Bondage (play): Difference between revisions
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'''''Bondage''''' is a [[1992]] play by [[United States|American]] [[playwright]] [[David Henry Hwang]]. It deals with issues of [[Race (classification of human beings)|race]] and racial [[stereotypes]] by placing a fully disguised man and woman in an S and M parlor playing out sexual games. The play premiered as part of the [[Actors Theatre of Louisville]]'s [[Humana Festival]] on March 1, 1992.<ref>{{Cite web |
'''''Bondage''''' is a [[1992]] play by [[United States|American]] [[playwright]] [[David Henry Hwang]]. It deals with issues of [[Race (classification of human beings)|race]] and racial [[stereotypes]] by placing a fully disguised man and woman in an S and M parlor playing out sexual games. The play premiered as part of the [[Actors Theatre of Louisville]]'s [[Humana Festival]] on March 1, 1992.<ref>{{Cite web |
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Revision as of 20:06, 7 May 2011
 | This article needs additional citations for verification. (May 2011) |
Bondage is a 1992 play by American playwright David Henry Hwang. It deals with issues of race and racial stereotypes by placing a fully disguised man and woman in an S and M parlor playing out sexual games. The play premiered as part of the Actors Theatre of Louisville's Humana Festival on March 1, 1992.[1] It was shown in tandem with Suzan-Lori Parks' short play Devotees in the Garden of Love under the title Rites of Mating. It was directed by Oskar Eustis and featured B. D. Wong and Hwang's wife Kathryn Lang.
It is published as part of Trying to Find Chinatown: The Selected Plays by Theatre Communications Group.[2] and also in an acting edition published by Dramatists Play Service.
References
- ^ "Actors Theatre of Louisville Chronology". Humana Festival. Retrieved June 1, 2010.[dead link]
- ^ "Trying to Find Chinatown: The Selected Plays". TCG. Retrieved June 1, 2010.[dead link]
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