Jump to content

All Blues: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
m Reverting possible vandalism by 199.119.246.50 to version by 95.148.163.71. False positive? Report it. Thanks, ClueBot NG. (694779) (Bot)
No edit summary
Line 36: Line 36:
It is a [[12 bar blues]] in 6/4; the chord sequence is that of a basic blues and made up entirely of 7th chords, with a ♭VI in the [[blues turnaround|turnaround]] instead of just the usual V chord. In the song's original key of G this chord is an E♭7.<ref>{{cite book | publisher=Hal Leonard Corporation | title=The Real Book Sixth Edition | isbn=0-634-06038-4|page=18}}</ref>
It is a [[12 bar blues]] in 6/4; the chord sequence is that of a basic blues and made up entirely of 7th chords, with a ♭VI in the [[blues turnaround|turnaround]] instead of just the usual V chord. In the song's original key of G this chord is an E♭7.<ref>{{cite book | publisher=Hal Leonard Corporation | title=The Real Book Sixth Edition | isbn=0-634-06038-4|page=18}}</ref>


The piece is made even more distinctive by the bass [[vamp (music)|vamp]] that repeats through the whole piece, except when a V or ♭VI chord is reached (the 9th and 10th bars of a chorus). Further to this, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of ''Kind of Blue'') at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus!
The piece is made even more distinctive by the bass [[vamp (music)|vamp]] that repeats through the whole piece, except when a V or ♭VI chord is reached (the 9th and 10th bars of a chorus). Further to this, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of ''Kind of Blue'') at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus.


While originally an instrumental piece and usually performed as such, lyrics were later written for it by [[Oscar Brown Jr.]].
While originally an instrumental piece and usually performed as such, lyrics were later written for it by [[Oscar Brown Jr.]].

Revision as of 05:02, 22 December 2011

"All Blues"
Song

"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a 12 bar blues in 6/4; the chord sequence is that of a basic blues and made up entirely of 7th chords, with a ♭VI in the turnaround instead of just the usual V chord. In the song's original key of G this chord is an E♭7.[1]

The piece is made even more distinctive by the bass vamp that repeats through the whole piece, except when a V or ♭VI chord is reached (the 9th and 10th bars of a chorus). Further to this, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of Kind of Blue) at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus.

While originally an instrumental piece and usually performed as such, lyrics were later written for it by Oscar Brown Jr..

References

  1. ^ The Real Book Sixth Edition. Hal Leonard Corporation. p. 18. ISBN 0-634-06038-4.