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==Reception==
==Reception==
===Critical reaction===
===Critical reaction===
The film received generally positive reviews from critics. [[Rotten Tomatoes]] reported 69% positive reviews, based on 188 reviews.<ref>{{cite web|url=http://www.rottentomatoes.com/m/closer/ |title=Closer – Movie Reviews, Trailers, Pictures – Rotten Tomatoes |accessdate=2009-11-07 |publisher=[[Rotten Tomatoes]]}}</ref> In another review, [[Metacritic]] reported 65% positive reviews, based on 42 reviews.<ref>{{cite web|url=http://www.metacritic.com/film/titles/closer |title=Closer (2004): Reviews |accessdate=2009-11-07 |publisher=[[Metacritic]]}}</ref> [[Roger Ebert]] writing for the ''[[Chicago Sun-Times]]'' said of the people involved with the film that "They are all so very articulate, which is refreshing in a time when literate and evocative speech has been devalued in the movies." Peter Travers writing for ''[[Rolling Stone]]'' said "Mike Nichols haunting, hypnotic Closer vibrates with eroticism, bruising laughs and dynamite performances from four attractive actors doing decidedly unattractive things." Kenneth Turan for the ''[[Los Angeles Times]]'' wrote that "Despite involved acting and Nichols' impeccable professionalism as a director, the end result is, to quote one of the characters, a bunch of sad strangers photographed beautifully." A.O. Scott writing for ''[[The New York Times]]'': "Unlike most movie love stories, Closer does have the virtue of unpredictability. The problem is that, while parts are provocative and forceful, the film as a whole collapses into a welter of misplaced intensity."
The film received generally positive reviews from critics. [[Rotten Tomatoes]] reported 69% positive reviews, based on 188 reviews.<ref>{{cite web|url=http://www.rottentomatoes.com/m/closer/ |title=Closer – Movie Reviews, Trailers, Pictures – Rotten Tomatoes |accessdate=2009-11-07 |publisher=[[Rotten Tomatoes]]}}</ref> In another review, [[Metacritic]] reported 65% positive reviews, based on 42 reviews.<ref>{{cite web|url=http://www.metacritic.com/film/titles/closer |title=Closer (2004): Reviews |accessdate=2009-11-07 |publisher=[[Metacritic]]}}</ref> [[Roger Ebert]] writing for the ''[[Chicago Sun-Times]]'' said of the people involved with the film that "They are all so very articulate, which is refreshing in a time when literate and evocative speech has been devalued in the movies." Peter Travers writing for ''[[Rolling Stone]]'' said "Mike Nichols haunting, hypnotic Closer vibrates with eroticism, bruising laughs and dynamite performances from four attractive actors doing decidedly unattractive things." ''[[Mark Sells]]'' of ''The Reel Deal'' summed up the film simply: "(It) dissects modern romance with a plastic spoon."<ref>{{cite web |last=Sells |first=Mark |work=The Reel Deal |title=Closer: Review |url=http://www.thereeldeal.co/reviews/closer.html}}</ref>
Kenneth Turan for the ''[[Los Angeles Times]]'' wrote that "Despite involved acting and Nichols' impeccable professionalism as a director, the end result is, to quote one of the characters, a bunch of sad strangers photographed beautifully." A.O. Scott writing for ''[[The New York Times]]'': "Unlike most movie love stories, Closer does have the virtue of unpredictability. The problem is that, while parts are provocative and forceful, the film as a whole collapses into a welter of misplaced intensity."


