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The central character and narrator, Wilmet Forsyth, is a married woman with a comfortable though routine life. She does not need to work and enjoys a life of leisure. When not lunching or shopping she occupies her time, somewhat guiltily, with occasional "good works", particularly at the instigation of her slightly eccentric do-gooder mother-in-law. She becomes drawn into the social life of her church, St. Luke's. After a church service one day she renews her acquaintance with a close friend's attractive but ne'er-do-well brother, Piers Longridge. She develops a romantic interest in Piers, and begins to believe that he is her [[secret admirer]]. The admirer is in fact her close friend's husband. Wilmet fails to realise that Piers is [[gay]] until she becomes aware of his relationship with Keith, a lower-class young man.
The central character and narrator, Wilmet Forsyth, is a married woman with a comfortable though routine life. She does not need to work and enjoys a life of leisure. When not lunching or shopping she occupies her time, somewhat guiltily, with occasional "good works", particularly at the instigation of her slightly eccentric do-gooder mother-in-law. She becomes drawn into the social life of her church, St. Luke's. After a church service one day she renews her acquaintance with a close friend's attractive but ne'er-do-well brother, Piers Longridge. She develops a romantic interest in Piers, and begins to believe that he is her [[secret admirer]]. The admirer is in fact her close friend's husband. Wilmet fails to realise that Piers is [[gay]] until she becomes aware of his relationship with Keith, a lower-class young man.


The subject of homosexuality is not infrequent in Pym's work, but it is usually referred to in oblique and subtle ways. This novel is surprisingly frank about the subject, especially for a comedy of manners published in 1958. The reader can reach no conclusion other than that Piers and Keith live together in a romantic relationship. Her remarkable portrait of Keith, though it takes up just a few pages, reveals a multi-faceted archetypal character who is instantly recognizable to anyone familiar with contemporary gay life.{{cn|date=September 2011}}
The subject of homosexuality is not infrequent in Pym's work, but it is usually referred to in oblique and subtle ways. This novel is surprisingly frank about the subject, especially for a comedy of manners published in 1958. The reader can reach no conclusion other than that Piers and Keith live together in a romantic relationship.<ref>[http://www.firstthings.com/article/2007/02/barbara-pyms-affectionate-irony-28 Betty Smartt Carter, "Barbara Pym's Affectionate Irony", ''First Things'', Nov 2006]</ref>


==References==
==References==

Revision as of 10:24, 13 December 2011

A Glass of Blessings
AuthorBarbara Pym
LanguageEnglish
GenreNovel
PublisherJ. Cape
Publication date
1958
Publication placeUnited Kingdom
Media typePrint (Hardcover)
Pages255 pp
ISBNNA Parameter error in {{ISBNT}}: invalid character

A Glass of Blessings is a novel by Barbara Pym, first published in 1958. The title is taken from the poem The Pulley by George Herbert.[1]

Plot summary

The central character and narrator, Wilmet Forsyth, is a married woman with a comfortable though routine life. She does not need to work and enjoys a life of leisure. When not lunching or shopping she occupies her time, somewhat guiltily, with occasional "good works", particularly at the instigation of her slightly eccentric do-gooder mother-in-law. She becomes drawn into the social life of her church, St. Luke's. After a church service one day she renews her acquaintance with a close friend's attractive but ne'er-do-well brother, Piers Longridge. She develops a romantic interest in Piers, and begins to believe that he is her secret admirer. The admirer is in fact her close friend's husband. Wilmet fails to realise that Piers is gay until she becomes aware of his relationship with Keith, a lower-class young man.

The subject of homosexuality is not infrequent in Pym's work, but it is usually referred to in oblique and subtle ways. This novel is surprisingly frank about the subject, especially for a comedy of manners published in 1958. The reader can reach no conclusion other than that Piers and Keith live together in a romantic relationship.[2]

References

Further reading

  • Orna Raz - Social Dimensions in the Novels of Barbara Pym, 1949-1962: the Writer as Hidden Observer (2007)