Jacques Chapiro: Difference between revisions
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==Biography== |
==Biography== |
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Being a son of a wood sculptor, he began his artistic education at the early age of ten. In 1915, at the age of 18 he moved to Poland to attend the |
Being a son of a wood sculptor, he began his artistic education at the early age of ten. In 1915, at the age of 18 he moved to Poland to attend the Kraków academy of fine art and in 1918 he moved the Ukraine to study in the Academy of Fine Arts of Kiev. |
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During the [[Russian Civil War]], while pursuing his studies, he contribute to the revolution efforts by painting posters. In 1921, he studied art in [[Petrograd]], and during this period he worked as a decorator in the [[Vsevolod Meyerhold|Meyerhold Theater]]. He worked for [[Constantin Stanislavski|Stanislavski]] and [[Yevgeny Vakhtangov|Vakhtangov]], both notorious in the field of theater. |
During the [[Russian Civil War]], while pursuing his studies, he contribute to the revolution efforts by painting posters. In 1921, he studied art in [[Petrograd]], and during this period he worked as a decorator in the [[Vsevolod Meyerhold|Meyerhold Theater]]. He worked for [[Constantin Stanislavski|Stanislavski]] and [[Yevgeny Vakhtangov|Vakhtangov]], both notorious in the field of theater. |
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Revision as of 18:14, 6 January 2012
Jacques (Ya'akov) Chapiro (1887–1972), a Jewish painter of the School of Paris, was born in Dinaburg, Russian Empire (now Daugavpils, Latvia) and died in Paris in 1972.
Biography
Being a son of a wood sculptor, he began his artistic education at the early age of ten. In 1915, at the age of 18 he moved to Poland to attend the Kraków academy of fine art and in 1918 he moved the Ukraine to study in the Academy of Fine Arts of Kiev.
During the Russian Civil War, while pursuing his studies, he contribute to the revolution efforts by painting posters. In 1921, he studied art in Petrograd, and during this period he worked as a decorator in the Meyerhold Theater. He worked for Stanislavski and Vakhtangov, both notorious in the field of theater.
In 1925, he left Russia in favor of Paris, and settled down in Montparnasse. As of 1926, he exhibited his works at the Salon des Indépendants, the Salon des Tuileries and other places as well. In 1939, he became a refugee, escaping to Carpentras and later on to Hautes-Alpes. When the war ended he traveled to Italy, before returning to Paris. When he did return to Paris he set down to write his book of anecdotal stories taken from the life of the artists from La Ruche. He opposed the demolition of La Ruche in 1967 and he founded, along with Marc Chagall and Raymond Cogniat, a committee that fought against this move. The committee succeeded in its cause. Chapiro’s works can be found in museums in the United States (Chicago), Russia (Moscow) and France (Jeu de Paume, Paris). As to his artistic style, it seems that Chapiro was fond of experiments. His many paintings are much different from one another; some are definitely Cubistic in style, some Impressionists and others Fauvists. We cannot say the same thing on his sketching. Throughout his artistic career, Chapiro kept sketching in his unique signature, with a light and talented hand. It is in his realistic sketching, which are somewhat casual, that one can be truly impressed by his talent.