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This is the first track on the posthumous [[Sketches for My Sweetheart the Drunk]] album release by [[Jeff Buckley]].
This is the first track on the posthumous [[Sketches for My Sweetheart the Drunk]] album release by [[Jeff Buckley]].


It has a different tone to many songs from previous album "[[Grace]]", taking on a heavier, rocky sound. The lyrical content is similar to Eternal Life: It is believed to be a social commentary on the monotony of daily life; the dronelike effect in people, who don't stop to think about the state they're in.
It has a different tone to many songs from previous album "[[Grace]]", taking on a heavier, rocky tone. The lyrical content is similar to Eternal Life: It is believed to be a social commentary on the monotony of daily life; the dronelike effect in people, who don't stop to think about the state they're in.


Among many other points, he sings of the environment, the media, the political landscape, and overall the "Machine", that he references in the last chorus.
Among many other points, he sings of the environment, the media, the political landscape, and overall the "Machine", that he references in the last chorus.

Revision as of 17:15, 24 March 2006

This is the first track on the posthumous Sketches for My Sweetheart the Drunk album release by Jeff Buckley.

It has a different tone to many songs from previous album "Grace", taking on a heavier, rocky tone. The lyrical content is similar to Eternal Life: It is believed to be a social commentary on the monotony of daily life; the dronelike effect in people, who don't stop to think about the state they're in.

Among many other points, he sings of the environment, the media, the political landscape, and overall the "Machine", that he references in the last chorus.

The song could be viewed as an anti-establishment outcry.