===Box office===
===Box office===

Revision as of 16:26, 18 March 2011

Closer
Theatrical release poster
Directed byMike Nichols
Screenplay byPatrick Marber
Produced byMike Nichols
Cary Brokaw
John Calley
StarringJulia Roberts
Jude Law
Natalie Portman
Clive Owen
CinematographyStephen Goldblatt
Edited byJohn Bloom
Antonia Van Drimmelen
Music bySuzana Peric
Distributed byColumbia Pictures
Release date
  • December 3, 2004 (2004-12-03)
Running time
104 minutes
CountryTemplate:Film US
LanguageEnglish
Budget$27 million[1]
Box office$115,505,027

Closer is a 2004 romantic drama film written by Patrick Marber, based on his award-winning 1997 play of the same name. It was produced and directed by Mike Nichols and stars Natalie Portman, Julia Roberts, Jude Law and Clive Owen. The film, like the play on which it is based, has been seen by some as a modern and tragic version of Mozart's opera Così fan tutte, with references to that opera in both the plot and the soundtrack.[2] Owen starred in the play as Dan, the role assumed by Law in the film.

The film was recognized with a number of awards and nominations, including Oscar nominations and Golden Globe wins for both Portman and Owen for their performances in supporting roles.

Plot

In the opening scene, 20-year-old Alice Ayres (Natalie Portman) and Dan Woolf (Jude Law) see each other for the first time from opposite sides of a street in London. Alice has just arrived in London from the United States where she had been stripping for a living, Dan is an unsuccessful aspiring British writer who is on his way to work where he writes obituaries for a local newspaper. Alice looks in the wrong direction as she crosses the street and is hit by a taxicab right in front of Dan. He rushes over; she smiles to him and says, "Hello, stranger". He takes her to a hospital, where Alice is treated and released. Afterward, on the way to his office, they stop by Postman's Park, the same park that he and his father visited after his mother's death. Before he leaves her and goes to work, he asks her for her name. They soon start a relationship. A year later, Dan is straying. He has written a novel based on Alice's life and while being photographed to publicize it, he flirts with the American photographer Anna Cameron (Julia Roberts). Anna shares a kiss with Dan before finding out that Dan and Alice are in a relationship. Alice arrives and borrows Anna's bathroom, leaving Anna and Dan alone again. Dan takes the chance to try to persuade Anna into having an affair with him, but is cut short by Alice's return. Alice asks Anna if she can have her portrait taken as well. Anna agrees and Alice asks Dan to leave them alone during the photo shooting. While being photographed, she reveals to Anna that she overheard them, and is photographed weeping. Alice does not reveal what she overheard to Dan, even as he spends a year stalking Anna, who resists.

Another year later, Dan enters a cybersex chat room and randomly meets Larry Gray (Clive Owen), a British dermatologist. With Anna still on his mind, Dan pretends to be her, and using the pretense that they will be having sex, Dan convinces Larry to meet at the aquarium (where Anna told Dan she often went). Larry goes to the meeting place where by coincidence Anna is. Feeling foolish, Larry apologizes but is confused by the situation. Anna tells Larry that a man who had pursued her, Dan, was most likely to blame for the setup. Soon, Anna and Larry become a couple and they refer to Dan as "Cupid" as their inside joke. Four months later, at Anna's photo exhibition, Larry meets Alice, whom he recognizes from the tearful photograph that is one of many being exhibited. Larry knows that Alice and Dan are a couple from talking to Anna and they flirt. Meanwhile, Dan convinces Anna to become involved with him. A year passes, and Dan and Anna have been cheating on their partners with one another, even though Anna got married to Larry during the affair. Dan and Anna both decide to confess to Alice and Larry and are prepared to leave to be with one another. Larry confesses he had slept with a woman on his business trip, only to find out Anna has been having an affair. As Larry and Anna argue she reveals that she thought he would hit her when he found out - something Larry takes offense to. Alice leaves Dan without telling him anything about where she is going.

Alice goes back to stripping to support herself while staying in London, being still in love with Dan. One day, Larry runs into her accidentally at the strip club and he (heart-broken himself) realizes that he knows her, (even though she is wearing a pink wig). He asks her if her name is Alice (knowing full-well who she is), but no matter how much money he gives her, she keeps telling him her name is "Jane Jones." He asks her to come home with him so he can look after her, but she refuses. The line of questioning becomes pornographic, albeit without any explicit nudity, when Larry asks Alice: "What does your cunt taste like?" Alice replies with a smile: "Heaven". Larry then demands: "Alice, tell me something true". Alice replies: "Lying is the most fun a girl can have without taking her clothes off, ... but it's better if you do". The full irony of Alice's response is not apparent until the conclusion of the film.

