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'''''Daun di Atas Bantal''''' (released in English as '''''Leaf on a Pillow''''') is a 1998 award winning [[Cinema of Indonesia|Indonesian film]] directed by [[Garin Nugroho]] and is one of the most acclaimed films from Indonesia in recent years and was the country's proposal for an [[Academy Award]]. It was also screened in the [[Un Certain Regard]] section at the [[1998 Cannes Film Festival]].{{sfn|Cannes, Festival de Cannes}}
'''''Daun di Atas Bantal''''' (released in English as '''''Leaf on a Pillow''''') is a 1998 award winning [[Cinema of Indonesia|Indonesian film]] directed by [[Garin Nugroho]]. It is one of the most acclaimed films from Indonesia in recent years and was the country's proposal for an [[Academy Award]]. It was also screened in the [[Un Certain Regard]] section at the [[1998 Cannes Film Festival]].{{sfn|Cannes, Festival de Cannes}}


==Plot==
==Plot==
The film follows three [[street children]], Sugeng, Heru, and Kancil (played by themselves), in their day-to-day lives in [[Yogyakarta]]. Although they live in poverty, are from broken homes, and must sell [[marijuana]] to survive, they aspire to rise above poverty and hope to receive an education. They are supported by Asih ([[Christine Hakim]]), a saleswoman who lets them stay in her workshop; the children fight over Asih's leaf pillow.
The film follows three [[street children]], Sugeng, Heru, and Kancil (played by themselves), in their day-to-day lives in [[Yogyakarta]]. Although they live in poverty, are from broken homes, and must sell [[marijuana]] to survive, they aspire to rise above poverty and hope to receive an education. They are supported by Asih ([[Christine Hakim]]), a saleswoman who lets them stay in her workshop; the children fight over Asih's leaf pillow.


The children's lives do not go smoothly. Sugeng dies after attempting to help another street child, while Kancil is decapitated while playing on top of a train. Heru falls victim to an insurance scam, where he is given false identification papers then killed to collect the premium.
The children's lives do not go smoothly. Sugeng dies after attempting to help another street child, while Kancil is decapitated while playing on top of a train. Heru falls victim to an insurance scam, where he is given false identification papers and then killed to collect the premium.


==Production==
==Production==
''Daun di Atas Bantal'' was produced by Hakim, who also played Alih. The film was her first production, and she initially did not intend to act in it to avoid stress; however, she changed her mind after being told the film would be more marketable in Japan if she acted in it.{{sfn|Tanvir|2009|p=3}} Hakim has called the film "an expensive university" for her because she made a mistake that required Nugroho to reshoot all footage. In an attempt to cut expenses, she had saved all cans of exposed film in an attempt to send them to the [[developing (film)|developing]] together; upon their receipt, the lab notified her that a technical fault with the camera had rendered the film unusable, and that it could have been detected earlier had she sent each can as it was filmed.{{sfn|Webb 2010, Christine Hakim: Going}}
''Daun di Atas Bantal'' was produced by Hakim, who also played Alih. The film was her first production, and she initially did not intend to act in it to avoid stress; however, she changed her mind after being told the film would be more marketable in Japan if she acted in it.{{sfn|Tanvir|2009|p=3}} Hakim has called the film "an expensive university" for her because she made a mistake that required Nugroho to reshoot all of the footage. In an attempt to cut expenses, she had saved all cans of exposed film in an attempt to send them to the [[developing (film)|developing]] together; upon their receipt, the lab notified her that a technical fault with the camera had rendered the film unusable, and that it could have been detected earlier had she sent each can as it was filmed.{{sfn|Webb 2010, Christine Hakim: Going}}


