Protein music: Difference between revisions
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==References== |
==References== |
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# {{cite journal|last=Ohno|first=Susumu|coauthors=Ohno Midori|title=The all pervasive principle of repetitious recurrence governs not only coding sequence construction but also human endeavor in musical composition|journal=Immunogenetics|year=1986|series=24(2)|pages=71-78|url=http://www.springerlink.com/content/mn81krgwx3255692/}} |
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# Ohno |
# {{cite journal|last=Ohno|first=Susumu|coauthors=Ohno Midori|title=Repetition as the essence of life on this earth: music and genes.|journal=Haematol. Blood Transfus.|year=1986|series3=1|pages=511-518|url=http://www.springerlink.com/content/mn81krgwx3255692/}} [http://www.science-connections.com/books/moderntrends/trends7/005-Virology/511-Repetition_as_the.pdf PDF] |
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# Ohno S. 1987. Repetition as the essence of life on this earth: music and genes. Haematol. Blood Transfus. |
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# Ohno S. 1989. Modern coding sequences are in the periodic-to-chaotic transition. Haematol. Blood Transfus. 32:512-519. |
# Ohno S. 1989. Modern coding sequences are in the periodic-to-chaotic transition. Haematol. Blood Transfus. 32:512-519. |
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# Ohno S. 1988. On periodicities governing the construction of genes and proteins. Anim. Genet. 19:305-316. |
# Ohno S. 1988. On periodicities governing the construction of genes and proteins. Anim. Genet. 19:305-316. |
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Revision as of 19:48, 13 September 2011
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Protein music is a music, composed by converting protein sequences like DNA genes to music.
Theory
The ideas that supports the possibility of creating harmonic musics using this method are:
- The repetition process governs both the musical composition and the DNA sequence construction.[1]
- Pink_noise (the correlation stucture "1/f spectra") have been found in both musical signals and DNA sequences.
- Models with duplication and mutation operations, such as the "expansion-modification model" are able to generate sequences with 1/f spectra.[2]
- When DNA sequences are converted to music, it sounds musical.[3]
Practice
- The software Algorithmic arts can convert raw genetic data (freely available for download on the web) to music.
Notes
- ^ Proposed by Professor Susumu Ohno in a paper in Immunogenetics (1986) titled: "The all pervasive principle of repetitious recurrence governs not only coding sequence construction but also human endeavor in musical composition".
- ^ 12 september 1990 paper by Wentian Li titled"Expansion-modification systems: A model for spatial 1/f spectra."
- ^ The Robert S. Boas Center for Genomics and Human Genetics.
References
- Ohno, Susumu (1986). "The all pervasive principle of repetitious recurrence governs not only coding sequence construction but also human endeavor in musical composition". Immunogenetics. 24(2): 71–78.
{{cite journal}}: Unknown parameter|coauthors=ignored (|author=suggested) (help) - Ohno, Susumu (1986). "Repetition as the essence of life on this earth: music and genes". Haematol. Blood Transfus.: 511–518.
{{cite journal}}: Unknown parameter|coauthors=ignored (|author=suggested) (help); Unknown parameter|series3=ignored (help) PDF - Ohno S. 1987. Repetition as the essence of life on this earth: music and genes. Haematol. Blood Transfus.
- Ohno S. 1989. Modern coding sequences are in the periodic-to-chaotic transition. Haematol. Blood Transfus. 32:512-519.
- Ohno S. 1988. On periodicities governing the construction of genes and proteins. Anim. Genet. 19:305-316.
- Ohno S. 1993. A song in praise of peptide palindromes. Leukemia 2:S157-159.
- Ohno S, Jabara M. 1986. Repeats of base oligomers (N = 3n ¡À 1 or 2) as immortal coding sequences of the primeval world: Construction of coding sequences is based upon the principle of musical composition. Chemica Scripta 26B:43-49.