A year or so later, Dan goes to Larry's office, asking him to let Anna come back to him, as she is now with Larry again. The office that Larry and Anna had sex in is now fully furnished and Larry is successful with his private practice. He tells Dan that Anna secretly doesn't want to be happy, and that she never turned the signed divorce papers in to her lawyer. Larry suggests to Dan that he try to get Alice back, but Dan does not know where she is. Larry tells him not only where to find Alice, but also that Larry and Alice slept together. Alice takes Dan back and she decides to take them both to America as a surprise vacation. They are in a hotel room near Heathrow Airport happy to be back together. Alice notes that today is the day when they first met on that London street exactly four years ago. They reminisce and then Dan can't help himself and asks her whether she had a one-night stand with Larry, which she initially denies. When he insists on the truth, she suddenly tells him that she doesn't love him anymore and goes on to say that she did sleep with Larry that night he found her working at the strip club. Dan then reveals that Larry had already told him about the one-night stand but that he's already forgiven her. She is angry that he tricked her and insists that it's over and tells him to leave. He refuses, but she tells him that if he doesn't go voluntarily she will call security. He does not believe this, and so she picks up the phone. He grabs her arm and questions her angrily about why she slept with Larry, she eventually says it's because Dan wasn't there, they continue to argue and she spits in his face. Dan almost hits her but refrains. She encourages him to hit her and he does. She looks at him in shock.

The Alice Ayres tile in Postman's Park, London

After Dan hits her, Alice returns to New York alone. Passing through the immigration checkpoint on her way back into the United States, it is revealed through a shot of her passport that her name is indeed Jane Rachel Jones (the name she had given Larry in the strip club) and that she had lied about her name for the duration of her four-year relationship with Dan. Back in London, Dan returns to Postman's Park, and to his surprise, notices the name "Alice Ayres" on a tile that is dedicated to a girl, "who by intrepid conduct", and at the cost of her young life, saved three children. The final scene shows Alice/Jane walking on Broadway (Times Square) towards W 47th St, in Manhattan, approaching a red "do not walk" pedestrian light, where passers-by are turning their heads staring at her, stunned at her beauty; a scene symmetrical with the opening scene, where Alice/Jane and Dan are staring at each other on the streets of London.

Cast

Production

Filming

Closer was filmed at Elstree Film and Television Studios and on location in London.

Music

The main theme of the film follows Mozart's opera Così fan tutte, with references to that opera in both the plot and the soundtrack.[3] Further the soundtrack contains songs from Jem, Damien Rice and Lisa Hannigan, Bebel Gilberto, The Devlins, Prodigy and The Smiths.

The music of Irish folk singer Damien Rice is featured in the film, most notably the song "The Blower's Daughter," whose lyrics drew many parallels with the themes present in the film. The opening notes from Rice's song "Cold Water" are also used repeatedly, notably in the memorial park scenes. Rice wrote a song titled "Closer" which was intended for use in the film but was not completed in time.[citation needed]

Reception

Critical reaction

The film received generally positive reviews from critics. Rotten Tomatoes reported 69% positive reviews, based on 188 reviews.[4] In another review, Metacritic reported 65% positive reviews, based on 42 reviews.[5] Roger Ebert writing for the Chicago Sun-Times said of the people involved with the film that "They are all so very articulate, which is refreshing in a time when literate and evocative speech has been devalued in the movies." Peter Travers writing for Rolling Stone said "Mike Nichols haunting, hypnotic Closer vibrates with eroticism, bruising laughs and dynamite performances from four attractive actors doing decidedly unattractive things." Mark Sells of The Reel Deal summed up the film simply: "(It) dissects modern romance with a plastic spoon."[6]

Kenneth Turan for the Los Angeles Times wrote that "Despite involved acting and Nichols' impeccable professionalism as a director, the end result is, to quote one of the characters, a bunch of sad strangers photographed beautifully." A.O. Scott writing for The New York Times: "Unlike most movie love stories, Closer does have the virtue of unpredictability. The problem is that, while parts are provocative and forceful, the film as a whole collapses into a welter of misplaced intensity."

