Shelly Blake-Plock: Difference between revisions

Content deleted Content added

Inline

Revision as of 04:48, 16 March 2011

Shelly Blake-Plock (born 8 October 1974 in Baltimore, Maryland), is an American musician, writer, teacher, and filmmaker.

Writing

Since 2009, Shelly Blake-Plock has written a semi-daily blog called TeachPaperless. His writing concerns experimental education, paperless classrooms, and social media in education. His work in education has been featured in many media outlets including Education Week, ASCD, Converge, KQED, and the New York Times.

Previously, Shelly Blake-Plock wrote about culture and food for the Baltimore City Paper as well as a blog called Let the Sky Rain Potatoes. Much of his food-related writing deals with vegetarianism.

Music

Blake-Plock’s early musical work included elements of folk and blues as well as free improvisation and unorthodox recording techniques.^[1] His early work consisted “almost entirely of rudimentary home recordings of songs committed to tape as they were being written, never to be refined or recast. Partially inspired by the field recordings of Alan Lomax, Blake [used] a one-take method to get back to the essence, as he sees it, of folk music, which once hinged on a much closer relationship between audiences and those who made it. In this light, his works-in-progress can be seen as a rather unpretentious attempt to rehumanize (and even bring the 'folk' back into) folk music." ^[2]

Around 2004, Blake-Plock’s work took on a more wholly improvised quality seemingly inspired both by European Free Improvisation as well as American noise and performance art. Blake-Plock’s 2007 album The Violencestring is a musical narrative consisting almost entirely of free improvised music and studio manipulation.^[3]

In 2006, Blake-Plock and double-bassist Joel Grip performed as a duo live for 48 continuous hours. The performance was a benefit for Public Health Music, a non-profit organization; Blake-Plock is an official partner of the organization.^[4]

Since 2008, Shelly Blake-Plock has been a member of the Red Room Collective and is on the board of the High Zero Foundation.

Discography

The Lonely Ornamental Music of Shelly Blake - Shelly Blake (1995)
Color Notation on the Sociopathway - Shelly Blake (1996)
Secret Breathing Lessons - Shelly Blake (1996)
Folk Blues and Things to Use - Shelly Blake (2000)
When I Found Out I Had ESP EP - Shelly Blake (2001)
Novel Great Americans - Shelly Blake (2002)
Nights of Revolution - Shelly Blake (2003)
Vol I - Shelly Blake (2004)
Apache, What Apocrypha Have You? - Shelly Blake, Joel Grip, and Devin Gray (2004)
Tumbling Traces Scholastic Anomie EP - Shelly Blake, Private Eleanor, and Lawrence Lanahan (2005)
What a Queer Thing, Democracy - Shelly Blake (2005)
Discourse and Correspondence - Shelly Blake (2006)
Drug Warriors - Shelly Blake (2007)
The Violencestring - Shelly Blake-Plock (2007)

Musical Collaborations

Rather than maintain a regular band, Shelly Blake-Plock has usually collaborated with various musicians in ad hoc ensembles on recording and live projects.

Apache, What Apocrypha Have You a limited edition released in 2004, contained live collaborations with Joel Grip and Devin Gray recorded on tour.

Blake-Plock was a member of Joel Grip’s 2005 Unanimal Ensemble with Audrey Chen, Tom Goldstein, Tim Murphy, Devin Gray, Ben Frock, Niklas Barnö, and Sophia Jernberg.

In 2006, Blake-Plock collaborated with Marcus Doverud, Andreas Werliin, and Per Wålstedt on several performance art pieces presented at the Hagenfesten festival in Dala-Floda, Sweden.

Joel Grip was music director in 2007 on the recording of Blake-Plock’s The Violencestring. Musicians performing on the album included Carly Ptak, John Dierker, Niklas Barnö, Eve Risser, Ryan Dorsey, Lawrence Lanahan, Twig Harper, Jenny Gräf Sheppard, Lyle Kissack, Ben McConnell, and Aaron Henkin.

Blake-Plock was part of the 2008 Transformation of Sound Tour with Eve Risser, Yuko Oshima, Joel Grip, Niklas Barnö, Yann Joussein, and Lars Åhlund.^[5]

Blake-Plock is a regular member of John Berndt's 'Second Nature' -- a large-format free improvising orchestral ensemble.

Filmography

The Toothfairies’ Union (in production), writer and director
“From the Graves the Music Came” (2008) a Lack of Color Production
Don Addersley Eats Bad Meat (2006) directed by Christopher Fredricks

References

^ Bret McCabe (July 2004). "Moments in Time". Baltimore City Paper. Retrieved 2008-04-03. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
^ , Nashville Scene, August 2004 {{citation}}: Missing or empty |title= (help)
^ Charles Franklin (December 2007). "The Violencestring". Foxy Digitalis. Retrieved 2008-04-03.
^ Joel Grip (June 2006). "Public Health Music". Public Health Music. Retrieved 2008-03-20.
^ Magnus Eriksson (March 2008). "Musik mellan lycka och larm". Svenska Dagbladet. Retrieved 2008-04-03.

