Taxidermy: Difference between revisions
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Taxidermy should not be confused with [[taxonomy]], which is the study of [[scientific classification]]. |
Taxidermy should not be confused with [[taxonomy]], which is the study of [[scientific classification]]. |
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==History== |
==History== |
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A Brief History of Taxidermy |
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Thousands of years ago when man first hunted for his food, he found that the skins of his prey, when treated with certain substances, could be preserved and used for clothing and shelter. The first taxidermists were primitive hunter-gatherers who crudely formed animal skins over mud and rock for use in their hunting rituals. Over the eons, as methods to preserve these skins improved and the need for tanned skins increased, the tanner became one of the most important members of the tribe. |
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As the demand for quality leather and skins grew, the methods became more and more sophisticated. By the 1700s almost every small town had a prosperous tannery business. In the 1800s, hunters began bringing their trophies to upholstery shops where the upholsterers would actually sew up the animal skins and stuff them with rags and cotton. The term "stuffing" or a "stuffed animal" evolved from this crude form of taxidermy. This practice produced some terrible looking mounts and gave taxidermy a bad reputation which still haunts the industry to this day. Professional taxidermists still shudder and take offense at the term stuffing. (The preferred word is mounting.) |
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In the early 20th century, taxidermy began to evolve into its modern form under the leadership of great artists such as Carl E. Akeley, William T. Horneday, Coloman Jonas and Leon Pray. These and other talented pioneers developed anatomically accurate mannikins which incorporated every detail--right down to each muscle and tendon of the animal--in artistically pleasing poses. They invented new techniques for mounting that allowed them to portray animals with uncanny lifelike accuracy. They created mounts in realistic settings and poses that were more appropriate for the species. This was quite a change from the crude, snarling caricatures that were popularly offered as hunting trophies. |
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==Methods== |
==Methods== |
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One problem with taxidermy is the level of constant practice that all taxidermists must endure, so that specimens look life-like rather than like a tacky joke. |
One problem with taxidermy is the level of constant practice that all taxidermists must endure, so that specimens look life-like rather than like a tacky joke. |
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Revision as of 01:51, 3 March 2006
Taxidermy (Greek for "the arrangement of the skin") is the art of mounting or reproducing animals for display or study. This is a practice generally done with vertebrates, but occasionally with other less-developed species. The methods that taxidermists practice have been improved over the last century, heightening taxidermic quality.
Taxidermists may practice professionally, for museums, or as amateurs, such as hobbyists, hunters, and fishermen. To practice taxidermy, one must be extremely familiar with anatomy, dissection, sculpture, and painting, as well as tanning.
Taxidermy should not be confused with taxonomy, which is the study of scientific classification.
History
A Brief History of Taxidermy Thousands of years ago when man first hunted for his food, he found that the skins of his prey, when treated with certain substances, could be preserved and used for clothing and shelter. The first taxidermists were primitive hunter-gatherers who crudely formed animal skins over mud and rock for use in their hunting rituals. Over the eons, as methods to preserve these skins improved and the need for tanned skins increased, the tanner became one of the most important members of the tribe.
As the demand for quality leather and skins grew, the methods became more and more sophisticated. By the 1700s almost every small town had a prosperous tannery business. In the 1800s, hunters began bringing their trophies to upholstery shops where the upholsterers would actually sew up the animal skins and stuff them with rags and cotton. The term "stuffing" or a "stuffed animal" evolved from this crude form of taxidermy. This practice produced some terrible looking mounts and gave taxidermy a bad reputation which still haunts the industry to this day. Professional taxidermists still shudder and take offense at the term stuffing. (The preferred word is mounting.)
In the early 20th century, taxidermy began to evolve into its modern form under the leadership of great artists such as Carl E. Akeley, William T. Horneday, Coloman Jonas and Leon Pray. These and other talented pioneers developed anatomically accurate mannikins which incorporated every detail--right down to each muscle and tendon of the animal--in artistically pleasing poses. They invented new techniques for mounting that allowed them to portray animals with uncanny lifelike accuracy. They created mounts in realistic settings and poses that were more appropriate for the species. This was quite a change from the crude, snarling caricatures that were popularly offered as hunting trophies.
Methods
One problem with taxidermy is the level of constant practice that all taxidermists must endure, so that specimens look life-like rather than like a tacky joke.
One of the most common techniques for modern taxidermists begins by freezing the animal's carcass in a large freezer, often a butcher's. The taxidermist then removes the skin, to be tanned and treated for later use. The remaining muscle fibers and bones are then submerged in plaster of Paris, to create a cast of the animal. With this cast, a fiberglass sculpture is created, onto which the fur or skin can be reattached. Glass eyes are then usually added to the display, and possibly also false teeth, depending on the subject's original dental condition.
An increasingly popular trend is to freeze dry the animal. Although this can only be done with reptiles and birds, it is quicker and easier than the traditional method. As such this method is usually employed with souvenir keychains.
Crypto-taxidermy
Crypto-taxidermy is the creation of stuffed animals which do not have real, live counterparts. They may have mythical counterparts (e.g. dragons), be of the taxidermist's imagination, or be endangered or extinct species. They can be made from parts of other animals (e.g. chimeras, griffins, capricorns, unicorns) or they may be artificially created. (see also Rogue Taxidermy)
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