Viennese trichord: Difference between revisions
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*[http://flexistentialist.org/blog/archives/2003/04/06/more-on-set-theory/ "More on Set Theory"], ''Flexistentialism''. |
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Revision as of 02:40, 6 August 2011
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In music theory, a Viennese trichord (), named for the Second Viennese School, is prime form <0,1,6>. It has Forte #3-5. As opposed to Hindemith and 037 (), "Composers such as Webern ... are partial to 016 trichords, given their 'more dissonant' inclusion of ics 1 and 6."[2]
In jazz and popular music, the chord usually has a dominant function, being the third, seventh, and added sixth/thirteenth of a dominant chord with elided root[1] (and fifth, see jazz chord).
Sources
- ^ a b Forte, Allen (2000). "Harmonic Relations: American Popular Harmonies (1925-1950) and Their European Kin", pp.5-36, Traditions, Institutions, and American Popular Music (Contemporary Music Review, Vol. 19, Part 1), p.7. Routledge. Covach, John and Everett, Walter; eds. ISBN 9057551209.
- ^ Henry Martin (Winter, 2000). "Seven Steps to Heaven: A Species Approach to Twentieth-Century Analysis and Composition", p.149, Perspectives of New Music, Vol. 38, No. 1, pp. 129-168.
External links
- Jay Tomlin. "All About Set Theory", Java Set Theory Machine.
- "More on Set Theory", Flexistentialism.