[[File:Garin Nugroho.jpg|thumb|left|200px|alt=Garin Nugroho in 2010|Garin Nugroho was chosen to direct based on his previous film ''[[Dongeng Kancil untuk Kemerdekaan]]'']]
[[File:Garin Nugroho.jpg|thumb|left|200px|alt=Garin Nugroho in 2010|Garin Nugroho was chosen to direct based on his previous film ''[[Dongeng Kancil untuk Kemerdekaan]]'']]
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''Daun di Atas Bantal'' was shown in the ''[[Un Certain Regard]]'' section at the [[1998 Cannes Film Festival]]{{sfn|Cannes, Festival de Cannes}} on 23 May 1998.{{sfn|Elley 1998, Leaf on a Pillow}} It was Indonesia's submission to the [[71st Academy Awards]] for [[Academy Award for Best Foreign Language Film|Best Foreign Language Film]], although it was not nominated.{{sfn|Widjaya 2007, Upaya Indonesia Mencari}}
''Daun di Atas Bantal'' was shown in the ''[[Un Certain Regard]]'' section at the [[1998 Cannes Film Festival]]{{sfn|Cannes, Festival de Cannes}} on 23 May 1998.{{sfn|Elley 1998, Leaf on a Pillow}} It was Indonesia's submission to the [[71st Academy Awards]] for [[Academy Award for Best Foreign Language Film|Best Foreign Language Film]], although it was not nominated.{{sfn|Widjaya 2007, Upaya Indonesia Mencari}}


Derek Elley, writing for ''[[Variety (magazine)|Variety]]'', called the movie Nugroho's best work to date, noting that although the opening was weak, "the viewer is slowly drawn into the urchins' nether world".{{sfn|Elley 1998, Leaf on a Pillow}} Holden wrote that the film "hits you in the face with almost unimaginable squalor and a patchwork of teeming sights and sounds that are more than the senses can take in".{{sfn|Holden 1999, Leaf on a Pillow}} In 2010, Ade Irwansyah of ''Tabloid Bintang'' listed ''Daun di Atas Bantal'' as the 17th best Indonesian film of all time, noting that it was the first film in which Nugroho's dialogue was effective and the plot was easy to follow.{{sfn|Irwansyah 2011, 25 Film Indonesia}}
Derek Elley, writing for ''[[Variety (magazine)|Variety]]'', called the movie Nugroho's best work to date, noting that although the opening was weak, "the viewer is slowly drawn into the urchins' nether world".{{sfn|Elley 1998, Leaf on a Pillow}} Holden wrote that the film "hits you in the face with almost unimaginable squalor and a patchwork of teeming sights and sounds that are more than the senses can take in".{{sfn|Holden 1999, Leaf on a Pillow}} In 2010, Ade Irwansyah of ''Tabloid Bintang'' listed ''Daun di Atas Bantal'' as the 17th best Indonesian film of all time, noting that it was the first film in which Nugroho's dialogue was effective and the plot was easy to follow.{{sfn|Irwansyah 2011, 25 Film Indonesia}}


==Awards==
==Awards==
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{{refend}}
{{refend}}
==External links==
==External links==
* {{imdb title|id=0101586|title=Daun di Atas Bantal}}
*{{imdb|id=0156455|title=Daun di Atas Bantal}}
*{{rotten-tomatoes|id=daun-di-atas-bantal-leaf-on-a-pillow|title=Daun di atas bantal (Leaf on a Pillow)}}
*{{rotten-tomatoes|id=daun-di-atas-bantal-leaf-on-a-pillow|title=Daun di atas bantal (Leaf on a Pillow)}}


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[[Category:Films directed by Garin Nugroho]]
[[Category:Films directed by Garin Nugroho]]
[[Category:Films shot in Indonesia]]
[[Category:Films shot in Indonesia]]



[[id:Daun di Atas Bantal]]
[[id:Daun di Atas Bantal]]

Revision as of 05:09, 28 October 2011

Daun di Atas Bantal
Directed byGarin Nugroho
Written byGarin Nugroho
Armantono
StarringChristine Hakim
Heru
Kancil
Sugeng
CinematographyNurhidayat
Edited bySentot Sahid
Music byDjaduk Ferianto
Release date
14 August 1998
Running time
83 minutes
CountryTemplate:Film Indonesia
LanguageIndonesian

Daun di Atas Bantal (released in English as Leaf on a Pillow) is a 1998 award winning Indonesian film directed by Garin Nugroho. It is one of the most acclaimed films from Indonesia in recent years and was the country's proposal for an Academy Award. It was also screened in the Un Certain Regard section at the 1998 Cannes Film Festival.[1]

Plot

The film follows three street children, Sugeng, Heru, and Kancil (played by themselves), in their day-to-day lives in Yogyakarta. Although they live in poverty, are from broken homes, and must sell marijuana to survive, they aspire to rise above poverty and hope to receive an education. They are supported by Asih (Christine Hakim), a saleswoman who lets them stay in her workshop; the children fight over Asih's leaf pillow.