External links

Shelly Blake-Plock official website
[1] at Umlaut Records
[2] TeachPaperless Blog

Template:Persondata

[1] Bret McCabe (July 2004). "Moments in Time". Baltimore City Paper. Retrieved 2008-04-03. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)

[nashville-2] , Nashville Scene, August 2004 {{citation}}: Missing or empty |title= (help)

[3] Charles Franklin (December 2007). "The Violencestring". Foxy Digitalis. Retrieved 2008-04-03.

[phm-4] Joel Grip (June 2006). "Public Health Music". Public Health Music. Retrieved 2008-03-20.

[5] Magnus Eriksson (March 2008). "Musik mellan lycka och larm". Svenska Dagbladet. Retrieved 2008-04-03.

[1]

[2]

[3]

[4]

[5]

@@ Line 1: / Line 1: @@
-{{Orphan|date=October 2010}}
 {{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
 | Name                = Shelly Blake-Plock
@@ Line 26: / Line 24: @@
 '''Shelly Blake-Plock''' (born 8 October 1974 in [[Baltimore, Maryland]]), is an [[United States|American]] [[musician]], [[writer]], [[teacher]], and [[filmmaker]].
+==Writing==
+Since 2009, Shelly Blake-Plock has written a semi-daily blog called [[TeachPaperless]]. His writing concerns experimental education, paperless classrooms, and social media in education. His work in education has been featured in many media outlets including [[Education Week]], ASCD, Converge, KQED, and the New York Times.
+Previously, Shelly Blake-Plock wrote about culture and food for the ''[[Baltimore City Paper]]'' as well as a blog called [[Let the Sky Rain Potatoes]]. Much of his food-related writing deals with [[vegetarianism]].
 ==Music==
-Blake-Plock’s musical work includes elements of folk and blues as well as free improvisation and unorthodox recording techniques.<ref>{{cite web | publisher = ''[[Baltimore City Paper]]'' | date = July 2004 | author = Bret McCabe | title = Moments in Time | url=http://noise.citypaper.com/special/story.asp?id=8605 | accessdate = 2008-04-03 }}</ref> His early work consisted “almost entirely of rudimentary home recordings of songs committed to tape as they were being written, never to be refined or recast. Partially inspired by the field recordings of Alan Lomax, Blake [used] a one-take method to get back to the essence, as he sees it, of folk music, which once hinged on a much closer relationship between audiences and those who made it. In this light, his works-in-progress can be seen as a rather unpretentious attempt to rehumanize (and even bring the 'folk' back into) folk music." <ref name="nashville">{{cite | publisher = Nashville Scene| date = August 2004}}</ref>
+Blake-Plock’s early musical work included elements of folk and blues as well as free improvisation and unorthodox recording techniques.<ref>{{cite web | publisher = ''[[Baltimore City Paper]]'' | date = July 2004 | author = Bret McCabe | title = Moments in Time | url=http://noise.citypaper.com/special/story.asp?id=8605 | accessdate = 2008-04-03 }}</ref> His early work consisted “almost entirely of rudimentary home recordings of songs committed to tape as they were being written, never to be refined or recast. Partially inspired by the field recordings of Alan Lomax, Blake [used] a one-take method to get back to the essence, as he sees it, of folk music, which once hinged on a much closer relationship between audiences and those who made it. In this light, his works-in-progress can be seen as a rather unpretentious attempt to rehumanize (and even bring the 'folk' back into) folk music." <ref name="nashville">{{cite | publisher = Nashville Scene| date = August 2004}}</ref>
 Around 2004, Blake-Plock’s work took on a more wholly improvised quality seemingly inspired both by [[European Free Improvisation]] as well as American [[noise]] and [[performance art]]. Blake-Plock’s 2007 album [[The Violencestring]] is a musical narrative consisting almost entirely of free improvised music and studio manipulation.<ref>{{cite web | publisher = Foxy Digitalis | date = December 2007 | author = Charles Franklin | title = The Violencestring | url=http://www.digitalisindustries.com/foxyd/reviews.php?which=3016 | accessdate = 2008-04-03 }}</ref>
@@ Line 68: / Line 71: @@
 Blake-Plock is a regular member of John Berndt's 'Second Nature' -- a large-format free improvising orchestral ensemble.
-==Writing==
-Since 2009, Shelly Blake-Plock has written a daily blog called [[TeachPaperless]]. His writing concerns experimental education, paperless classrooms, and social media in education. His work in education has been featured in many education media outlets including [[Education Week]], ASCD, and Converge.
-Previously, Shelly Blake-Plock wrote about culture and food for the ''[[Baltimore City Paper]]'' as well as a blog called [[Let the Sky Rain Potatoes]]. Much of his food-related writing deals with [[vegetarianism]].
 ==Filmography==