Box office

The film was released on December 3, 2004 in North America. Closer opened in limited release, but theater count was increased after the film was released. The film was domestically a moderate financial success, grossing $33,987,757.[1] Huge success followed in the international market, where the film grossed an additional $81,517,270, accounting for over 70% of its worldwide gross, which turned to $115,505,027. It was considered a great success at the box office as its actual production budget was only $27 million.[1]

Awards and nominations

The film won the following awards:

Year Award Category – Winner(s)
2005 BAFTA Awards Best Performance by an Actor in a Supporting Role – Clive Owen
2005 Golden Globes Best Performance by an Actor in a Supporting Role in a Motion Picture – Clive Owen
Best Performance by an Actress in a Supporting Role in a Motion Picture – Natalie Portman
2005 Las Vegas Film Critics Society Best Supporting Actor – Clive Owen
2004 National Board of Review Best Acting by an Ensemble – Jude Law, Clive Owen, Natalie Portman and Julia Roberts
2004 New York Film Critics Circle Best Supporting Actor – Clive Owen
2004 San Diego Film Critics Society Best Supporting Actress – Natalie Portman
2004 Toronto Film Critics Association Best Supporting Actor, Male – Clive Owen

The film was nominated for the following awards:

Year Award Category – Nominee(s)
2005 Academy Awards Best Performance by an Actor in a Supporting Role in a Motion Picture – Clive Owen
Best Performance by an Actress in a Supporting Role in a Motion Picture – Natalie Portman
2005 American Screenwriters Association Discover Screenwriting AwardPatrick Marber
2005 BAFTA Awards Best Screenplay – Adapted – Patrick Marber
Best Performance by an Actress in a Supporting Role – Natalie Portman
2005 Broadcast Film Critics Association Best Acting Ensemble – Jude Law, Clive Owen, Natalie Portman, and Julia Roberts
Best Supporting Actor – Clive Owen
Best Supporting Actress – Natalie Portman
2005 Golden Globes Best Director – Motion Picture – Mike Nichols
Best Motion Picture – Drama
Best Screenplay – Motion Picture – Patrick Marber
2005 Online Film Critics Society Best Screenplay, Adapted – Patrick Marber
Best Supporting Actor – Clive Owen
Best Supporting Actress – Natalie Portman
2005 Satellite Award Best Actor in a Supporting Role, Drama – Clive Owen
Best Actress in a Supporting Role, Drama – Natalie Portman
Best Film Editing – John Bloom and Antonia Van Drimmelen
Best Screenplay, Adapted – Patrick Marber
2005 Teen Choice Awards Choice Movie Actress: Drama – Natalie Portman

Home media

Closer was released on DVD in 2005 and high-definition Blu-ray on May 22, 2007.

References

  1. ^ a b c "boxofficemojo.com". Closer (2004). Retrieved 21 March 2006.
  2. ^ Daniel Felsenfeld (November 8, 2006). "Così fan tutte and the Shock of the Now". Retrieved 2009-06-08.
  3. ^ "Così fan tutte and the Shock of the Now" by Daniel Felsenfeld, Nov 08, 2006
  4. ^ "Closer – Movie Reviews, Trailers, Pictures – Rotten Tomatoes". Rotten Tomatoes. Retrieved 2009-11-07.
  5. ^ "Closer (2004): Reviews". Metacritic. Retrieved 2009-11-07.
  6. ^ Sells, Mark. "Closer: Review". The Reel Deal.