oldenburg was born in [[Stockholm]], [[Sweden]], the son of a Swedish diplomat stationed in New York. In 1936 his father was transferred to [[Chicago]] where Oldenburg grew up, attending the [[Latin School of Chicago]]. He studied at [[Yale University]] from 1946 to 1950, then returned to Chicago where he took classes at [[The School of the Art Institute of Chicago]].
While further developing his craft, he worked as a reporter at the [[City News Bureau of Chicago]]. He also opened his own studio and, in 1953, became a [[naturalized citizen]] of the United States. His first recorded sales of artworks were at the [[57th Street Art Fair]] in Chicago, where he sold 5 items for a total price of $25.<ref>David McCracken, "The Art Fair That's Been In the Picture the Longest", [[Chicago Tribune]], June 5th, 1987, page 3</ref> He moved back to [[New York City]] in 1956. There he met a number of artists, including [[Jim Dine]], [[Red Grooms]], and [[Allan Kaprow]], whose [[Happening]]s incorporated theatrical aspects and provided an alternative to the [[abstract expressionism]] that had come to dominate much of the art scene.
While further developing his craft, he worked as a reporter at the [[City News Bureau of Chicago]]. He also opened his own studio and, in 1953, became a [[naturalized citizen]] of the United States. His first recorded sales of artworks were at the [[57th Street Art Fair]] in Chicago, where he sold 5 items for a total price of $25.<ref>David McCracken, "The Art Fair That's Been In the Picture the Longest", [[Chicago Tribune]], June 5th, 1987, page 3</ref> He moved back to [[New York City]] in 1956. There he met a number of artists, including [[Jim Dine]], [[Red Grooms]], and [[Allan Kaprow]], whose [[Happening]]s incorporated theatrical aspects and provided an alternative to the [[abstract expressionism]] that had come to dominate much of the art scene.

Revision as of 20:39, 15 March 2011

Claes Oldenburg
Born
Claes Oldenburg
NationalitySwedish-American
EducationLatin School of Chicago,
Art Institute of Chicago,
Yale University
Known forSculpture, Public Art
MovementPop Art

Claes Oldenburg (born January 28, 1929) is a Swedish sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects.

==Biography== Life Story Claes Oldenburg was born in Stockholm, Sweden, the son of a Swedish diplomat stationed in New York. In 1936 his father was transferred to Chicago where Oldenburg grew up, attending the Latin School of Chicago. He studied at Yale University from 1946 to 1950, then returned to Chicago where he took classes at The School of the Art Institute of Chicago. While further developing his craft, he worked as a reporter at the City News Bureau of Chicago. He also opened his own studio and, in 1953, became a naturalized citizen of the United States. His first recorded sales of artworks were at the 57th Street Art Fair in Chicago, where he sold 5 items for a total price of $25.[1] He moved back to New York City in 1956. There he met a number of artists, including Jim Dine, Red Grooms, and Allan Kaprow, whose Happenings incorporated theatrical aspects and provided an alternative to the abstract expressionism that had come to dominate much of the art scene.

The most memorable aspects of Oldenburg's works are perhaps, the colossal sculptures that he has made in partnership with his late wife, Coosje van Bruggen. Sculptures, though quite large, often have interactive capabilities. One such interactive early sculpture was a soft sculpture of a tube of lipstick which would deflate unless a participant re-pumped air into it. In 1974, this sculpture, Lipstick (Ascending) on Caterpillar Tracks, was redesigned in a sturdier aluminum form, the giant lipstick being placed vertically atop tank treads. Originally installed in Beinecke Plaza at Yale, it now resides in the Morse College courtyard.

Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. In the 1960s he became associated with the Pop Art movement and created many so-called happenings, which were performance art related productions of that time. The name he gave to his own productions was "Ray Gun Theater". His first wife -(1960–1970) Pat Muschinski who sewed many of his early soft sculptures, was a constant performer in his happenings. This brash, often humorous approach to art, was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. But Oldenburg's spirited art found first a niche then a great popularity that endures to this day.

Between 1969 and 1977, Oldenburg was in a relationship with the feminist artist and sculptor, Hannah Wilke, who died in 1993.[2] They shared several studios and traveled together, and Wilke often photographed him.

Oldenburg's collaboration with Dutch/American writer and art historian Coosje van Bruggen dates from 1976. They were married in 1977. In 1988, he and van Bruggen created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city.

In addition to freestanding projects, they occasionally contribute to architectural projects, most notably the former Chiat/Day advertising agency headquarters designed by Frank O. Gehry in the Venice district of Los Angeles, California—the main entrance is a pair of giant binoculars. The advertising agency DDB is the current tenant.

Another well known construction is the Free Stamp in downtown Cleveland, Ohio. This Free Stamp has an energetic cult following.

In 2000, he was awarded the National Medal of Arts.[3]

In 2001, Oldenburg and van Bruggen created 'Dropped Cone', a huge inverted ice cream cone, on top of a shopping center in Cologne, Germany.[4]

His wife died on January 10, 2009 from the effects of breast cancer.

Claes Oldenburg supposedly has a work of art on the moon in the Moon Museum.

Claes Oldenburg is represented by The Pace Gallery in New York.

Books

  • Busch, Julia M., A Decade of Sculpture: the New Media in the 1960s (The Art Alliance Press: Philadelphia; Associated University Presses: London, 1974) ISBN 0-87982-007-1
  • Axsom, Richard H., Printed Stuff: Prints, Poster, and Ephemera by Claes Oldenburg A Catalogue Raisonne 1958–1996 (Hudson Hills Press: 1997) ISBN 1-555951-23-6
  • Oldenburg, Claes Raw Notes: Documents and Scripts of the Performances: Stars, Moveyhouse, Massage, The Typewriter, with annotations by the author. (The Press of the Nova Scotia College of Art and Design: Halifax, 2005) ISBN 0-919616-43-7
  • Gianelli, Ida and Beccaria, Marcella (editors) Claes Oldenburg Coosje van Bruggen: Sculpture by the Way Fundació Joan Miró 2007
  • Valentin, Eric, Claes Oldenburg, Coosje van Bruggen. Le grotesque contre le sacré, Paris, collection Art et artistes, Gallimard, 2009. ISBN 978-2-07-078627-5

References

  1. ^ David McCracken, "The Art Fair That's Been In the Picture the Longest", Chicago Tribune, June 5th, 1987, page 3
  2. ^ Nancy Princenthal, Hannah Wilke, Prestel Publishing, New York
  3. ^ Lifetime Honors – National Medal of Arts
  4. ^ http://www.oldenburgvanbruggen.com/largescaleprojects/droppedcone.htm Dropped Cone
Wikimedia Commons has media related to Claes Oldenburg.

Template:Persondata

Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Claes_Oldenburg&oldid=419010809"