The children's lives do not go smoothly. Sugeng dies after attempting to help another street child, while Kancil is decapitated while playing on top of a train. Heru falls victim to an insurance scam, where he is given false identification papers and then killed to collect the premium.

Production

Daun di Atas Bantal was produced by Hakim, who also played Alih. The film was her first production, and she initially did not intend to act in it to avoid stress; however, she changed her mind after being told the film would be more marketable in Japan if she acted in it.[2] Hakim has called the film "an expensive university" for her because she made a mistake that required Nugroho to reshoot all of the footage. In an attempt to cut expenses, she had saved all cans of exposed film in an attempt to send them to the developing together; upon their receipt, the lab notified her that a technical fault with the camera had rendered the film unusable, and that it could have been detected earlier had she sent each can as it was filmed.[3]

Garin Nugroho in 2010
Garin Nugroho was chosen to direct based on his previous film Dongeng Kancil untuk Kemerdekaan

Hakim chose Garin Nugroho to direct the film, noting that he was a "very talented young director",[3] partly inspired by Nurgoho's 1995 documentary film on street children Dongeng Kancil untuk Kemerdekaan.[2]

The street children in Daun di atas Bantal are actual street children, who portray "dramatized versions" of their own lives.[4][5] After production, Hakim ensured that the children received an education; for example, Heru was placed in a music school.[6]

The sound for Daun di Atas Bantal is Dolby Digital and was done in Australia. At the time, Dolby Digital sound was rare in Indonesian films.[7]

Style and themes

According to Stephen Holden in a review for The New York Times, Daun di Atas Bantal is a "documentary-flavored" film that does not attempt to make the viewer care for the characters; he describes it as being detached and loosely structured.[4] Ade Irwansyah of Tabloid Bintang notes that the plot is much more linear than Nugroho's earlier works, without confusing metaphors or poetic imagery.[5]

The film deals with poverty in Indonesia, as seen through the experiences of the poor.[4]

Release and reception

Daun di Atas Bantal was shown in the Un Certain Regard section at the 1998 Cannes Film Festival[1] on 23 May 1998.[7] It was Indonesia's submission to the 71st Academy Awards for Best Foreign Language Film, although it was not nominated.[8]

Derek Elley, writing for Variety, called the movie Nugroho's best work to date, noting that although the opening was weak, "the viewer is slowly drawn into the urchins' nether world".[7] Holden wrote that the film "hits you in the face with almost unimaginable squalor and a patchwork of teeming sights and sounds that are more than the senses can take in".[4] In 2010, Ade Irwansyah of Tabloid Bintang listed Daun di Atas Bantal as the 17th best Indonesian film of all time, noting that it was the first film in which Nugroho's dialogue was effective and the plot was easy to follow.[5]

Awards

References

Footnotes
Bibliography
  • Elley, Derek (7 June 1998). "Leaf on a Pillow". Variety. Retrieved 22 October 2011.
  • "Festival de Cannes: Daun di Atas Bantal". festival-cannes.com. Retrieved 22 October 2011.
  • Holden, Stephen (10 April 1999). "Leaf on a Pillow (1998): Film Festival Review; Street Boys Of Jakarta: Hopeless, Undeterred". New York Times. Retrieved 22 October 2011. {{cite news}}: Unknown parameter |author_link= ignored (help)
  • Irwansyah, Ade (23 April 2010). "25 film Indonesia Terbaik Sepanjang Masa". Tabloid Bintang (in Indonesian). Retrieved 22 October 2011. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  • Tanvir, Kuhu (2009). "Interview: Christine Hakim". Wide Screen. 1 (1): 1–4. ISSN 1757-3920. Retrieved 23 October 2011. {{cite journal}}: Invalid |ref=harv (help); Unknown parameter |month= ignored (help)
  • Webb, Cynthia (8 December 2010). "Christine Hakim: Going where life leads her". The Jakarta Post. Retrieved 17 August 2011.
  • Widjaya, Yan (22 November 2007). "Upaya Indonesia Mencari Peluang". Suara Pembaruan (in Indonesian). Archived from the original on 12 March 2008. Retrieved 23 October 2011. {{cite news}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)